NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Music and art collide at ‘African Futures’

16 Sep 2015 - 09:26

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What might various African futures look like? How do artists and academics imagine this future? And what forms and narratives of science fiction are currently being developed in Africa? From 28 to 31 October 2015, the Goethe-Institut’s African Futures festival will address these and other questions with a wide range of events throughout Johannesburg, as well as at partner festivals in Lagos and Nairobi.

Keziah Jones on the cover of his latest album 'Captain Rugged'.

More than 50 international guests have been invited to African Futures, including Nnedi Okorafor (Nigeria), Jean-Pierre Bekolo (Cameroon), Spoek Mathambo (SA), Faustin Linyekula (DRC) and Achille Mbembe (Cameroon/SA). They will be exploring visions of the future, following potential narratives and artistic expression in music, literature, fine arts, performance, film and various digital formats. Concurrent interdisciplinary festivals will be taking place in Lagos and Nairobi.

The festival kicks off in Johannesburg on Wednesday 28 October with a conversation between award-winning writers Nnedi Okorafor (Nigeria/USA), Lauren Beukes (South Africa), Leif Randt (Germany) and Binyavanga Wainaina (Kenya). The programme culminates in a futuristic concert at the Alexander Theatre in Braamfontein. Music lovers are invited to join for this closing party of African Futures on Saturday 31 October from 9pm till late. German-Ghanaian-Portuguese collective Gato Preto will play alongside Nigerian musician Keziah Jones, with South African Spoek Mathambo presenting a brand new set of music in collaboration with yet-to-be-announced Mozambican musicians. Each of them will be featured artists will be performing music that relates to the theme of African Futures.

Nigerian singer-songwriter and guitarist Keziah Jones, who accompanied US star Lenny Kravitz on his world tour, will present music from his latest album Captain Rugged, which was accompanied by a graphic novel, about the adventures of an African superhero. Gato Preto, the German-based music duo of Gata Misteriosa (Mozambique/Portugal) and Lee Bass (Ghana/Germany), will perform material from their Mysterious Black Cat project and their new album, to be released in October 2015. Tickets for the event will be R120.

Spoek Mathambo, a prominent South African musician, DJ and film-maker, will present his vision of Afro-futurism with a new collaborative project called Batuk with fast-rising South African DJ/producer Aero Manyelo and with vocalists/artists Nandi Ndlovu and Carla Fonseca. Spoek explained: “The central function of Batuk is to proudly destroy xenophobic sentiments in South Africa by bridging different African countries based on shared and exchanged rhythm culture and language. At the African Futures festival, we want to interrogate/criticize and expand on ideas of futurism in African music. We are working on a collaboration with a traditional music collective from the Inhambane area in Mozambique, with the aim to create and record an original set of music, which we will perform live as part of the African Futures programme.

"Paradigms of futurism are usually (if not always) based on foreign standards, ie. the most futuristic/progressive is the least African. We aim to create a live suite of music to challenge and break through these ideas, as well as build new models of collaboration between urban and rural musicians in the African context. Our future as African musicians lies in recovering, exploring and expanding on ancient music ideas as well as re-balancing hierarchies in how modern music is analyzed and critiqued,” added Spoek.

“Much thought-provoking work has been produced when artists engage with ideas around ‘future’,” says Lien Heidenreich-Seleme, Head of Cultural Programmes at the Goethe-Institut South Africa. “We are excited to see our festival guests build bridges between the arts, technology and critical discourse, and reflect on how contemporary realities in Africa potentially provide answers to questions yet to come.”

Besides exhibitions, a film series and a virtual reality workshop, the programme will also feature a live video conference connecting Johannesburg with São Paulo and New York – two cities whose cultural production is strongly shaped by African influences. During the run up to the festival, writers Lindokuhle Nkosi (Cape Town) and Percy Zvomuya (Harare/Johannesburg) will explore some of the many facets of African Futures on the Tumblr www.goethe.de/africanfutures, including Black Feminism, Indigenous Knowledge Systems and Knowledge Production in Africa. The Tumblr also features the festival programme, curatorial board and participants of the festival.

The African Futures media launch takes place on Friday 9 October from 10:30am at the Goethe-Institut, 119 Jan Smuts Avenue, Parkwood. To RSVP or for more information, contact Benjamin Keuffel at [email protected].


Win concert tickets!

Spoek Mathambo’s latest project brings him together with Aero Manyelo, Carla Fonseca and Nandi Ndlovu. As a collective, Batuk, they will perform new music for the first time at the Goethe-Institut’s African Futures Music Concert and Party in Johannesburg next weekend. Stand a chance to win two tickets for this party! All you have to do is find the profile of one of the above-mentioned artists here on Music In Africa and email the link with your name and contact details to [email protected].

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