NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

opportunities

Call for entries: Chimurenga music competition in Zimbabwe

05 Nov 2020 - 11:05

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The Institute of African Knowledge (INSTAK), in partnership with the Zimbabwe Broadcasting Corporation (ZBC), is calling on musicians to participate in the chimurenga music competition, which will be held from 2 to 23 November.

Zimbabwean chimurenga group Maungira eNharira.

The contest seeks to inform the general public about the history of Zimbabwe, and will run under the theme, Relieving the Chimurenga Inspirational Songs in Modern Day Zimbabwe.

The call is open to musicians aged between 16 and 40. Interested artists should submit a chimurenga song or remix between 30 seconds and five minutes in length.

Participants should email their songs in MP3 format to [email protected] or [email protected].

The submission deadline is 23 November.

The prizes are as follows:

  • First prize – a car, recording contract and $2 000.
  • Second prize – a car and $1 000.
  • Third prize – $500.

Competition rules

Artists

  • Participation is restricted to Zimbabwean artists only.
  • Collaborations with non-Zimbabwean artists will not be considered.
  • Only one music submission per solo artist or group will be accepted.
  • Songs should be either R&B (urban grooves), hip hop or Zimdancehall.
  • All songs must be renditions of old revolutionary chimurenga songs or new compositions.
  • Lyrics must not have hate speech, racial or tribal slurs, or be offensive in any manner.
  • Any artist who knowingly violates the competition rules will be immediately disqualified and barred from future ZBC competitions.

Voters

  • Votes will be accepted via the competition's voting lines and email, which will be provided.
  • Votes are restricted to one per person/listener.
  • Each vote can be used to elect five artists or groups.
  • Voting is open to audiences worldwide.
  • Chain messages are not allowed and will be counted as a single vote.
  • Duplicate postings will be viewed as 'flooding' and will be deleted.

Adjudication process

  • Adjudication will run from 24 to 30 November.
  • The adjudicators will comprise musicians or persons from the entertainment industry who are recognised for their expertise, competence, integrity and fairness.
  • Adjudicators will select the music that receives the most votes by the listeners.
  • Verification of the adjudication process will be done by an independent auditor.
  • First phase of voting will take place from 1 to 8 December.
  • The second phase of voting will run from 9 to 16 December.

“INSTAK is commended for initiating this competition and giving our youth an opportunity to be part of history, remaking Zimbabwean musicians who date back to the actual liberation war,” Minister of Information, Publicity and Broadcasting Services Monica Mutsvangwa said. “Music has been such a part of our lives that there is no aspect of our daily living which can ignore music. African tradition has used music as a medium to engage our ancestry for spiritual connection.

“Music has also been a part of our sad moments like during times of bereavement. Collectively, Zimbabwe has also seen music being used as a tool for bringing the nation together for a given cause. The liberation struggle was also supported by music pieces which were composed for purposes of sending messages to different audiences and purposes.”

ZBC acting CEO Helliate Rushwaya said: “This competition is for the young artists that work very hard to raise our country flag high. It is a celebration and dedication to the old revolutionary songs that played a key role in inspiring Zimbabweans.”

Queries regarding the competition must be directed to ZBC public relations via email at [email protected].

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