NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Ghana mourns dancehall veteran Sonni Balli

10 Jun 2022 - 12:02

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The Ghanaian music fraternity is mourning the death of pioneering dancehall singer Sonni Balli who died at his base in London on Thursday. 

Sonni Balli.

The musician’s death was confirmed by one of his friends, Mark Darlington, on Facebook, and local media reports suggest that he succumbed to cardiac arrest a few days after his 40th birthday on 6 June.

Considered a champion of the reggae subgenre in Ghana, and lauded for his unique fusion of dancehall and hiplife, Sonni Balli was behind local staples such as ‘The Truth’, ‘Frienemy’, ‘Ama Frimpong’ and ‘When You Are Gone’, among others. He is also credited with mentoring a new generation of Ghanaian dancehall artists, notably Samini.

News of his death sparked an outpouring of grief on social media.

“Sonni Balli how could you do this bro,” Darlington posted. “I wished you a happy birthday just this past Monday! This is not fair! I am devastated and heartbroken!”

“Can’t believe you’re gone Sonni Bali,” veteran hiplife producer Jay Q said. “In the late 90s John Agbenu of Precise Music, executive producer for [rap group] VIP, Daasebre Dwamena and Ex-Doe, required my services to work for G-Life. I had already produced VIP’s first album Rana Salla for his record label, so we had a business relationship going. We went to the studio and I met Sonni Bali and Abiola (G-Life) for the first time. With their voices and my beats, we churned the hit song ‘Wate Wani Ayera’. Sonni Bali on that track was a rap artist. It was great working with you. May your musical soul rest in peace.”

“Rest in perfect peace, legendary Sonni Balli,” Reggie Zippy posted. “Thank you for paving the way for most of us to go through the "raglife-hiplife" music scene in Ghana. Sleep well, king. Your name shall forever remain in the good books of Ghana music.”

“Smh, Sonni Balli”, Samini tweeted. “No words”.

Born Sonny Kwabena Amoako Akoanor in the UK, Sonni Balli started his music career at the age of 17, recording his first mainstream success under the tutelage of veteran producer Nana King, who headed Ashanti International record label. Sonni Balli formed the G Life band shortly after. The group, composed of three other friends, was behind the Kotoho and Abrabo in Ghana LPs, before breaking up.

Sonni Balli returned to his solo career, scoring collaborations with hiplife acts Mary Agyapong, Slim Buster and Lord Kenya among others. His debut solo album, recorded after he teamed up with London-based producer Eugene Nartey and Bad Habit CEO Bright Okah, is titled First Scene Second.

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