NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Top Afrobeats artists of 2020

31 Dec 2020 - 12:02

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These days, anyone looking to explore African music is often first pointed to Afrobeats, the groovy sound nestled mainly in West Africa. The year 2020, like the years that have preceded it, saw the dance genre continue to make believers of all nations.

Davido.

The genre’s growing global traction was seen in traditional and new avenues starting with a steady supply of hit songs, international collaborations and awards – with usual suspects including Burna Boy, Davido, Tiwa Savage and Wizkid leading affairs. In July, the genre got its first ‘official’ chart, which highlights impactful Afrobeats artists in the UK, where the scene has accrued widespread popularity for about a decade.

Last year, for instance, Afrobeats artists spent 86 weeks on the Official Charts Company’s Official Chart Top 40. “This fast-growing genre is having an increasingly powerful impact on the music landscape right now, both in the UK and further afield, through artists including the likes of NSG, J Hus and Burna Boy,” Official Charts Company CEO Martin Talbot said.

For DJ Cuppy “the rise in our music across the last decade has been breathtaking to experience, and 2020 has been a momentous year for artists from back home. It’s a scene that has always been so vibrant and creative, but its popularity has amplified. The floodgates have opened, and the whole world wants in on the motherland.”

Burna Boy

Burna Boy crowned his 2020, which was characterised by the release of a new album and #EndSARS activism, with his second consecutive Grammy nomination. The nod, together with notable feats including high-profile performances, several other nominations and the BET Award for Best International Act, reasserted his place as Africa’s foremost entertainer today.

Wizkid

For something like a decade, the Nigerian star has consistently secured himself a place in the upper reaches. This year is no different, as the singer continued his winning ways with the release of his brilliant new album Made In Lagos, which, in November, became the third most-streamed Nigerian album on Spotify with more than 10 million streams. The ‘Ojuelegba’ star also chalked significant success with his international collaborations, notable among them Beyoncé’s ‘Brown Skin Girl’, which this year was recognised at the NAACP Image Awards, Soul Train Music Awards, and the BET Awards. Wizkid also grabbed the Music of Black Origin (MOBO) trophy for Best African Act, as well as multiple nominations at the 2020 Headies in Nigeria. He also signed an endorsement deal with international sportswear brand Puma, proving his impact in the fashion world, too.

Davido

Like Wizkid, Davido has been an Afrobeats mainstay for many years. As has been characteristic about him over the period, he has functioned as a repository of hit songs. This year, his sophomore full-length A Better Time also dropped. Guesting collaborations from international icons including Nas and Nicki Minaj, the LP, which was released in November, has already exceeded 100 million streams across all digital platforms. Davido’s 2020 was also steeped in political activism as he was among the musicians who spearheaded the #EndSARS protests against police brutality in the country.

Mr Eazi

Joining the list of Afrobeats’ best performers this year is Mr Eazi, who continues to seamlessly straddle his musical career with entrepreneurial activities. Apart from the release of his EP One Day You Will Understand and the star-studded ‘Oh My Gawd’, which swiftly reached No 1 on the iTunes Chart in the US and Billboard World Digital Sales Chart, Mr Eazi, who was recently recognised by the Latin Grammys for guesting on Columbian Reggaeton star J Balvin’s Colores, also expanded his business initiatives – launching the Africa Music Fund earlier this year for emerging artists and securing a global distribution deal between his independent music company emPawa Publishing and Kobalt.

Tiwa Savage

Tiwa Savage also had a good showing this year, complementing her global inroads over the years with the well-received album Celia, which follows Once Upon a Time (2013) and R.E.D (2015). Celia, which was named among Time Magazine’s top 10 albums of 2020, boasts collaborations from Nigerians Davido, Naira Marley, Dice Ailes and Adekunle Gold as well as British artists Stefflon Don and Sam Smith. This year also saw Tiwa make her US TV debut by making an appearance on The Tonight Show Starring Jimmy Fallon. She also contributed an at-home performance to Tiny Desk Concerts, a gig she described as a dream come true. There was also a plethora of award recognitions, including a Soundcity MVP gong for African Video of the Year as well as nominations at the 2020 MOBOs and Headies, to complement her glorious year.

Yemi Alade

‘Johnny’ hitmaker Yemi Alade also joins our list of 2020’s most impactful Afrobeats artists. On 20 November, she issued Woman of Steel, her fifth LP, as the topping for a remarkable year that saw her star in Beyoncé’s film Black Is King and become a brand ambassador for Hollandia Yoghurt and goodwill ambassador of the United Nations Development Programme.

Omah Lay

Omah Lay continues to grow his reputation as incoming Afrobeats golden boy, having racked up millions of streams for his sultry love songs, which unfold in the EPs Get Layd and What Have We Done. The singer, who recently secured a deal with Warner Music, was also listed on Apple Music’s Africa Rising and Audiomack’s #UpNow programme. Showing no signs of slowing down, industry watchers expect the singer to continue his winning ways in 2021.

KiDi

Behind widely successful anthems like ‘Enjoyment’ and ‘Say Cheese’, whose remix guested American R&B legend Teddy Riley, Ghana’s KiDi kept his place among Afrobeats’ elite. The year also saw the musician add to his Vodafone Ghana Music Awards (VGMAs) tally, picking up the trophy for Album of the Year with Sugar.

Kuami Eugene

Kuami Eugene is currently GH music’s top man, having been named Artist of the Year at the VGMAs. Constantly on call for collaborations and shows, the singer also dropped his sophomore project Son of Africa this year, laying bare his intentions to conquer the continent in no time. Despite having to cancel his international tour in support of the project, Kuami Eugene will look back on 2020 with fondness, and as one that established him as a continental brand.

Kelvyn Boy

Kelvyn Boy also responds to the nickname ‘Afrobeats Bad Man’. It’s not for nothing. In his home country of Ghana, he ranks among the foremost Afrobeats campaigners and 2020 saw him release a strong catalogue of stand-alone singles including ‘Mata’ and ‘Momo’. He also released the Black Star album, which many local gatekeepers describe as a striking debut.

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