NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

BANTU charged and relevant as ever on What Is Your Breaking Point?

20 Jun 2023 - 15:54

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It must take a rare kind of resolve to continue to lay down the marker with daring political views as Afrobeat masters BANTU have done over the years, particularly on their latest record What Is Your Breaking Point?

What Is Your Breaking Point? album cover.

The 13-piece collective’s new album, a brazen 10-track manifesto following 2020’s Everybody Get Agenda and 2017’s Agberos International, not only strips back dire social circumstances that have bedevilled [insert African country] but also works as the soundtrack to an impending revolution.

What Is Your Breaking Point? is rooted in traditions originally plotted by Fela Kuti, and sees BANTU devotedly playing to the strengths and identity of Afrobeat. Mainly via the charisma of frontman Adé Bantu’s voice, the project bursts with the quintessential Fela-esque fury yet hopeful vision of Nigeria, driven by frantic percussion work, charged horn sections and biting allegories conveyed in English, West African pidgin, and Yoruba.

Shorn of filler verbiage or breathers, the collection invites listeners to engage with Africa’s dynamic political landscape while underscoring the transformative muscle of music, diving headfirst into the key issues: corruption, blind imitation of Western culture, the troubling perpetuation of gender norms and the danger of remaining silent.

Largely, when Afrobeat takes on the ‘S’, it paints a vain and glamorous picture preoccupied with love, sex and other nightlife rituals. Take the consonant away, and it’s serious business. What Is Your Breaking Point?, whose only guest is African-American rapper Akua Naru, does precisely this.

The feverishly paced ‘Wayo and Division’ kicks things off, tackling an integrity deficit among Africa’s leadership, which is often characterised by a strategy of deceit and division. ‘Japa’ is a cautionary tale against the mass exodus of Africans to the West, highlighting the perils of illegal migration and the illusory promise of greener pastures. “You just dey run from frying pan to fire,” a line goes.

‘Ten Times Backwards’ rues the crippling of many an African dream by regressive structures, while ‘Worm and Grass’ returns to the topics of duplicity and manipulation among the ruling class. ‘Borrow Borrow’ examines the aftereffects of Western imperialism, while sobering revelations on ‘Africa for Sale’ summon more troubled sighs.

How much longer must this continue? When do we collectively decide that enough is enough? This is the focus of ‘Breaking Point’, and the question that shines throughout the project.

Focus track ‘Your Silence’, a sublime and reflective highlife (or Afrobeats) offering, resonates with the sentiments of German Lutheran pastor Martin Niemöller, invoking a connection to Niemöller’s famous quote on the Nazi atrocities. “First they came for the socialists, and I did not speak out – because I was not a socialist. Then they came for the trade unionists, and I did not speak out – because I was not a trade unionist. Then they came for the Jews, and I did not speak out – because I was not a Jew. Then they came for me – and there was no one left to speak for me,” Niemöller mourns.

The song prompts introspection and encourages listeners to consider the consequences of silence in the face of injustice. “The silence no go protect you,” is how BANTU puts it.

The project closes out with ‘We No Go Gree’, which retains the urgent ardour it commences 45 minutes earlier. “The political elites have only been concerned with short-term benefits,” Adé declares in his parting message, although if you are an African, this goes without saying. “We must take back our freedom, our voices and our future.”

These days, commentary surrounding governance on the continent can feel like a broken record, seeing how poorly a number of African countries have been run for decades. And so, while this new project, a fearless Afrobeat album of political resilience, represents an urgent and valuable perspective on the problem with Africa's administration, I wonder how many more BANTU albums must arrive in the coming years to catalyse true transformation. As Sam Cooke once sang, “A change is gon’ come”, but when?

The answer remains vague, but until then, the struggle continues. Aluta continua!

Artist: BANTU
Album: What is Your Breaking Point?
Year: 2023
Label: Soledad Productions

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