NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

African music to take centre stage at RBF Pan-Africa event

25 May 2021 - 13:34

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Reeperbahn Festival (RBF) International, in partnership with the Music In Africa Foundation (MIAF) and the German Federal Foreign Office, has released the programme for its Reeperbahn Festival International Pan-Africa digital event from 31 May to 3 June.

Tems, Richie Mensah, Natasha Stambuli and Piriye Isokrari have been confirmed for the Reeperbahn Festival International Pan-Africa digital event.

The B2B music conference will feature panel discussions, keynote addresses, insightful digital company visit, matchmaking sessions and a hybrid showcase experience with European and African artists. Additionally, a songwriting camp organised by ROBA Music Publishing will connect authors, producers and artists from both continents a week before the event.

The MIAF has played a curatorial role in the programme, of which the showcase experience and music industry discussions will be available for the public to view.

The showcase programme will feature Tems (Nigeria), Awa Khiwe (Germany), Kelvyn Colt (Germany) and Yugen Blakrok (South Africa), with the performances broadcast via the Music In Africa Facebook page on 31 May from 8pm CAT.

The second day of Reeperbahn Festival International Pan-Africa will be dedicated to discussion sessions with respected professionals currently working in the African music and entertainment industry, including Boomplay Tanzania general manager Natasha Stambuli, Aristokrat Group founder and CEO Piriye Isokrari (Nigeria), International Federation of the Phonographic Industry regional director for sub-Saharan Africa Angela Ndambuki (Kenya), Daju founder Hannah Shogbola (UK), musician and producer Muzi (South Africa), Lynx Ghana CEO Richie Mensah (Ghana), festival producer Yemisi Mokuolu (UK) and AfroNation executive producer Ruddy Kwakye (Ghana).

The discussions will begin at 2pm CAT on 1 June and take a detailed look at the various areas of the African music industry, including its live music platforms and circuits, genres like amapiano, Afrobeats, Afro-trap, singeli and bongo flava, the potential of music streaming, and digital innovation on the continent. Interested individuals can view the insightful discussions by purchasing tickets here.

European delegates will then take part in digital company visits on 2 June where African decision makers will give valuable insights into their work and market. The company visits will include Africori, Lynx Ghana Limited and perFORM Music Incubator. To round off the event, a matchmaking session will take place on 3 June with a view to foster business collaborations between European and African music industry players.

Reeperbahn Festival International Pan-Africa is a continuation of a reciprocal partnership between the MIAF and Reeperbahn Festival, which saw the German organisation participating at the MIAF’s ACCES music conference in Accra, Ghana, in 2019. Reeperbahn Festival brought three acts and a 30-strong European delegation to the Ghanaian capital, which dedicated itself to learn more about the local music market and create contacts with music professionals from across the African continent. The partnership is broadly based on facilitating sustainable business engagements and exchange between European and African music businesses and professionals, as well as the provision of performance opportunities to musicians in both territories.

“Promoting international cultural exchange and enabling small and medium-sized music industry participants to enter new and relevant cultural markets is the goal we have been pursuing with our spin-off Reeperbahn Festival as a central European music platform since 2016,” Reeperbahn Festival CEO Alexander Schulz said. “With the support of the German Federal Foreign Office, we are taking this strategy into the world – even under the conditions of these challenging times. In cooperation with our partner the Music In Africa Foundation and their fantastic network, our participants are guaranteed the greatest possible amount of attention along with a high level of efficiency in establishing new contacts. With our pan-African edition, I wish all delegates, artists and partners a successful four-day programme.”

For more information, visit the Reeperbahn Festival Pan-Africa official website.

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