NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

SAI HLE performs at Red Bull Symphonic as duo prepares new music release

24 Jun 2026 - 10:44

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South African sister duo SAI HLE performed at the 2026 edition of Red Bull Symphonic in Johannesburg this month, appearing alongside a full symphonic orchestra during a production that was staged before two sold-out audiences and broadcast nationally on television.

Koom Sisters.

The duo, comprising sisters Siphosethu and Amahle Koom, performed vocals on Sun-El Musician's track Koyika during the event, which took place at Montecasino on 13 and 14 June.

This year’s Red Bull Symphonic, themed Afro-house, Our Home, featured a collaboration between house music producer Sun-El Musician and Dlala Thukzin. Their music was reinterpreted by conductor Chad Hendricks and the Red Bull Symphonic Orchestra.

According to organisers, the event marked the first time two headline artists shared the stage in the global Red Bull Symphonic series. The second night was also broadcast live on SABC 1, making it the first edition of the event to be carried live by a national broadcaster.

For SAI HLE, the performance represented the largest audience and platform of their career to date.

Born in Gqeberha and raised between the Eastern Cape and Gauteng, the sisters began singing at an early age after being introduced to music through church choirs. Their professional career started in 2021 and has since included collaborations with artists such as Karyendasoul, BokkieUlt and Marcus Harvey.

The duo also completed a six-month performance residency in Spain and, in 2024, signed a global recording agreement with Platoon.

Reflecting on their appearance at Red Bull Symphonic, the sisters said the occasion marked an important milestone in their development as artists.

“Standing on that stage, with an orchestra behind us and the whole country watching, felt like every choir rehearsal and every late night finally meant something,” said SAI HLE. “We have always believed that from little, much can come. This was that belief made real. To everyone who found us through ‘Koyika’: welcome. There is so much more coming.”

Their manager, Phenyo Kgaffe, said the performance reflected years of work behind the scenes.

“SAI HLE have done the unglamorous work for years, the features, the choirs, the rooms that do not make headlines,” said Kgaffe. “Red Bull Symphonic is the stage that matches the talent. What people saw on that broadcast is not a beginning. It is a duo arriving exactly on time.”

The performance generated reactions from viewers on the event's livestream, with many commenting that it was their first introduction to the duo.

SAI HLE are expected to release a new single in August, followed by additional releases and a debut EP as part of a programme of activities planned across Africa and Europe between 2026 and 2027. Their current single, UBUMNND, is available on digital streaming platforms.

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