NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

PricewaterhouseCoopers (PwC)

PwC: Nigeria’s music sector to reach $86m by 2020

23 Sep 2016 - 15:13

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“Nigeria has one of the fastest-growing markets in the entertainment and media industry,” says esteemed auditing firm PricewaterhouseCoopers (PwC) in the Entertainment and media outlook: 2016 – 2020 report for South Africa, Nigeria and Kenya released on 22 September.

Tiwa Savage, Wizkid

The report produces historical growth figures in the entertainment industry from the first half of the decade—2011 to 2015—and then forecasts growth figures for the latter part.

The eleven categories covered by the report are, the internet, television, filmed entertainment, video games, business-to-business publishing, recorded music, newspaper publishing, recorded music, magazine publishing, book publishing, out-of-home-advertising and radio.

All of these categories will show marked growth in Nigeria and the other countries covered over the next four years. This growth, according to the report, will be propelled by internet access, especially in Nigeria.

The country’s music sector, in particular, will benefit from increased internet access as revenue doubles over the decade. By 2020, the Nigerian music industry is expected to be worth $86 million from $40 million in 2011 and $47 million in 2015. The forecasted growth is linked directly to mobile devices. “Mobile music,” says the report, “is driving revenue in the music segment, again benefitting from its piracy-proof nature.”

Says PwC: without revenue from ringtones and ringback tones Nigeria’s “legitimate music sector [is] small otherwise” as by 2020, digital access to music will be responsible for “over 90% of Nigeria’s recorded music.”

Taken together, however, both physical and digital access to music will see the Nigerian music market experience a growth of 12.9%, a little over the total growth rate (11%) predicted for the entertainment and media sector.

The report by PwC ties into announcements made by the telecoms company MTN. Last year, the company was the “largest distributor of music in Nigeria,” and this year it has announced a revenue of $70m from selling music.

Overall, Nigeria emerges as the country with the highest reliance on the internet for revenue.

“Although South Africa’s market is characterised by a tendency to be overly weighted to Internet access,” says the report, “with that segment’s share approaching 40% by 2020, this is nothing compared to the stranglehold Internet has over Nigeria’s E&M revenue. In 2015, Internet access revenue accounted for just under 50% of the US$3.8 billion figure and, in 2020, that proportion will rise to 61%.”

Also, with a predicted annual growth rate of 11% across the eleven categories, Nigeria will grow at a pace that “globally, only Indonesia (13.2%) can exceed.”

It is worth noting that both Nigeria and Indonesia are among the 10 most populous countries in the world, and as such have a considerable market for entertainment products.

The increased growth that will be seen throughout this decade has coincided with the rise in popularity of Nigerian music—as deals have been sealed across the Atlantic. Weeks ago, a number of Nigerian artists were among an all-star line-up for the One Africa Music Fest in the USA; popstars Wizkid and Davido have signed with Sony; Tiwa Savage has a deal with Jay Z’s Roc Nation; and the US-based artist Jidenna has performed in Nigeria.

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