NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Music Biz

How to use your music site to generate advertising revenue

24 May 2022 - 07:13

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The internet, and particularly social media, has made some serious changes in how we conduct our day-to-day lives. Social media has deeply impacted the way we socialise, work, fall in love and spend our free time. A recent study published by Statista illustrates how the average person went from spending about 90 minutes a day on social media in 2012 to spending 145 minutes a day in 2020. In the same period, the number of internet users across the globe grew to 4.66 billion.[1] 

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This article looks at how South African musicians can benefit from this growth, by focusing on how to use your music website to generate advertising revenue.

Digital trends in South Africa

Despite the infrastructural obstacles it experiences as a developing nation, South Africa mirrors global trends in terms of increased consumption of online content.[2] The country has taken significant strides in bridging the so-called ‘digital divide’, with the percentage of the population enjoying internet access increasing from 51% in January 2019 to 62% in January 2021.[3] These numbers have been accelerated by the effects that the pandemic and subsequent lockdowns have had on the brick-and-mortar nature of most workspaces, as more and more people have begun to work online from home.

Most importantly, for the purposes of this article, this transformation saw the consumption of online content nearly doubling in 2020, accompanied by a marked change in consumers’ online habits and attitudes. One of four significant shifts noted by digital marketing researchers is that during the height of ‘lockdown life’, people became more receptive to relevant ads on the sites they browsed.[4] And, as more people have begun purchasing goods online, more companies have been willing to spend higher proportions of their marketing budgets on purchasing online advertising space. This has translated into more opportunities for online content creators to earn revenue by hosting these adverts on their websites.[5]

Music in the digital age

The exponential growth and accessibility of the global digital market has driven many music creators towards an independent career, as they no longer strictly require the resources of large record companies to produce their work or reach a sizable audience.

The upside of this is that artists have more agency over their careers in a creative sense; the downside is that they lack the financial prowess that comes with being affiliated with a multinational corporation. This means that artists have to be increasingly crafty about how they navigate and take advantage of every possible income stream at their disposal.[6]

Turning clicks to cash

For artists who are juggling an interconnected ‘ecosystem’ of social media platforms such as YouTube, Instagram, Bandcamp, TikTok, Spotify, etc., a great way to house all these platforms is by having a website or blog. Blogging is a $415bn industry worldwide and one doesn’t require much to get started.[7]

An artist’s blog or site not only serves as a platform to engage fans and sell products and services. It is also a space where the artist can learn to tailor their messages for a distinct audience. Music is a widely popular niche, broadly speaking, but one can sharpen their focus based on factors like genre, geography or political alliance to zero in on their core audience. These ‘insights’ – as they are generally termed – also make it easier for brands to partner with you, if they are looking to advertise to your particular target audience.[8]

According to Music In Africa’s Revenue Streams for Music Creators in South Africa 2022 report, advertising can fetch an average monthly income of R7 312.

There are three main ways one can use a music website or blog to generate ad revenue:

  • Advertising networks
  • Affiliate marketing
  • Sponsored content

Advertising networks

An advertising network, according to BigCommerce.com, “connects businesses that want to run advertisements with websites that wish to host them.” These networks act as a mediator between one’s blog/site, making it easier for the content creator to focus on content creation.[9]

Signing up with an ad network is as easy as applying on one of the internet’s many ad network sites and then waiting for approval. Most do have minimum requirements that are a deciding factor about whether a site gets approved or not.

Before applying to an ad network, a music website or blog should contain the following:[10]

  • Original, high-quality content.
  • A good amount of content – a minimum of between 15 and 30 posts.
  • A sound blog structure in terms of design. You can make use of a free template to achieve this
  • Search engine optimisation (SEO).
  • A root domain registered in your name (e.g. instead of ‘blog.yourdomain.com’, rather use ‘yourdomain.com’).
  • Images that aren’t in violation of any copyright laws.
  • Content that doesn’t violate AdSense’s Terms of Service (e.g. violent or pornographic material)

After checking off the list above, one should perform due diligence and choose an ad network that best suits their vision. The most popular ad networks with new bloggers at the time of writing are Google AdSense, Infolinks, PropellerAds, Media.Net, and AdThrive.

Most of these ad network platforms will pay in one of two methods:

  • Pay per view (PPV): One is paid a passive income based on how many people have viewed the ad on your site. Also called pay per impression (PPM), it is not uncommon for payments to be made for every 1 000 visits to your page.[11]
  • Pay per click (PPC): One is only paid when a reader clicks on a particular ad link.

Affiliate marketing

BigCommerce.com defines affiliate marketing as “the process by which an affiliate earns a commission for marketing another person’s or company’s products.” In simpler terms, one uses their site to refer a reader to an online product via a link on the site. If they purchase said product, then the site owner gets paid in one of the following ways:[12]

  • Pay per click: One is only paid when a reader clicks on a particular ad link.
  • Pay per sale: One earns a percentage of the product’s sale price.
  • Pay per lead: One gets paid based on the conversion of lead (i.e. where the customer either signs up for a free trial or newsletter, downloads affiliate’s software, etc.).

The already-niche nature of a music site means that it’s fairly easy for one to identify the type of products one’s audience would likely be interested in.

Most big brands have affiliate programmes that are free and easy to join. You will need to:

  • Select an affiliate programme.
  • Choose a product to promote.
  • Place a link to this on one’s website or blog.

Some of the most popular affiliate programmes are ClickBank, Commission Junction, Amazon Affiliate Program, Partnerstack, and ShareASale.

[video:https://www.youtube.com/embed/mOWXI6VKGpg width:744 height:446 autoplay:0]

Video: Affiliate marketing can provide a supplementary revenue stream for musicians who have popular websites or blogs.

Sponsored content

The American Press Institute defines sponsored content as “a form of content marketing in which advertisers pay to publish their material on a publication with the intention of closely resembling its editorial content.”[13]

This is arguably the most complex method to earn ad revenue, and there has been some controversy regarding this method of advertising – leading, among other rules, to the obligation to disclose if the content you are posting is sponsored. It is therefore important that one proceeds with any sponsored content agreements legally and ethically.[14]

This type of content could potentially work well with a music site, as there are quite a number of products linked with music making. For instance, one can review any one of the many pieces of equipment or instruments that other musicians might be interested in.

Bear in mind that sponsored content networks usually work with sites that already have a decent amount of traffic, or else ones that can demonstrate strong potential for growth – through the consistent posting of high-quality content, for example.[15]

Final thoughts

Musicians – especially those who already have popular and established websites or blogs – can certainly look to use these online resources to earn a supplementary income through advertising revenue. However, with all these methods, there is one vital consideration that stands above all others: having respect for one’s audience.

Below are some things to consider:

  • While flooding your website with advertising might bring in more ad revenue, it might negatively affect the user experience.
  • Thorough research must be conducted on all companies to protect one’s audience from scams or harmful products.
  • The advertiser’s values should always complement or reflect your values. Otherwise, you risk alienating your fans and may end up losing more than you gain in advertising income.

Resources and citations

This article is part of the Revenue Streams for African Musicians project, supported by UNESCO’s International Fund for Cultural Diversity in the framework of the UNESCO 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Siemens Cents4Sense programme, Siemens Stiftung, Goethe-Institut, the National Arts Council of South Africa and Kaya FM.

Editing by David Cornwell and Kalin Pashaliev

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