NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenyan musician Winyo collaborates with two international artists

13 Dec 2016 - 08:31

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What do you get when you blend Kenyan artist Winyo’s rich and soulful music with British songstress Joss Stone’s nimble, lustrous vocals? You get ‘Gikalo’, a new collaboration that harnesses the best of both musicians.

Winyo Shiphton. Photo: Ketebul Music

Stone, a multi-platinum and Grammy award-nominated singer was in Nairobi for a concert held on 26 November as part of her Total World Tour. Part of her mission is to collaborate with local musicians from the host countries. Enter Shiphton Onyango, aka Winyo, a singer and guitarist whose contemporary renditions of old-school benga and his powerful yet warm voice give melody to the beautiful poetry of his lyrics. Gikalo is Dholuo for ‘This too shall pass’. Winyo sings in his mother tongue, with a smattering of English and Kiswahili.

Stone posted videos of their session on Facebook with the captions “This clip is a little piece of a song called 'This too shall pass', words I say to myself and others often. Much needed and very true. Sang by a very bright smiley man. Just what the doctor ordered” and later, “Here is the full video from our Kenyan collaboration with the lovely smiley man Winyo. He has such a deep and rich soulful voice. It made our day”.

From Kenya, Stone proceeded to Zanzibar, where she did a collaboration with a Tanzanian artist, Ashimba, before touring Malawi, Mozambique and Sudan.

Winyo seems to be having a good run on collaborations with international artists. Just last month, he released another collaboration with Heather Maxwell, an American singer-songwriter and radio host of the award-winning show, Music Time in Africa (MTIA) on Voice of America (VOA).

The wistful ‘Abiro’, Dholuo for ‘I am coming’ is a heartfelt appeal to a traveling lover to return home. Winyo says that both being avid travelers, he and Maxwell could relate to the themes of loneliness and longing.

“I have been fortunate to be asked by Ketebul Music to collaborate with these accomplished artists. It is the chemistry that results when two musicians meet that determines the success of a collaboration, and in these two instances, we made good music,” says Winyo.

Maxwell, who has long studied and interacted with African music, was in Nairobi to conduct research on Kenyan music for VOA, and she reached out to Ketebul Music for its longstanding efforts in preserving local sounds and promoting local artists.

Winyo says international artists look for a contemporary musician with an authentic local sound, and that is why we must sing our own music.

“Ketebul artists try to push local music and the world sees it. We don’t have to imitate the Western musicians or even Nigerians. We Kenyans need to sound like ourselves. Our music is good enough” he says.

Winyo, whose career began in 2009 has performed on major stages at home and abroad – Smithsonian Folklife Festival in Washington DC, Library of Congress, Doadoa Festival in Uganda, The Rift Valley Festival 2012 and Africa Festival in Wurzburg, Germany among others. He released his debut album as a solo artist, Benga Blues in September 2012 and is currently working on his second.

His other collaborations on stage and in studio are with both local and international artistes like Vieux Farka Touré, Sophie Grant, Alif Naaba, Leo Mkanyia, Makadem, Kato Change and Nina Ogot.

So, any other collaborations in the cards for Winyo? Yes. He says he has recorded a song with Dan Chizi Aceda, another benga artist, and they are now shooting the video.

“We will release it in January next year,” he reveals.

Watch the videos of the collaborations below:

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