NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Playlist 5: Five new African music videos to check out

22 Feb 2016 - 08:53

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Here are some music videos from different parts of Africa, selected by music lovers just like yourself. This February the theme of love is in the spotlight...

Syssi Mananga "Juste un peu"

WEST AFRICA - French
Sidiki Diabaté - 'Fais moi confiance' (Mali)

It is believed that all love songs tell the same story - some are just more inspiring than others. Sidiki Diabaté's 'Fais moi confiance' (trust me) is no exception to this rule. At times the song is dripping with sentiment, which could put some people off. But going beyond these impressions, the song can be seen as a hymn for the Malian youth - a hymn to love and life.

Sidiki is more than simply the son of his famous father Toumani. An outstanding kora player and a standard bearer for the Malian youth, he shouts his ardent desire to live and love in the face of terrorist threats striking his country. He is a young man claiming his right to live, to sing, to dance, to have a heartache, to declare his love for whatever catches his heart, or to party like all young people around the world. The song's music video succeeds in showing us all of this. The song's success also demonstrates the impact it has on the youth, wishing above all to live and love.


WEST AFRICA - English
Banky W and Chidinma - 'All I Want is You' (Nigeria)

In the course of his career, Nigerian singer Banky W has used several nicknames, including 'King of the Lagos Party', 'Mr Capable' and 'Mr Strong Thing'. The one moniker that hasn’t received a lot of use in recent times is the one referring to his principal genre: the R&B king. That’s because the man has been trying his hands on rapping. ‘All I Want is You’ with Chidinma marked his return to R&B without a rapped verse in late 2015. He has since released another duet and a solo tune in the genre. The song title is a timeless romantic statement, immortal for its proclamations of exclusivity, if not its reality.

Every love affair arguably needs money and food, but those are unnecessary perhaps as long as the object of one’s affection is within reach. The playful music video, written and directed by Banky W, stars the singing couple in a story about the power of love. Apparently inspired by any number of Nollywood movies, the video features actors Zack Orji and Onyeka Onwenu, who play dad and mum to Chidinma’s love-struck girl. Both parents disapprove of the love between the two because of ethnic differences: onscreen and in real-life Banky W is Yoruba and Chidinma is Igbo. "No daughter of mine will ever get married to a Yoruba boy,” Orji declares melodramatically, in keeping with the Nollywood theme. But that'ss just talk: as every diehard romantic knows, nothing can keep two people in love apart, especially when a love song is playing.


SOUTHERN AFRICA
Nathi - ‘Nomvula’ (South Africa)

Inspired by the power of love, South African singer Nathi Mankayi's debut album Buyelekhaya went platinum within six weeks of its release in 2015 and has to date gone platinum four times, selling well over 125 000 copies, almost unheard of in today's industry. The album's success is driven by the smash hit 'Nomvula', a melancholy message of searching for one's true love, and a hit that has already earned nominations for Song of the Year. In the song, the singer is looking for his love, named Nomvula. He pleads: "My parents, call my Nomvula. Talk to her, tell her I’m not in good space..."

This bittersweet message is represented visually by a video filmed in multiple locations in his native Eastern Cape, showing off the majestic natural beauty of South Africa - and highlighting the singer's lonely search for his lost love.


EAST AFRICA
Abdi Jero - ‘She Saga Ihi’ (Kenya)

North-eastern Kenya is a region of historical importance but due to economic and numerous other challenges, the region's culture is not well-known throughout the rest of the country. Listening to Abdi Jero, an artist who specializes in composing romantic songs, gives one a rare glimpse of what potential lies in the region. Just like artists from nearby Somalia, Jero’s song ‘She Saga Ihi’ is full of intimately nuanced poetry as he expresses his love for a girl he has fallen in love with. “I come to your home by day and by night, but when I come you pay me no attention. My love for you is setting my heart aflame,” Jero declares in the song.

The audio of the song was first released in 2008 as part of the compilation Spotlight on Kenyan Music by Alliance Francaise in Kenya. Seven years later, working with Ketebul Music, Jero put together this great video in September 2015.


CENTRAL AFRICA
Syssi Mananga – 'Juste un peu… ' (Congo-Brazzaville)

"Juste un peu..." (Just a little) is marked by sensuality and freshness. Played in a cadenced rhythm, the song is an invitation to rekindle the flame of love. Syssi Mananga invites her fans to dance 'Kirumba', a fusion of kizomba and rumba. The song will surely give romantics a way to celebrate their love.

Awarded a Tam-Tam (Victoires de la Musique of Congo Brazzaville) in 2013, Syssi Mananga's career took off that year with the release of 10-track album called Retours Aux Sources (Return to the roots). In 2015, she released on the market "Just a little" a song for which she was nominated for a 2016 Kora Award for Best Female Artist of Central Africa. A committed artist, she is the initiator of the Artistes en Herbe (Budding Artists) project to offer music lessons to vulnerable children in her country.

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