NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Zimbabwean musician to launch autobiography

10 Apr 2017 - 12:34

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Zimbabwean award-winning guitarist and producer Clive Mono Mukundu is set to launch an autobiography at the Zimbabwe College of Music in Harare on 27 April at 5.30pm. Titled Mono Mukundu: Following the Melody, the book is a chronological collection of memoirs since the launch of his music career.

Clive Mono Mukundu's book is a no-holds-barred account of the high and low points of his career.   Photo: Celebrity Check

NewsDay entertainment news editor Phillip Chidavaenzi and Simba Mudokwani edited the book. Its foreword was written by Joyce Jenje-Makwenda – a well-known Zimbabwean researcher, author, producer and ethnomusicologist.

Mono Mukundu: Following the Melody is the producer’s first book, which he began writing in 2009. Mukundu, who is best known in music circles as ‘Mono’, broke the news on Facebook. “I’ve finally answered the call, the requests have been coming since I joined Facebook, for me to write a book,” he said. “I’m finally going to release my first book, in fact I was writing in secret since 2009. Special thanks to Blessing Vava who gave me some crucial tips on writing memoirs back in 2009.”

Speaking to Music In Africa, the 46-year-old Mukundu said the book was a no-holds-barred account of the high and low points of his career. “In the book I document all achievements and all mistakes and failures without sugar-coating them. This will also be exposing the bad side of the music industry that many artists try to hide.”

“Growing up I had a writing culture – every evening I would document all daily activities. That’s why in the book I have the actual dates of many important events.”

Mukundu said the book would help artists to circumvent some of his mistakes. “So after exposing mistakes that I made, I then explain how a new artist can avoid such mistakes. I also hope this book will inspire fellow artists to document and write their stuff. We should be having books and documentaries about the likes of Mukadota, Chibadura, Chimombe.”

Music In Africa also spoke to Vava, an established Zimbabwean journalist who has worked with several musicians such as Munya Mataruse, Thomas Mapfumo and Jeys Marabini. Vava said autobiographies were significant for artists.

“They are important insofar as protecting the legacy of artists,” Vava said. “It helps in marketing the work of the artist and is also an inspiration for future generations. It is also not limited to providing an insight into the life and work of musicians; it adds to the knowledge in understanding the Zim music industry.”

Mukundu has featured on more than 700 local and international albums. He has worked with bands such as John Ali and Marakashi, Kwasa Kwasa Kings, Egea Gospel Train, Christian Life Centre Band and Black Spirits. Mukundu formed Sarungano Chanters when he was just 17 years old. He launched his solo career in 2007 and produced several hits by top artists, including a collaboration between Jah Prayzah and Jamaican reggae artist Luciano on a song called ‘Roots’.

The Zimbabwe College of Music book launch is free to the public.

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