NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kabza De Small tops 2026 SAMAs nominations

26 Jun 2026 - 08:45

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South African amapiano star Kabza De Small lead the nominations for the 32nd South African Music Awards (SAMAs), with nominees across 25 categories announced online on 25 June ahead of the awards ceremony at the Sun City Superbowl in North West Province on 15 August.

Kabza De Small.

Kabza De Small received five nominations across several categories, reinforcing his standing as one of the country’s most recognised producers. His album Bab’Motha was shortlisted for Best Amapiano Album and Best Engineered Album, while his collaborations also earned nominations in Best Collaboration, Best Produced Music Video and Remix of the Year.

DJ Maphorisa and Nasty C received three nominations apiece, with the former nominated in collaborative projects, including Best Collaboration and Best Produced Music Video for ‘Abantwana Bakho’, as well as Best Collaboration for Dlala Ka Yona. For his part, Nasty C’s Free was shortlisted for Best Hip Hop Album and Best Engineered Album, while ‘Leftie (Dlala Ngcobo)’ earned a nomination for Best Produced Music Video.

Kelvin Momo also emerged as one of the year’s strongest contenders, securing two nominations in the Best Amapiano Album category for N'wana Wa Mutsonga and Thato Ya Modimo. His work also features in the Remix of the Year category through Eningi (Remix).

Other artists receiving multiple nominations include Samthing Soweto, whose Touch is a Move (Good Morning) was nominated for Best Afro Pop Album and Best Engineered Album; Shekhinah, whose Less Trouble earned nominations for Best Pop Album and Best Produced Album; Langa Mavuso, whose Therapy: The Other Side received nods for Best R&B Soul Album and Best Produced Album; and Guy Buttery, whose Orchestrations was recognised in both the Best Classical Instrumental Album and Best Engineered Album categories.

The Best Afro Pop Album category will see CiCi compete with Busisiwe 2.0, Lwah Ndlunkulu’s Amaciko, Sjava’s Inkanyezi 2.0 (Live), Nomfundo Moh’s Out The Box and Samthing Soweto'’s Touch is a Move (Good Morning).

The Best Dance Album category features MaWhoo, MÖRDA, Da Capo, Dlala Thukzin and JAZZWRLD with Thukuthela, while the Best Maskandi Album category includes Saliwa, Mbuzeni, Ntencane, Smiramira and Mzukulu.

In the jazz categories, Mandisi Dyantyis, Paras "Sibalukhulu" Dlamini, Temba Ncetani, Lumanyano Mzi and Billy Monama received nominations, while the Best Pop Album category includes Will Linley, Matt Gardiner, Shekhinah, Anica Kiana and Tannah.

The Rest of Africa Award will be contested by Ghanaian artists Gyakie and Black Sherif, alongside Nigerian artists Olamide, Wizkid and Asake, and Tiwa Savage.

Below is the full list of nominees:

Best Adult Contemporary Album

  • Abel Selaocoe’s “Four Spirits” (Live) – Abel Selaocoe, Aurora Orchestra, Nicholas Collon, Bernhard Schimpelsberger
  • Buzzhead – Kahn Morbee
  • Malachi’s Dream – Tim Parr
  • Wrapped in Rhythm, Vol.2 – Tutu Puoane, Metropole Orkest & Jacome Bairos
  • You Love Who You Love – Wandile Mbambeni

Best African Adult Contemporary Album

  • Isitifiketi – Jabulile Majola
  • KwaNtu – Madala Kunene & Sibusile Xaba
  • Moya – Simphiwe Dana
  • Ngimuhle – Zawadi Yamungu
  • ZINZA – BandaBanda

Best African Indigenous Faith Album

  • Difela – De Bruin Gospel Projects
  • Monghali Mesia – Amadodana Ase Wesile
  • NGIYA BONGA BABA – THE NEW BELIEVERS OF GOD GOSPEL SINGERS
  • The Journey Continues – Abanqobi
  • U TA HLAMULA – Zion Iskhalanga Academy

Best Afro Pop Album

  • Amaciko – Lwah Ndlunkulu
  • Busisiwe 2.0 – CiCi
  • Inkanyezi 2.0 (Live) – Sjava
  • Out The Box – Nomfundo Moh
  • Touch is a Move (Good Morning) – Samthing Soweto

Best Alternative Album

  • From The Hill – Charles Webster
  • Furniture – 44coles
  • Handsome Luke & The Heartbreakers – Mars Baby
  • Listen Properly – Bombshelter Beast
  • THROWING STONES – Archi

Best Amapiano Album

  • Acquiesce – Babalwa M
  • Bab’Motha – Kabza De Small
  • Mthuthuzeli – De Mthuda
  • N’wana Wa Mutsonga – Kelvin Momo
  • Thato Ya Modimo – Kelvin Momo

Best Classical Instrumental Album

  • First Light – Marius Small-Smith
  • Let the Children Play – John Lundun
  • Light the Whole Sky – University of Pretoria Camerata
  • Orchestrations – Guy Buttery
  • Radio Gogo Worldwide – uBeyond

Best Collaboration

  • Abantwana Bakho – DJ Maphorisa & XDuppy, Kabza De Small feat Thatohatsi, Young Stunna & Nkosazana Daughter
  • Dlala Ka Yona – DJ Maphorisa & XDuppy Enny Man Da Guitar, Focalistic, Ricky Lenyora, Uncool MC, Mellow & Sleazy
  • Shela – Sam Deep, Nia Pearl, Boohle, Mano
  • Thandaza – Sam Deep, Thatohatsi
  • Tobetsa 3.0 – Myztro, Leehleza, Shaunmusiq, Ftears

Best Contemporary Faith Music Album

  • Passover – Nqubeko Mbatha
  • Testify (Live at 012 Central, Pretoria 2024) – Mmuso Worship
  • The 37th Psalm (Live at Emperors Palace) – Ncebakazi Msomi
  • The GAP – Brenden Praise
  • THE GROUND WE’RE ON – Hle

Best Dance Album

  • Amazwi Okubonga – MaWhoo
  • Asante III – MÖRDA
  • Indigo Child II: Love & Frequency – Da Capo
  • MAYVIS – Dlala Thukzin
  • The Most Wanted – JAZZWRLD, Thukuthela

Best Engineered Album

  • Bab’Motha – Kabza De Small (Engineered by Thato & Kabza De Small)
  • Free – Nasty C (Engineered by Mike Manitshana)
  • Ntu Futurism – L8 Antique (Engineered by Matthew)
  • Orchestrations – Guy Buttery (Engineered by Guy Buttery & Fuzzy)
  • Touch is a Move (Good Morning) – Samthing Soweto (Engineered by Ross Dorkin)

Best Gqom Album

  • Dark or Durban 3 – Funky Qla
  • Izinsimbi zaMakoya – DJ Tira
  • New Wave – Blacks Jnr, Dankie Boi, GoldMax
  • Puku Puku – Dladla Mshunqisi, Beast RSA
  • Southside Mixtape – DJ Lag

Best Hip Hop Album

  • Bayede – Danya Devs
  • BLVCK & WHiTE – FLVME
  • Boss Zonke Forever – Riky Rick
  • Free – Nasty C
  • THE SECRET FREQUENCY – MashBeatz

Best Jazz Album

  • Ingoma Busuku – Paras “Sibalukhulu” Dlamini
  • Intlambululo: Ukuhlambulula – Mandisi Dyantyis
  • INTLUNGU. INTLUPHEKO. IMBILINI – Temba Ncetani
  • Ithemba Elitsha (A New Hope) – Lumanyano Mzi
  • The Y-Factor Project – Billy Monama

Best Maskandi Album

  • Amalandi Amathathu – Saliwa
  • Izilotshi – Mbuzeni
  • Khotha La (A Tribute To Mjikjelwa) – Ntencane
  • Ngabe Ngiloyiwe – Smiramira
  • Ng’funa intozami – Mzukulu

Best Pop Album

  • Don’t Cry Because It’s Over – Will Linley
  • Last Call for Departure – Matt Gardiner
  • Less Trouble – Shekhinah
  • not the same. – Anica Kiana
  • Phases – Tannah

Best Produced Album

  • Ingoma Busuku – Paras “Sibalukhulu” Dlamini (Produced by Nduduzo Makhathini)
  • Less Trouble – Shekhinah (Produced by Shekhinah, Rudolph Willemse, imnotgoofy, Mzizi, Gregory Abrahams, Iam6teen, Brendon-Lee Earl Johnson, Master A Flat)
  • Sacred Cycle – Mauritz Lotz (Produced by Mauritz Lotz)
  • Therapy: The Other Side – Langa Mavuso (Produced by Darren Blackansee, Simphiwe Mashinini, Ndumiso Manana, Ndabo Zulu, Christer Kobedi, Civil Motha, Unako Chabeli, Langa Mavuso, Jabulani Nkabinde, Lindelani Lee, Seragi Thantsha, Mnqobi Bayanda Nxumalo, Zooci, Jonathan Takyi Mensah, Onkabetse John Hlongwane)
  • ZINZA – Banda Banda (Produced by Banda Banda)

Best Produced Music Video

  • Abantwana Bakho – DJ Maphorisa & XDuppy, Kabza De Small feat Thatohatsi, Young Stunna & Nkosazana Daughter (Produced by Nyiko; Directed by Nyiko)
  • Leftie (Dlala Ngcobo) – Nasty C & Blxckie (Produced by Nasty C, Ayanda Ngcobo; Directed by Lordnelle)
  • Partii – Kamo Mphela, Aymos, QUE DJ & Jay Music feat SpacePose (Produced by Kamo Mphela; Directed by Lindo_Langa)
  • Shela (feat. Mano) – Single – Sam Deep, Nia Pearl, Boohle, Mano (Produced by Nyiko; Directed by Nyiko)
  • Wayside Lover – Msaki, Jesse Clegg & Sjava (Produced by Nombuso Ngcobo; Directed by Marty Bleazard)

Best R&B Soul Album

  • Island 22 – Gemma Fassie
  • It’s Complicated – Maxine Ceasar
  • Resurfaced – Lucille Slade
  • Therapy: The Other Side – Langa Mavuso
  • You, Me & The 90’s – lordkez

Best Reggae Album

  • DIMAHR – DIMAHR
  • Foreign Exchange – Ras Canly
  • Forward We Continue – Don Dada
  • Rasta Man Step – Layahn King
  • Victorious – Red I Scorch

Best Rock Album

  • AC/ES – AC/ES
  • Back From the Dead – We Kill Cowboys
  • Die Ruimte – Francois van Coke
  • ONKRUID – Karel Bester & Die Kraaines Band
  • Scatterling Empire – Acid Magus

Best Traditional Faith Music Album

  • Back To The Altar – Ntethe
  • Praise & Worship In The Wilderness, Pt. 1 – Bucy Radebe
  • Sound of Gratitude (Live at Urban Brew Dome) – Zaza
  • The Watchmans Camp – Sindi Ntombela
  • Worship in Newness – Puleng March

Best Traditional Music Album

  • Born For This – MetroBeatz RSA
  • I Khant Do Dhis Enimo – King Monada
  • Pleasure in 20 Years – Pleasure Tsa Manyalo
  • Sesi Ka Rose – Makhadzi Entertainment
  • Thath’owakho – Soul Brothers

Beste Pop Album

  • Dis Presies Wat Liefde Doen – Juan Boucher
  • Gees – Jakkie Louw
  • Miena – Jan Rhaap
  • Seisoene – Deon Groot
  • Troumateriaal – Brendan Peyper

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