NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

banner image

Telecel Ghana Music Awards board corrects nomination list

Home/Non classé/Telecel Ghana Music Awards board corrects nomination list

Formerly known as the Vodafone Ghana Music Awards, the awards show will commemorate its 25th anniversary this year, honouring outstanding musical accomplishments by Ghanaian artists in genres such as highlife, hiplife, Afropop and traditional music.

The latest nominee update, ahead of the awards ceremony on 1 June and as part of a “commitment to fairness”, came in a statement published on 16 April.

The corrections involve artists Amerado, O’Kenneth and Xlim Kid. “After careful evaluation of all submissions, the board confirms that there were neither errors nor omissions in the nominations list, except for the following: ‘Lonely Road’ by O’Kenneth and Xlim Kid and ‘Kwaku Ananse’ by Amerado,” the TGMAs said. 

Regarding ‘Lonely Road’, the TGMAs clarified that the submission was initially filed as a featured work, but both artists’ management highlighted that it was a joint project. Consequently, the nomination has been corrected to reflect that.

In the case of ‘Kwaku Ananse’, the board admitted to initially nominating the remixed version of the song in the Best Highlife Song category instead of the original. This affected its consideration for the Most Popular Song of the Year category. However, after a review, the board has nominated the original version of ‘Kwaku Ananse’ in the Best Highlife Song category and included it for the Most Popular Song of the Year Award. With these corrections, Amerado now boasts six nominations at the awards. 

Meanwhile, nominees have been announced for outstanding categories including Producer of the Year, Audio Engineer of the Year and Best Video Director of the Year.

In the Producer of the Year category, the nominees include Kuami Eugene, Killbeatz, MOG Beatz, Liquid Beatz, IzJoe Beatz and Beatz Vampire, while contenders for the Audio Engineer of the Year trophy include Mix Master Garzy, Liquid Beatz, Killing Skills, Josh Blakk & Richard Nkwankwo, Loudaa, and Daniel Ayittah.

The Best Video Director of the Year nominees include Yaw SkyFace, Lauren Dunn, David Nicole Sey, Xbill Ebenezer, Rex, The Boldz, Babs Direction, Bani Wxrld, JWillz, and XBill Ebenezer.

Kuami Eugene now heads into this year’s awards as the most nominated artist after being shortlisted 18 times, followed by Stonebwoy with 17 and Sarkodie with eight. Last year’s biggest winner, Black Sherif, who converted five of his nominations into victories including for Artist of the Year, has also been nominated eight times.

Below is the updated nominee list:

Best Hiplife Song

  • ‘Insha Allah’ – Okyeame Kwame ft. King Paluta
  • ‘M’asesa’ – Jay Bahd ft. Kweku DMC, SkyFace SDW
  • ‘Oh My Linda’ – Reggie Osei, Jay Bahd, O’Kenneth, Kweku DMC
  • ‘Twatis’ – Oseikrom Sikana ft. Kwaku Smoke
  • ‘Y’ahite Remix’ – King Paluta ft. Kuami Eugene
  • ‘Eny3 Nwanwa’ – Guru

Best Highlife Song

  • ‘Adoley’ – Camidoh
  • ‘Party’ – Adina ft. Kofi Kinaata
  • ‘Kweku Ananse’ – Amerado ft. Fameye
  • ‘Manodzi’ – Stonebwoy ft. Angelique Kidjo
  • ‘My Darling’ – Akwaboah ft. Kwabena Kwabena
  • ‘Overthinking’ – Kofi Kinaata
  • ‘Vero’ – Kelvyn Boy
  • ‘Yolo’ – Kuami Eugene
  • ‘You Dey Feel The Vibe’ – FRA! ft. Nana Yaw Ofori Atta
  • ‘Africa Money’ – Wendy Shay

Best Hip Hop Song

  • ‘Lonely Road’ – O’Kenneth, Xlimkid
  • ‘Otan’ – Sarkodie
  • ‘Scar’ – Gyakie ft. JDee
  • ‘Sowutuom’ – Medikal
  • ‘Dear God’ – Strongman
  • ‘Yaya’ – Black Sherif
  • ‘Akatanii’ – Kweku Smoke
  • ‘The Hardest’ – Amerado

Best Afrobeats Song

  • ‘Hossana’ – Banzy Banero
  • ‘Broken Heart’ – DJ Vyrusky ft. Kuami Eugene
  • ‘Otello’ – Fancy Gadam ft. Kuami Eugene
  • ‘Liquor’ – KiDi
  • ‘Monica’ – Kuami Eugene
  • ‘Case Remix’ – Mr. Drew ft. Mophty
  • ‘Goodsin’ – Olivetheboy

Best Afropop Song

  • ‘Super Super’ – Efya
  • ‘Not God Remix’ – Fameye ft. Stonebwoy
  • ‘Rent Free’ – Gyakie
  • ‘I Lied’ – KiDi
  • ‘Terminator’ – King Promise
  • ‘Bad Boy’ – Lasmid
  • ‘Till We Die’ – Sarkodie ft. Ruger
  • ‘Into The Future’ – Stonebwoy

Best Gospel Song

  • ‘Tears of Joy’ – Patience Nyarko
  • ‘Anuonyam’ – Mabel Okyere
  • ‘Aseda’ – Nacee
  • ‘Kaafo’ – Perez Muzik
  • ‘Mo’ – Piesie Esther
  • ‘100%’ – Scott Evans
  • ‘Say Amen’ – Diana Hamilton
  • ‘Victory’ – Joyce Blessing

Best Reggae/Dancehall Song

  • ‘Truth’ – DSL
  • ‘Stubborn SoulJah’ – Epixode
  • ‘Efiekuma Love’ – Kofi Kinaata
  • ‘San Bra’ – Samini
  • ‘Non-Stop’ – Stonebwoy
  • ‘Eyeball Remix’ – Ras Kuuku ft. Samini

Collaboration of the Year

  • ‘Liquor’ – KiDi ft. Stonebwoy
  • ‘Lonely Road’ – O’Kenneth, Xlimkid
  • ‘Case Remix’ – Mr Drew ft. Mophty
  • ‘Twatis’ – Oseikrom Sikani ft. Kweku Smoke
  • ‘Kwaku Ananse Remix’ – Amerado ft. Fameye
  • ‘Y’ahitte Remix’ – King Paluta ft Kuami Eugene
  • ‘You Dey Feel The Vibe’ – FRA ft Nana Yaw Ofori Atta
  • ‘My Darling’ – Akwaboah ft Kwabena Kwabena

International Collaboration of the Year

  • ‘Scar’ – Gyakie ft. JBee
  • ‘Butter My Bread’ – Jyzno ft. Lasmid
  • ‘Terminator’ – King Promise ft. Yung Jon
  • ‘Manodzi’ – Stonebwoy ft. Angelique Kidjo
  • ‘Cryptocurrency’ – Kuami Eugene ft. Rotimi
  • ‘Wotowoto Season’ – Odumodublvck ft. Black Sherif
  • ‘Till We Die’ – Sarkodie ft. Ruger
  • ‘Perfect Combi’ – King Promise ft. Gabzy

Best Highlife Artist

  • Abiana
  • Akwaboah
  • Kofi Kinaata
  • Kuami Eugene
  • FRA

Best Rap Performance

  • ‘The Hardest’ – Amerado
  • ‘Warning’ – Eno Barony
  • ‘Boasiako’ – FimFim
  • ‘5th August (7)’ – Lyrical Joe
  • ‘We Made It’ – Medikal
  • ‘Otan’ – Sarkodie
  • ‘Dear God’ – Strongman

Best Male Vocal Performance

  • ‘Don’t Cry (Kaafo)’ – Perez Muzik
  • ‘Gyidie’ – Kyei Mensa
  • ‘You Are Great’ – Kofi Karikari ft Eternity
  • ‘Hankipanki’ – Josh Blakk
  • ‘Brown Skin Girl’ – Camidoh
  • ‘I Lied’ – KiDi

Best Female Vocal Performance

  • ‘Baby’ – Adina
  • ‘Far Away’ – Abiana
  • ‘His Grace’ – Lordina The Soprano
  • ‘Hold My Hands’ – Queendalyn Yurglee
  • ‘Temple’ – Niiella
  • ‘Make Me Believe’ – TiTi Owusu

Record of the Year

  • ‘Reckless & Sweet’ – Amaarae
  • ‘Far Away’ – Abiana
  • ‘Manodzi’ – Stonebwoy ft. Angelique Kidjo
  • ‘Iyawo’ – Josh Blakk
  • ‘Me Dan Wo’ – Joe Mettle ft. Kweku Teye
  • ‘My Helper’ – Efya

Best Music Video

  • ‘Manodzi’ – Stonebwoy ft. Angelique Kidjo
  • ‘Wasted Eyes’ – Amaarae
  • ‘Paradise’ – Black Sherif
  • ‘Fate’ – Kuami Eugene
  • ‘Broken Heart’ – DJ Vyrusky ft. Kuami Eugene
  • ‘100%’ – Scott Evans
  • ‘Oil In My Head’ – Black Sherif
  • ‘Kweku Playman’ – Kweku Smoke
  • ‘Into the Future’ – Stonebwoy
  • ‘Cryptocurrency’ – Kuami Eugene ft. Rotimi

Album/EP of the Year

  • Taste of Africa – Abiana
  • Fountain Baby – Amaarae
  • Love & Chaos – Kuami Eugene
  • Planning & Plotting – Medikal
  • 5th Dimension – Stonebwoy

Most Popular Song of the Year

  • ‘Hossana’ – Bandy Banero
  • ‘Kwaku Ananse’ – Amerado
  • ‘Yaya’ – Black Sherif
  • ‘Scar’ – Gyakie ft. JBee
  • ‘Victory’ – Joyce Blessing
  • ‘Liquor’ – KiDi ft. Stonebwoy
  • ‘Terminator’ – King Promise
  • ‘Monica’ – Kuami Eugene
  • ‘Case Remix’ – Mr Drew ft. Mophty
  • ‘Aseda’ – Nacee
  • ‘Goodsin’ – Olivetheboy
  • ‘Otan’ – Sarkodie
  • ‘Into the Future’ – Stonebwoy

Best Hiplife/Hip Hop Artist

  • Amerado
  • Black Sherif
  • Medikal
  • Jay Bhad
  • King Paluta
  • Sarkodie

Best Reggae/Dancehall Artist

  • Epixode
  • Ras Kuuku
  • Stonebwoy
  • Samini

Best New Artist

  • Bandy Banero
  • DSL
  • King Paluta
  • Maya Blu
  • Olivetheboy
  • Oseikrom Sikanii

Best Afrobeat/Afropop Artist

  • Gyakie
  • Camidoh
  • KiDi
  • King Promise
  • Mr. Drew
  • Efya
  • Wendy Shay

Best Gospel Artist

  • Diana Hamilton
  • Joe Mettle
  • Joyce Blessing
  • Mabel Okyere
  • Nacee
  • Perez Muzik
  • Piesie Esther
  • Scott Evans

Best African Artist

  • Rema
  • Asake
  • Burna Boy
  • Tyla
  • Davido
  • Jzyno

Songwriter of the Year

  • Perez Muzik 
  • Fameye
  • DSL 
  • Sarkodie
  • Akwaboah 
  • Stonebwoy 

Artist of the Year

  • Black Sherrif
  • King Promise
  • Kuami Eugene
  • Nacee
  • Sarkodie
  • Stonebwoy

Producer of the Year

  • Kuami Eugene
  • Killbeatz
  • MOG Beatz
  • Liquid Beatz
  • IzJoe Beatz
  • Beatz Vampire

Audio Engineer of the Year

  • Mix Master Garzy
  • Liquid Beatz
  • Killing Skills
  • Josh Blakk & Richard Nkwankwo
  • Loudaa
  • Daniel Ayittah

Best Video Director of the Year (awarded to both director and artist)

  • Yaw SkyFace (‘Manodzi’ by Stonebwoy ft Angelique Kidjo)
  • Lauren Dunn (‘Wasted Eyes’ by Amaarae)
  • David Nicole Sey (‘Paradise’ by Black Sheriff)
  • Xbill Ebenezer (‘Fate’ by Kuami Eugene)
  • Rex (‘Broken Heart’ by DJ Vyrusky ft. Kuami Eugene)
  • The Boldz (‘100%’ by Scott Evans)
  • Babs Direction (‘Oil In My Head’ by Black Sheriff)
  • Bani Wxrld (‘Kweku Playman’ by Kweku Smoke)
  • JWillz (‘Into The Future’ by Stonebwoy)
  • XBill Ebenezer (‘Cryptocurrency’ by Kuami Eugene ft. Rotimi)
newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media