NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Gig Guide

sortie album JAHRAHMA

2023-11-24 21:45:00

cc-img flag-img

Venue: dakar

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Artiste un jour artiste toujours ! C’est le slogan adopté par l’artiste musicien sénégalais, Tafa Diarabi, Moustapha Diouf à l’état civil. Absent de la scène depuis 2016, l’artiste, qui était en Belgique, revient en force avec un nouvel opus, Jah Rahma. Un condensé des appellations du Tout Puissant. Jha, Dieu et Rahma, autre attribut du divin, pour marquer son retour de la scène, après son retour en 2022 au Sénégal. Ce projet partant de deux enregistrements fait à l’étranger est selon l’artiste une suite de son album précédent, Couleurs, produit par le même label, Princes arts. Victime de deux hernies, dont il a subi des interventions chirurgicales. Le chanteur a également fait face à une extinction de la voix… Des épreuves vécues par Tafa Diarabi avec la philosophie d’un Baye Fall. Il dit avoir subi ces épreuves, entre autres, avec la foi. Pour lui, c’est des fardeaux divins… Il retrace son parcours artistique de la passion depuis l’école, à la prise de conscience d’un talent, pour aboutir avec la maturité professionnelle et avec l’expérience. L’artiste a ainsi fini par comprendre qu’il aspire des émotions des personnes de son entourage et de son milieu qu’il redonne, à travers sa musique, aux mélomanes. L’album, Jah Rahma, est riche de neufs titres acoustiques : Baal Ma, Baby Yo, In The Ghetto, Jaam, So Xamoone, Woeman, Xobay, You’re My Lover et Zaman. Pour Moustapha Diouf, la pratique artistique, c’est un sacerdoce. D’autant que, les vibrations qui lui poussent a chanté essentiellement l’amour, sous toutes ces formes, est le reflet des influences de son environnement. Ce, même si l’expérience est un vécu personnel, c’est des émotions qui fondent sa musique. La création est une subjectivité qui tend vers l’objectivité, clame l’artiste. L’album est, précise le chanteur, une suite logique de ses précédentes productions avec plus d’engagement. Les neufs morceaux de son album sont un choix qui répond aux réalités du marché. La vente en streaming et la vitesse de la consommation des produits sur la toile. Pour assurer la promotion de son album, Tafa Diarabi entend investir la scène et les plateaux de télévision, studios et médias. « J’étais en train de faire les scènes en même temps que le travail de studio. On va investir les médias et des plateaux et scènes pour booster le produit. Le duo avec Mao Sidibé, dans le tire : You’re My Lover, est une collaboration naturelle. On a des projets de spectacle », dévoile l’artiste. Le morceau « So Xamoon » devrait, selon lui, faire partie de l’album précédent, Couleurs de douze titres. C’est un cri de cœur pour les personnes regrettés, signale l’artiste. Le titre de l’album, Jah Rahma « c’est pour rendre grâce à Dieu », indique Tafa Diarabi.

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