NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Tanzanian artist to meet president after night in jail

28 Mar 2017 - 09:00

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Yet another Tanzanian artist has been arrested for releasing a song that allegedly insults President John Magufuli. Emmanuel Elibariki, known by his stage name Nay wa Mitego, was arrested on Sunday at a hotel in the town of Morogoro and held overnight before being released by order of newly appointed Information Minister Harrison Mwakyembe.

Emmanuel Elibariki. Photo: Kiss100

“We have freedom of expression in Tanzania and I have ordered the release of this artist because he has done nothing illegal. I also request BASATA to leave him alone,” Mwakyembe said at a press conference. BASATA, the national arts council, has banned the song from being played by Tanzanian media. “I like his song and I would only ask that he criticises all the social ills in our society such as tax evasion, laziness, drug trafficking and corruption,” Mwakyembe said.

Magufuli’s government seems to brook no dissent as 14 others have been arrested and charged for insulting the president on social media since he took office in October 2015. Numerous artists have also been accused of contravening the Cybercrimes Act enacted in May 2015. They include Mwana Cotide whose song ‘Dikteta Uchwara’ (Petty Dictator) has been banned.

Morogoro police commander Ulrich Matei said Elibariki was held for "releasing a song with words that malign the government".

In the song titled ‘Wapo’, released last week, Elibariki addresses someone he calls "a doctor specialising in lancing boils". The phrase "lancing boils" has been used repeatedly by Magufuli as he threatens to fire anyone who does not adhere to his orders.

"Who are you now? Don't you want to listen to advice? Don't you want criticism?" Elibariki, known for his political lyrics and whose videos garner hundreds of thousands of YouTube views, raps in the song.

In a change of tack, the president has invited Elibariki for a chat, and even said that he "loves" his song.

“I’m still thinking about what to say. I guess it will be the opportunity for me to tell him what Tanzanians on the ground want from him,” the rapper said in a response.

Another line in Elibariki's song goes: "I see you handed a club to a madman," widely seen as a reference to Dar es Salaam's regional commissioner Paul Makonda.

Last week, Magufuli fired his information minister who had criticised Makonda for storming into the offices of a local broadcaster with six armed men to demand the airing of a video. The president stood up for him despite a public outcry.

After his release, the artist spoke to local media, defending his music, which he said had no boundaries.

“Those who love to hear the truth will appreciate my music," Elibariki said. "For sure I worried about how it would be received in this political climate but I chose not to censor myself.”

This isn't the first time Elibariki has been a guest of the state. In February he was among the artists summoned and interrogated by police over drug-related charges. Asked whether he is being used by politicians, he said he was a musician, not a politician.

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