NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Rema drops sophomore album HEIS

11 Jul 2024 - 08:51

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Nigerian Afrobeats star Rema has released his long-awaited sophomore album, HEIS, which is available for streaming and download on all major digital platforms.

Rema. Photo: Instagram

The project follows Rave & Roses, Rema’s debut album released in March 2022, which included his monster hit ‘Calm Down’.

Named after the Greek word for numeral one, HEIS is an ascendant landmark project that sees Rema fully settle into his hard-won title as the ‘Prince of Afrobeats

The record comes after his rise to international prominence, largely due to the overwhelming success of the ‘Soundgasm’ single, his stand-out verse on the ‘Soweto’ remix and the ‘Calm Down’ remix featuring Selena Gomez.

On HEIS, the ‘Rave Lorde’ is a different kind of animal – wilder, imposing and almost overwhelming in his intensity. Though the overall score is rousing and euphoric, there are also undercurrents of danger as his artistic direction transcends convention, tapping into the kind of madness only associated with genius and, at times, bordering on the divine.

Rema remains rooted in the culture that birthed his unique sound, delving further into the essence of Afrobeats to unearth the raw, uncut elements that seem to have been lost in the process of the genre’s evolution and globalisation. He goes back in time to the ‘60s, repurposing the highly percussive composition style pioneered by Fela Kuti. At the same time, he pulls from more modern influences, infusing elements of ‘80s synth music, trap, electronic dance music, amapiano and many more to create a frenzied melting pot of sounds from around the world.

In the process of honouring the past he births something new, giving life and form to the term ‘Afro-Rave’, which he has previously used to describe his music. HEIS boasts some of Rema’s most memorable and audacious lyrics to date, with songs like ‘HeHeHe’ full of bold declarations of his supremacy.

Album highlights also include the lead single ‘Benin Boys’, an anthemic ode to his hometown. The track features Nigerian rapper Shallipopi and set the record for the second biggest opening day streams for a Nigerian song on Spotify.

Other stand-out tracks include ‘March Am’, a rip-roaring sonic joyride produced by P Priime. The track is fraught with heavy drums, invigorating car revving sounds and growls. ‘Villain’, a wild Afro-EDM tune also produced by P Priime, begins with a deceptively tame sample of Lana Del Rey’s ‘A & W’.

One of the focus tracks, ‘Yayo’, is a psychedelic earworm teeming with youthful exuberance and brazen lyricism. ‘HeIs’, a hair-raising inauguration song named after the album, features heavenly choral melodies and singers eulogising him in Swahili. The album also features Nigerian rapper Odumodublvck on ‘War Machine’.

HEIS is a boundary-defying statement project that sees the Afro-rave genre become fully realised, even as Rema pays homage to Afrobeats in its oldest, purest form.

Last year was an especially prolific year for the Benin State-bred musician, one that saw him become the highest-charting Afrobeats artist in Billboard Hot 100 history, a Guinness World Record holder and the first African artist ever to perform at the prestigious Ballon D'Or Ceremony in Paris. In addition to these countless accolades, he began 2024 with an induction into the esteemed “Billion Club” with over eight billion streams to his name.

‘Calm Down’ achieved significant success on various Billboard charts, including reaching No 3 on the Billboard Hot 100. It also held the top position on the US Afrobeats Songs chart for an impressive 58 weeks. Additionally, the song performed well on several airplay charts, including Adult Pop Airplay (two weeks), Pop Airplay (five weeks), Rhythmic Airplay (four weeks), and World Digital Song Sales (32 weeks). It was also recognised with multiple prestigious awards, winning the title of best Afrobeats song at the 2023 Billboard Music Awards, as well as best collaboration at the 2024 iHeartRadio Music Awards. Furthermore, it received the award for best Afrobeats at the 2023 MTV Video Music Awards, among numerous other accolades.

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