NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Darey, Falz, Simi, others top Headies nominee list

09 Nov 2016 - 09:22

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Nominations for the 2016 Headies award have been released with Simi, Adekunle Gold, Falz, Darey, and Brymo at the top of the list with four nominations each.

Simi and Darey have been nominated for the 2016 Headies awards

Simi, who recently released an EP, Chemistry, with Falz, is nominated for Best Recording of the Year and the Best R&B Single, while Falz is nominated in the Artiste of the Year category, and Album of the Year for Stories that Touch.

Both are nominated for Best Collabo, for their collaboration on ‘Soldier’. Brymo, long recognised as one of Nigeria's finest artistes but low on popular acclaim, is nominated for Best R&B/Pop Album for Klitoris, and Best Alternative Song for 'Something Good Is Happening.' Darey's Naked is also in the running for Best R&B/Pop Album.

Wizkid, in what is now a remarkable year for him, returns to the Headies nomination list as a contender for Best Pop Single, Artiste of the Year and Song of the Year categories. This is on the back of recent wins at the MOBO awards, All Africa Music Awards, MTV Africa Music Awards, and MTV Europe Music Awards. Wizkid already has five wins at the Headies, his first came in the Next Rated category in 2011 for ‘Holla at your Boy’; his most recent was 2015's Best R&B/Pop Album award for Ayo.

By considering work released from July 2015 – June 2016 artists like Tekno, whose songs have been popular, will have to wait till next year for a recognition of their efforts. Tekno, however, appears in the Next Rated category, a category which attracted controversy at the last edition.

The Headies, formerly known as the Hip Hop World Awards, was established in 2006 to celebrate excellence in the Nigerian music industry. Below is a full list of the nominations for the 2016 award:


Best recording of the Year

A non-voting category for the best single recording by an artiste or group in the year under review.
  • Emergency – D’banj
  • Pray For Me – Darey Feat. Soweto Choir
  • Love Don’t Care – Simi
  • Orente – Adekunle Gold
  • Something Good Is Happening – Brymo

Producer of the Year

An individual responsible for producing the most acclaimed song or album in the year under review.
  • Dj Coublon ‘Good Time & Raba’
  • Pheels – ‘Pick Up & Lagos Boys’ – Olamide
  • Legendury Beats – ‘Final – Baba Nla’ Wizkid
  • Young John – ‘Mama’ – Kiss Daniel
  • Mastakraft – ‘Fada Fada’, ‘Connect’ – Phyno
  • Oscar Herman-Ackah – ‘Pray For Me’ – Darey

Best Music Video

A voting category for the best conceptualist, best directed and most exciting video in the year under review. This award goes to the video director.
  • Emergency (D’banj) – Unlimited La
  • Mary (Seyi Shay) – Meji Alabi
  • Soldier (Falz Tha Bad Guy) – Clarence Peters
  • Made For You – Banky W
  • Bad – Tiwa Savage Feat. Wizkid – Sesan

Best R&B/Pop Album

A category for the best R&B/Pop Album in the year under review (by single individual or group).
  • New Era – Kiss Daniel
  • Wanted – Wande Coal
  • Klitoris – Brymo
  • Naked – Darey
  • Seyi Or Shay – Seyi Shay

Best R&B Single

A category for the best R&B single in the year under review (by a single individual or group).
  • Love Don’t Care – Simi
  • Made For You – Banky W
  • Super Woman – Wande Coal
  • Pray For Me – Darey
  • Aduke – Tjan
  • Smile – Shaydee

Best Pop Single

A category for the best pop single in year under review (by single individual or group)
  • Mama – Kiss Daniel
  • Final (Baba Nla) – Wizkid
  • Pick Up – Adekunle Gold
  • Osinachi – Humblesmith Feat. Davido
  • Reggae Blues – Harrysong Feat. Orezi, Iyanya, Olamide, Kcee
  • Emergency – D’banj
  • Fada Fada – Phyno Feat. Olamide
  • Money – Timaya Feat. Flavour

Best Reggae/Dancehall Single

A category for the best Reggae/Dancehall single in the year under review (by single individual or group).
  • No Kissing’ – Patoranking Ft Sarkodie
  • Body Hot – Praiz Ft. Jesse Jagz & Stone Bwoy
  • Jaga Love – Jesse Jagz
  • Olowo – Cynthia Morgan
  • Pam Pam – Ketchup
  • Timaya – I Like The Way

Best Rap Album

A Non-Voting Category for the Best Album By A Rap Artiste Or Group In Year Under Review.
  • Eyan Mayweather – Olamide
  • Powerful – Ill Bliss
  • Stories That Touch – Falz
  • Lil’ Kesh – Yagi

Best Collabo

A voting category for the best R&B, Pop or Hip-hop collaborative track (including cameos).
  • Soldier – Falz Feat. Simi
  • Reggae Blues – Harrysong Feat. Orezi, Iyanya, Olamide, Kcee
  • Osinachi – Humblesmith Feat. Davido
  • Wait – Solidstar Feat. Tiwa Savage
  • No Kissing – Patoranking Feat. Sarkodie
  • Money – Timaya Feat. Flavour

Best Rap Single

A voting category for a single (released on-air) recording of a rap.
  • Eyan Mayweather – Olamide
  • Asamalekun – Reminisce
  • Jagaban – Ycee
  • Chukwu Agozi Gogi – Ill Bliss
  • Agu Ji Ndi Men – A-Q
  • Show You Something – Boogey

Best Vocal Performance (male)

A non-voting category for the single male artiste with the most outstanding vocal performance on a single song or album.
  • Brymo – Something Good Is Happening
  • Darey Feat. Soweto Choir – Pray For Me
  • Shaydee – Smile
  • Wande Coal – Super Woman
  • Ric Hassani – Gentleman

Best Vocal Performance (female)

A non-voting category for the single female artiste with most outstanding vocal performances on a single song or album.
  • Simi – Love Don’t Care
  • Seyi Shay – Right Now
  • Aramide Feat. Adekunle Gold – Love Me
  • Omawumi Feat. Angelie Kidjo – Play Na Play

Next Rated

This category is a voting category for the most promising upcoming act in the year under review.
  • Ycee
  • Tekno
  • Mr. Eazi
  • Humblesmith
  • Aramide

Hip Hop World Revelation

A voting category for the best new artiste in the year under review.
  • Kiss Daniel – New Era
  • Seyi Shay – Seyi Or Shay
  • Lil’ Kesh – Yagi
  • Runtown – Ghetto University

Lyricist on the Roll

A non-voting category for the Rap Artiste with the best lyrical depth and performance on a single song or album.
  • Ill Bliss – Chukwu Agozi Gogi
  • Reminsce – Asalamaleku
  • Ycee – Jagaban
  • Boogey – Show You Something
  • A-Q – Agu Ji Ndi Men’
  • Modenine – No Matter What

Best street-hop Artiste

A voting category for the artiste whose songs are inspired by the streets. Such song should captain lingua, which may also be originated by the artiste and popular on the street.
  • Olamide – Who You Epp
  • Ajebutter Feat. Falz – Bad Gang
  • Koker – Ko Le Werk
  • Ycee – Jagaban
  • Small Dokta – Gbera
  • 2t Boys – Customer Dada Ni

Best ‘Alternative’ Song

A voting category for the artiste whose songs reflect any form or style of music which falls outside the mainstream of recent or past popular musical trends.
  • Pick Up – Adekunle Gold
  • Something Good Is Happening – Brymo
  • You Suppose Know – Bez
  • Wait For Me – Johnny Drille
  • Gentleman – Ric Hassani

Album of the Year

A voting category for the best album (solo or group) in year under review, that meets judges requirements of excellence (Songwriting, production, rendition and promotion) and acceptability (Sales and popularity).
  • Stories That Touch – Falz
  • New Era – Kiss Daniel
  • Wanted – Wande Coal
  • Seyi or Shay – Seyi Shay

Artiste of the Year

Most critically and commercially adjudged artiste in the year under review. Overall most successful artiste for the year under review.
  • Wizkid
  • Tiwa Savage
  • Falz
  • Yemi Alade
  • Olamide

Song of the Year

A voting category for the most popular song in the year under review.
  • Final (Baba Nla) – Wizkid
  • Osinachi – Humblesmith Feat. Davido
  • Pick Up – Adekunle Gold
  • Reggae Blues – Harrysong Feat.
  • Fada Fada – Phyno Feat. Olamide

African Artiste

A non-Nigerian award category for an individual African artiste or group with the most outstanding achievement, impact and infiltration into the Nigerian music scene in the year under review.
  • Sauti Sol
  • Casper Nyovest
  • Dj Maphorisa
  • Stonebwoy
  • Sarkodie

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