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Sun-El Musician confirmed for ACCES 2026 in Joburg

Sun-El Musician confirmed for ACCES 2026 in Joburg

Nigeria: Yemi Alade drops ‘IT’S YEMI ALADE’ album

Nigeria: Yemi Alade drops ‘IT’S YEMI ALADE’ album

Linda Sikhakhane announces South Africa, US tour for fifth album

Linda Sikhakhane announces South Africa, US tour for fifth album

Nigeria: Rema releases new single ‘Oh No’ ahead of new project

Nigeria: Rema releases new single ‘Oh No’ ahead of new project

SA: Tumi Musiq prepares new single ‘Many Phases’

SA: Tumi Musiq prepares new single ‘Many Phases’

UMG, ElevenLabs announce AI music licensing partnership

UMG, ElevenLabs announce AI music licensing partnership

Sean Paul to perform in Pretoria in December

Sean Paul to perform in Pretoria in December

SA: Khuzani receives Cultural Icon Award at Oxford leadership summit

SA: Khuzani receives Cultural Icon Award at Oxford leadership summit

SA: Digital Maskandi compilation brings established and emerging artists together

SA: Digital Maskandi compilation brings established and emerging artists together

SA: Ndlovu Youth Choir earns five-star reviews at Edinburgh Fringe debut

SA: Ndlovu Youth Choir earns five-star reviews at Edinburgh Fringe debut

Suno launches v6 AI music models with new editing and creation tools

Suno launches v6 AI music models with new editing and creation tools

Believe partners with Suno months after blocking AI-generated music

Believe partners with Suno months after blocking AI-generated music

NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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10 clips qui font les tendances en RDC - Janvier 2022

Home/Non classé/10 clips qui font les tendances en RDC – Janvier 2022

Innoss’B fait danser avec  son single « Mortel-06 »,  qui est aussi le nom de son nouvel album publié le 26 décembre dernier. La chanson toujours aussi appréciée, a ambiancé les fêtes de fin d’année. Son clip est suivi plus d’un million de fois.

On l’attendait avec des sonorités langoureuses, Héritier Watanabe a surpris avec un titre dansant. Morceau inédit, clip coloré, avec « Wosso », Héritier a une fois de plus démontré ses talents de danseur.

Dans le lot des clips qui font danser, on retrouve « Kulumba », le nouveau clip de Robinio Mundimbu qui continue de faire parler de lui, malgré le fait qu’il soit censuré par les médias locaux en RDC.

Pson, prodige de la nouvelle scène congolaise, signe un nouveau single « Toluka Mbongo », une ode à la débrouillardise, le fameux « article 15 ». Petits boulots et commerces, emploi dans une entreprise, pour lui, tout travail doit être valorisé.

Dans son tout dernier clip « Kabila-Fatshi », le compositeur et slammeur, Yekima raconte avec un brin d’humour et imite avec voix et tenues vestimentaires les 3 chefs d’État congolais Kabila (Père et fils) et Félix Tshisekedi, l’actuel président de la RDC.

Les groupes de rap UDPS Music et Cité Zaïre présentent aussi leurs sorties musicales. Ils parlent des sujets tels que la carrière artistique, l’emploi, la politique et l’éducation.

La rappeuse congolaise Sista Becky nous régale dans « Doucement » issu de son nouvel EP baptisé Apéritif. Javaria et Déborah Ya Mado dévoilent leur complicité et forment un couple parfait dans « Posa ».

« Mortel-06 » – Innoss’B

[video:https://www.youtube.com/watch?v=O_XhTu6qbmE width:744 height:446 align:center autoplay:0]

« Wosso » – Héritier Watanabe

[video:https://www.youtube.com/watch?v=JcGRMPUXGlY width:744 height:446 align:center autoplay:0]

« Doucement » – Sista Becky

[video:https://www.youtube.com/watch?v=XUei4ybjyO4 width:744 height:446 align:center autoplay:0]

« Kabila – Fatshi » – Yekima

[video:https://www.youtube.com/watch?v=7JOABtfZCJs width:744 height:446 align:center autoplay:0]

« Toluka Mbongo » – Pson

[video:https://www.youtube.com/watch?v=yP6S5HkU0nk width:744 height:446 align:center autoplay:0]

« Kulumba » – Robinio Mundibu

[video:https://www.youtube.com/watch?v=487hmZEjcR4 width:744 height:446 align:center autoplay:0]

« Nanu tosali te » – UDPS Music

[video:https://www.youtube.com/watch?v=yXVOAiNhAKw width:744 height:446 align:center autoplay:0]

« Posa » – Javaria feat Déborah Ya Mado

[video:https://www.youtube.com/watch?v=qOQTFIiHD8Y width:744 height:446 align:center autoplay:0]

« Première leçon » – Cité Zaïre

[video:https://www.youtube.com/watch?v=GNuBnkHKh-U width:744 height:446 align:center autoplay:0]

« Pardonne- moi » – Ya Levis

[video:https://www.youtube.com/watch?v=kb-8TI_k_Mo width:744 height:446 align:center autoplay:0]

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