NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

SA: Who to watch at Standard Bank Joy of Jazz 2017

27 Sep 2017 - 10:33

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Jazz fanatics in Johannesburg are in for a treat when some of the world’s greatest jazz luminaries come to town for the Standard Bank Joy of Jazz (JOJ) festival this week. The event, which is a highlight on Africa’s jazz calendar, takes place at Sandton Convention Centre from 28 to 30 September and will conduct a series of workshops as part of its social-responsibility drive tomorrow.

Salif Keita is a favorite with those who enjoy Malian music.

The event, which is now in its 20th edition, will feature more than 35 artists on four stages: Dinaledi, Conga, Mbira and Diphala. Renowned for creating a platform that champions pan-Africanism, JOJ, the organisers say, also contributes to social cohesion, economic growth and cultural tourism in South Africa. In addition, the event also enables artists to exchange ideas, collaborate and develop the country’s jazz scene.

The presence of American jazz artists at most JOJ festivals has fostered a long-lasting exchange in the arts between South Africa and the US. The late Sathima Bea Benjamin, who spent a considerable amount of time in the US, made various contributions to the South African jazz scene. This prompted former South African president Thabo Mbeki to bestow on her the Order of Ikhamanga in silver in recognition of her contribution as a jazz artist.

The growth of the SA jazz scene can also be attributed to The Jazz Epistles – one of the first major bebop groups in South Africa in the 1950s. Made up of trombonist Jonas Gwangwa, trumpeter Hugh Masekela, pianist Abdullah Ibrahim and the late saxophonist Kippie Moeketsi, the group brought the sounds of US bebop – created by jazz greats Dizzy Gillespie, Charlie Parker and Thelonious Monk, Miles Davis and Art Blakey – to South Africa. As such, The Jazz Epistles became the first South African bebop ensemble to sign a record deal.

A-list line-up

This year, the line-up includes artists such as The Clayton Brothers (US), Branford Marsalis (US), Tutu Puoane, (South Africa/Belgium), Salif Keita (Mali), Somi Kakoma (Uganda), Tsepo Tshola (Lesotho), Nnenna Freelon (US), Musiq Soulchild (US), Thandiswa Mazwai (SA), Jonas Gwangwa (SA), Abdullah Ibrahim (SA) and many others. All artists are slated to deliver unique performances comprising their latest releases as well as timeless classics.

Malian superstar Salif Keita will perform on the Conga stage on 29 and 30 September. Rated among the best musicians on the African continent, Keita, whose distinctive vocal pitch has charmed millions, is expected to share songs from last album Talé. The 68-year-old artist will be a favourite at JOJ where audiences can expect a full ensemble of musicians and compositions in his native Bambara language.

Puoane, who enjoys a huge jazz following in South Africa, will perform at Dinaledi and Diphala stages on 28 and 30 September respectively. The 38-year-old, Belgium-based singer will use the festival as an opportunity to reconnect with her dedicated South African fans. Puoane worked with the Brussels Jazz Orchestra, a big band that invited her to collaborate on the 2010 Meriam Makeba tribute album Mama Africa. The album won in the Best Traditional Jazz Album category at the South African Music Awards (SAMAs) the following year.

Fresh from her Charleston Jazz Festival performance in South Carolina last week, Nnenna Freelon will perform on the Dinaledi stage on Friday 29 September. The six-time Grammy Award nominee, who has worked with Ray Charles, Ellis Marsalis, George Benson and the late Al Jarreau, is expected to wow fans with her captivating smooth jazz vocals and elegant command of the stage. Jazz lovers should expect music from her albums Better Than Anything, Blueprint of a Lady and Tales of Wonder.

Musiq Soulchild will be back in South Africa after playing in the country two years ago. The artist, who fuses soul, R&B and jazz, is billed for the Mbira stage on 29 and 30 September where he will perform songs from his recently released album Feel the Real.

Hugh Masekela, Ramsey Lewis and Geri Allen are out

This year’s JOJ will see the return of artists who performed at last year’s festival. Thandiswa Mazwai, Nduduzo Makhathini, Sisonke Xonthi, Ayanda Sikade and Mthunzi Mvubu are back again, but legendary jazz maestro Hugh Masekela, who also played at JOJ 2016, has cancelled his appearance this year due to complications to his vision.

“We are obviously disappointed that Bra Hugh is unable to be part of this year's line-up, but of course his health takes priority. Bra Hugh’s old friend, Roy Ayers, will perform in his place and we all wish him a strong and speedy recovery,” JOJ founder Peter Tladi said.

Masekela, who was scheduled to perform on 30 September, has cancelled a number of events owing to a number of medical impediments. In April this year, the trumpeter hurt his right shoulder after falling at an event in Morocco. This forced the cancellation of his No Borders album launch in Johannesburg, which was to feature a number of big-name guest appearances. There are rumours that Masekela is also battling prostate cancer.

Adding to the list of cancellations are US jazz composer, pianist and radio personality Ramsey Lewis and Geri Allen. Allen, 60, died on 27 June after losing her battle with cancer. Lewis, who withdrew because of ill health, was scheduled to perform alongside renowned US vibraphone player Roy Ayers who will now deliver a solo performance at JOJ.

20 years of joy

This year JOJ celebrates 20 years since the inaugural festival was held at the State Theatre in 1997. The festival then moved to Newtown Precinct before finding its new home at the Sandton Convention Centre in 2014.

Music In Africa asked organiser Mantwa Chinoamadi how the festival had grown in the past two decades.

“Celebrating 20 years is a big milestone,” she said. “Looking at the line-up, you will notice the legends that are billed. It is seldom that you will get Jonas Gwangwa, Caiphus Semenya, and Abdullah Ibrahim billed on one festival.”

Tickets to Standard Bank Joy of Jazz are on sale via Computicket.

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