NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

EP Review: Lojay and Sarz rightfully demand your attention

04 Jun 2021 - 11:30

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There is a video you may have seen if you are on Instagram. A young man listens to a song absentmindedly while looking at his phone’s screen. The voice on the record playing changes and you can see the young man’s eyes dart to the laptop on his left. He looks at the camera and opens his mouth as he drops the phone. He holds his head in his now free hands, stands, and begins to howl. “Oh my God,” he shouts. Off-camera, someone laughs.

Lojay and Sarz.

That’s the moment newcomer Lojay learns he has a song featuring Wizkid, one of Africa’s pop music superstars. It is not the kind of feature a newcomer gets. It is not easily obtained by old-timers either. But when your co-star is Sarz, one of the architects of the contemporary Naija sound, there is hardly anyone you can’t reach in Nigeria’s music industry.

In any case, you can now listen to the song that got Lojay surprised. It’s titled ‘LV N ATTN’, a tribute, perhaps, to social media spellings. It is the title track of Lojay’s brand-new EP and is the first time Sarz is a co-star since co-helming the I Love Girls with Trobul EP with Wurld in 2019.

The sound on the new EP is more mainstream – that is, it is similar to the sort of sounds with which Sarz made his name years ago.

One reason for this, I guess, is a lot of what Sarz puts out these days are a showcase for the producer’s versatility. At the start of his career, you could trust Sarz to douse songs with rampant drums and his co-conspirators were artists looking for exactly that, if only to get a horde of their countrymen dancing. At the time, the idea he would work with an act with the avant-garde stylings of Wurld seemed impossible. But that was then. Right now, whatever the assignment, Sarz will serve. After all, the man who produced Wizkid’s ‘Sound It’ back in 2014 is the same man behind Wurld/Sarz’s ‘Sade’.

Another reason for the new EP’s texture goes all the way back to 2017, the year Lojay put out ‘Midnight Vibes’, a body of work clearly inspired by the mainstream sounds of the time. The record holds up nicely, even as it was hardly distinctive from other Nigerian pop songs of the time. It didn’t quite make it out of the piles and piles of songs put out in any one year – but his sound must have been enough to catch Sarz’s attention when the two met. From Lojay’s initial one-song plan around the start of the pandemic last year, Sarz jacked up that plan to the 5-tracker released this morning.

The new EP adds Sarz’s sophistication to Lojay’s obvious vocal talent. This is perceptible on the project’s first single ‘Tonongo’, which might have the first Star Wars-inspired metaphor in Nigerian music – “if you be my Leia, will I be your Han Solo?” A slow burn track, ‘Tonongo’ introduces the love theme of the project as well as the smooth chemistry between Lojay and Sarz.

A mid-tempo vibe pervades the project, giving Lojay quite the opportunity to display his vocals, which are super-suited for a particular kind of Nigerian R&B-pop. That subgenre and the ultra-audible youth in his larynx puts him in the same group as other Sarz collaborators like Flash and young Wizkid.

For his part, Sarz brings in a little of his work from other acts to the project. There are the drums from his early career; there is some South African house, which is linked to his work with Niniola (on ‘Monalisa’); and there is a general sense of subtle experimentation that can be traced to his work with Wurld (chiefly on EP highlight ‘Panty!’).

Besides the musical merits of an equal (or semi-equal) collaboration, it is clear Sarz has put his name on LV N ATTN for business reasons: it ensures more attention is paid to the record than was paid to Lojay’s ‘Midnight Vibes’. The trouble with this is the risk of the more popular artist getting all the attention. I hope that doesn’t happen here, if only because Lojay’s musical talent suggests the singer deserves his own – you guessed it – love and attention.

Stream LV N ATTN here

EP: LV N ATTN
Artist: Lojay and Sarz
Label: Metallic Music/ 1789

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