NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

West African artists to watch in 2021

31 Dec 2020 - 10:51

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West Africa has habitually supplied the biggest stars in African pop. For decades, the region has also functioned as a mill for a new contingent of hitmakers and sonic pathfinders.

Tems, Omah Lay, Trille and Gyakie.

Here is Music In Africa’s list of artists from the region to watch:

Gyakie

Daughter of Ghanaian highlife legend Nana Acheampong, Gyakie launched her career in 2019 with ‘Never Like This’, a heart-wrenching love song underlined by heavy hip hop beats and tender vocals. The song, which also leaks characteristics of highlife, R&B and soul, summarises her style. It set the tone for her debut collection, Seed. The five-track EP further cemented her position as an artist to watch and secured her a Vodafone Ghana Music Awards (VGMAs) Unsung nomination.

Larusso

In a country where dancehall has become mainstream over the past decade or so, the search is ongoing for the next artist who is set to take up the mantle from modern Ghanaian greats like Samini, Stonebwoy and Shatta Wale. For industry gatekeepers and pop music enthusiasts, Larusso, who has already collaborated with the aforementioned stars, is next in line.

Freda Rhymz

Ghanaian hip hop and Afropop act Freda Rhymz first attracted mainstream attention in 2017 when she won season 6 of music reality show MTN Hitmaker. Since then, she has not looked back. For the ‘Saucy’ singer, 2020 proved to be a particularly impactful year as she demonstrated with her rap offerings that she can stand shoulder-to-shoulder with more established colleagues like Sista Afia and Eno Barony.

Teflon Flexx

Months ago, rapper Teflon Flexx became the first musician from the Upper East region of Ghana to win the VGMAs Unsung category, which is dedicated to emerging artists. Flexx is behind locally well-received songs like ‘Madina’ and ‘Eskebelebe’, which the musician artfully weaved with galvanising verses and hooks.

Tems

Tems is the charismatic Nigerian singer-songwriter and producer responsible for successful records such as ‘Mr Rebel’ and ‘Try Me’. A YouTube Music Foundry alumna, Tems has also been listed by Apple Music and Spotify as an emerging African artist to watch. High-profile collaborations with Wizkid and Davido, as well as her innovative new collection For Broken Ears, have culminated in a meteoric year for her – and she shows no signs of slowing down.

Omah Lay

If Nigeria is a cradle of Afrobeats and Afro-fusion, Omah Lay is the country’s latest sonic innovator of these idioms. His smooth style and bare take on the subject of love, in particular, have contributed to the enormous success of his 2020 EPs Get Layd and What Have We Done. It also earned him a place as Apple Music’s first featured Africa Rising artist, as well as a feature on Shazam’s Naija Risers playlist, which premiered on Apple Music in October. The following month, Audiomack selected him for the #UpNow series for emerging artists.

Bella Shmurda

At just 23 years old, Nigerian singer Bella Shmurda has already come into the first flushes of fame. It started with his determined debut single ‘Vision 2020’ whose remix features Olamide. A record deal with Olamide’s YBNL label quickly followed. Shmurda also contributed golden hooks on 2020 albums by the ‘Pawom’ man and Davido.

Trille

Trille is the man behind ‘Zombie Dance’, one of Liberia’s biggest songs this year. Locally regarded as a fast-rising sensation, the singer took home the New Artist of the Year Award at the recently held 2020 Liberia Music Awards, establishing himself as the latest prince of Liberian pop.

FOC

Signed to JMG Records in Sierra Leone, FOC’s acclaim began in 2015 with his knack for catchy freestyles. That lyrical ability has expanded into pop staples like ‘Yagba Dem’ and ‘Kanumasala Dae’. The talented rapper was also among the artists with the most nominations at the 2020 National Entertainment Awards (NEAs) with three nods.

Jizzle

There’s no question about Jizzle’s reputation as Gambia’s golden boy. Since clinching the award for Best Upcoming Artist of the Year at the 2014 Gambian Entertainment Awards, the versatile pop artist’s career has only looked up, even securing a nomination at the 2016 All Africa Music Awards. He is also responsible for a glowing catalogue that was this year updated with songs like ‘Jealousy’, ‘Te Amo’, ‘Work and Pray’ and ‘FMF’. The year 2020 not only saw Jizzle consolidate his impact on the West African country but also fuelled his journey to spread his gospel to new audiences.

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