NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Trumpet Awards to honour Africa’s gospel talent

19 May 2016 - 13:20

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A new initiative aimed at honouring leaders in the gospel industry in Africa and the diaspora, the Trumpet Africa Gospel Music Awards (TAGMA) takes place at the State Theatre in South Africa’s capital Pretoria on Sunday 29 May.

South Africa's Rebecca Malope has been nominated for Best Gospel Artist. Photo: TAGMA/Facebook

The inaugural TAGMA has 21 categories, recognising singers, producers, writers, promoters and managers in over 20 countries. In the running for Best Gospel Artist are Sonnie Badu (Ghana), Yvan Samuel Mauro (Benin), Rebecca Malope (South Africa) and Uche (Nigeria). Also recognized in separate Male and Female categories are Patricia King (Nigeria), Gloria (Kenya), Isabella (Nigeria/UK), Sammy Okponso (Nigeria) and Joe Mettle (Ghana). Soweto Gospel Choir (South Africa), Ambassadors Of Christ (Rwanda), Newlife Ambassadors (Kenya) and Africa Gospel Singers (Burundi) are up for Best Gospel Group.

Due to perform on the night are stars from across the continent: local favourites Benjamin Dube, Mabongi Mabaso and Mahalia Buchanan, Nigerians James Okon and Uche, Joe Mettle from Ghana, Kenya’s Daddy Owen, Shongwe (Swaziland) and Toggie (Zimbabwe).

The event is staged by World Gospel Powerhouse, also hosts of the Crown Gospel Music Awards. The company is based in Durban. South Africa.

“TAGMA is more than just an award bestowed on deserving artists, it’s about development of gospel talent, exposing the underdogs of the gospel industry to the world. It’s about flying the African flags high!” said Zanele Mbokazi of WGP.

The organisers aim to make TAGMA an annual event held every May to commemorate Africa Month, and for the awards to be hosted in different African countries. The event comes three days after Africa Day on 25 May, and the day after the Africa Day concert in Johannesburg. Days later the annual Groove Awards take place in Nairobi, Kenya.

Nominated gospel artists are judged by a panel of specialists from around the continent to select a winner. The full list of Trumpet Africa Gospel Music Awards nominees reads as follows:

Best Gospel Song

  • ‘Wahamba Nathi’ – Solly (South Africa)
  • ‘My God Is Goodo’ – Uche (Nigeria)
  • ‘Nobody Can Say No’ – Sammy Okposo (Nigeria)

Best Gospel Artist

  • Sonnie Badu (Ghana)
  • Yvan Samuel Mauro (Benin)
  • Rebecca Malope (South Africa)
  • Uche (Nigeria)

Online Gospel Radio

  • Praiseworld – Nigeria
  • Hope 93.3 – Kenya, Ghana Christian Radio – Ghana
  • Radio Christian Voice 105.3 Fm (Zambia)

Female Gospel Artist

  • Rebecca Malope (South Africa)
  • Patricia King (Nigeria)
  • Gloria (Kenya)
  • Isabella (UK/Nigeria)

Male Gospel Artist

  • Sammy Okponso (Nigeria)
  • Joe Mettle (Ghana)
  • Sonnie Badu (Ghana)
  • Yvan Samuel Mauro (Benin)

Best Gospel Group

  • Soweto Gospel Choir (South Africa)
  • Ambassadors Of Christ (Rwanda)
  • Newlife Ambassadors (Kenya)
  • Africa Gospel Singers (Burundi)

Best Gospel Collaboration

  • Wumi And Victizzle - Dance For You (Nigeria)
  • Bonnie Deuschle And The Celebration Choir (Zimbabwe)
  • Benachi Ft. Kaberere - Mwanak (Kenya)
  • Toggy Chivaviro And Friends - Ebenezer (Zimbabwe)

Best Gospel Album

  • Benjamin Dube - Sanctified In His Presence (South Africa)
  • Uche - The Glory Experience/ Live In Houtson (Nigeria)
  • Saun P - Channel Of Blessings (South Africa)
  • Onos Brisibi Jehova - Ebenezer (Nigeria)

Best Gospel Event

  • Experience (Nigeria)
  • Groove (Kenya)
  • Crossover Service (Uganda)
  • Unity Oil Thanksgiving (Ghana)

Best Gospel Radio Programme

  • Get Lifted – Zi Fm (Zimbabwe)
  • Gospel Sunday – Milele Fm (Kenya)
  • Vuka Mphefumulo Wami - VOC (Swaziland)
  • Moment Of Deliverance – Radio Christian Voice (Zambia)

Online Gospel Platform

  • Loyiso – Open Book (South Africa)
  • Gateway Online News (South Africa)
  • John Shabani.Blogspot.Com (Tanzania)
  • Gospel Hot Spot (Nigeria)

Best Gospel TV Programme

  • Cross Over 101 (Kenya)
  • Just Gospel (Botswana)
  • The Train Urban Gospel (Namibia)
  • Morning Praise (Zimbabwe)

Best Traditional Gospel Song

  • Toggy – 'Ebenezar' (Zimbabwe)
  • Enkay (Nigeria)
  • Shongwe & Khuphuka (Swaziland)
  • Worship House (South Africa)

Best Contremporary Gospel Song

  • Kenny Sam – 'Imali' (Nigeria)
  • True Promise – 'Mana Urera' (Burundi)
  • Reigning Sisters (Ghana)
  • Tim Godfrey – 'Agidigba' (Nigeria)

Gospel Rap/Hip-hop

  • Mawat (South Africa)
  • Bahati (Kenya)
  • Rizen Rizon (Zambia)
  • Daddy Owen (Kenya)

Best Praise Song

  • Nancy – 'Mulwele' (Zambia)
  • Tumaini Choir – 'Arusha Akuna Mungu Hama Wewe' (Tanzania)
  • Schekina – 'Adorons Jesus' (Ivory Coast)
  • Gae’l – 'Medley' (DR Congo)

Best Worship

  • Sammie Okposo (Nigeria)
  • Mahalia – Holy Is Our God (South Africa)
  • Sifaniso – You Are Worthy (South Africa)
  • Sinach – The Name Of Jesus (Nigeria)

For more details visit the Trumpet Awards website.

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