NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

banner image

Boomplay Recap 2022: Otile Brown, Nadia Mukami among most-streamed artists in Kenya

Home/Non classé/Boomplay Recap 2022: Otile Brown, Nadia Mukami among most-streamed artists in Kenya

Boomplay Recap 2022 provides an overview of music consumption and insights into listeners’ musical tastes and preferences for the year. It also enables fans and subscribers to discover their personalised lists of top songs, artists, albums and genres.

It presents data and insights into music consumption and engagement on Boomplay reviewed under a specific period. It also profiles and segments music data by country, artists and users, providing an actual reflection of music listenership and engagement habits of local music industries in Africa.

The authenticity and relevance of Boomplay’s data and charts as the accurate picture of music consumption are based on Boomplay’s user base, which is largely the lower and middle-class demographic, the largest population segment on the continent. Thus, it is more inclusive and captures the on-the-ground music taste and habits of music consumers.

Streaming on Boomplay grew in 2022 by 248%, buoyed by its 88m monthly active users and a record increase in Boomplay’s catalogue to over 90 million songs.

For the year 2022, Boomplay Recap by country highlights categories including Top Male Artists, Top Female Artists, Top Booming Artists, Most Streamed Songs and Albums, among others, while Recap for Artists shares 2022 stats of individual artists, including the Total Streams, Hours Streamed, Listeners, Most Streamed Song and Most Streamed Countries.

On the other hand, users on Boomplay (Boombuddies) will have access to personalised results of their music consumption and engagement on Boomplay through the users’ recap which highlights their 2022 music journey by revealing details such as the number of songs they listened to, their top genres, discoveries, top artists, songs they had on repeat and many more interesting personal insights.

According to Boomplay’s 2022 Recap for Kenya, hip hop makes a massive leap with front runners Wakadinali making it to Top Male Artists behind Otile Brown and Bahati who occupy the top two spots respectively, for yet another year. Nadia Mukami leads the Top Female Artists category for the fourth year in a row while Mercy Masika and Nikita Kering’ closed out the top three.

The most streamed songs on Boomplay saw Boondocks Gang’s Exray Taniua alongside Trio Mio and Ssaru occupy the third slot with their viral hit ‘Sipangwingwi’, while Otile Brown and Bahati take up the top two spots respectively with ‘Jeraha’ featuringJovial and ‘Adhiambo’ featuring Prince Indah, respectively.

Kathy Praise leads the most streamed Gospel Song in 2022 with her single ‘Usikiaye Maombi’ as Gloria Muliro puts up a double entry with ‘Narudisha’ at No 2 and ‘Nakubaliana’ at No 3.

New stars emerged, as seen on the Top Booming Artists category featuring Iyanii, Fathermoh and Nasha Travis, all of whom had their breakout hits in 2022. Nasha Travis showed a tremendous growth of 1 064% in streams and 521% in listeners.

For the Top 100 Kenya, which is Boomplay’s weekly chart of the most streamed records, Tanzania’s Diamond Platnumz took the top spot 13 times with ‘Mtasubiri’ featuring ZuchuJay Melody follows closely topping the chart 11 times courtesy of the smash hit ‘Nakupenda’ as Joeboy’s ‘Sip (Alcohol)’ led the top 100 for eight weeks in 2022.

In April 2021, Afrobeats megastar Burna Boy reached 100 million streams, making him the inaugural member of Boomplay’s prestigious Golden Club, which celebrates artists achieving this outstanding streaming accomplishment. Since then, 36 other artists from all over the world have joined the Golden Club, including Otile Brown who became the first Kenyan artist to do so in September of 2022.

Boomplay has resolved to use strategic partnership and development initiatives to empower Africa’s digital music ecosystem to realise its potential. Recent partnerships with France’s Generations Radio and telcos Telkom and Safaricom in Kenya are moves towards the progress of the streaming culture and legal music consumption while expanding the reach of artists globally and helping Kenya’s music industry to be more viable and beneficial to all stakeholders.

#BoomplayRecapKE2022 playlists are now streaming on the Boomplay app in different genres and categories, capturing all the artists and songs in the recap and more for users to enjoy and relive their favourite songs and moments of 2022. The playlists can be found in a special in-app music section tagged Boomplay Recap 2022.

Top Male Artists 2022

  1. Otile Brown
  2. Bahati
  3. Wakadinali

Top Female Artists 2022

  1. Nadia Mukami
  2. Mercy Masika
  3. Nikita Kering’

Most Streamed Songs 2022

  1. 1. Jeraha – Otile Brown ft. Jovial
  2. 2. Adhiambo – Bahati ft. Prince Indah
  3. 3. Sipangwingwi – Exray Taniua ft. Ssaru and Trio Mio

Top Booming Artists 2022

  1. Iyanii
  2. Fathermoh
  3. Nasha Travis

Most Streamed Albums 2022

  1. Love Like This – Bahati
  2. Just In Love – Otile Brown
  3. Victims of Madness – Wakadinali

Chart Topping Songs 2022

  1. Mtasubiri – Diamond Platinumz ft. Zuchu
  2. Nakupenda – Jay Melody
  3. Sip (Alcohol) – Joeboy

[video:https://www.youtube.com/watch?v=GvlpnYMqdNc width:744 height:446 autoplay:0]

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media