NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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2022 Concert for Refugees in Joburg: Meet the artists

Home/Non classé/2022 Concert for Refugees in Joburg: Meet the artists

The Concert for Refugees seeks to draw attention to the plight of people who have been displaced from their homes, forgotten and misplaced by others, and to honour those who have overcome the challenges of being a stranger in another’s homeland.

Confirmed artists include locals Msaki, Sipho ‘Hotstix’ Mabuse, PJ Powers, Thandi Ntuli, Pops Mohamed and Neill Solomon as well as South African poet Lebogang Mashile. They will be joined by musicians Bienvenue Nseka (DRC) and Rocksteady.Dub (Mozambique). On the same night, Solomon will launch his song titled ‘Homeland’.

With a goal to maximise results, THI has partnered with the Music In Africa Foundation, Nelson Mandela Foundation, Amnesty International, South Africa’s Department of Sports, Arts and Culture, Universal Rights Association, Wits University, Flame Studios, Horizon Educational Trust, Mail and Guardian, Time to Care, Scalabrini Centre, JT Communication, the Southern African Music Rights Organisation, ConcerstSA and Refugee Social Services.

“We want people to think ‘what if I was in their shoes, what would life look like? Could I face the sometimes insurmountable challenges and daily struggles they face?’,” THI executive director Ayhan Cetin said. “With these concerts our aim is to reframe the refugee experience, shifting the debate away from refugee statistics and refocusing on the attitudes of those who may not be sure who refugees even are, creating connections through common experiences and increased understanding.”

Meet the artists

Msaki

Msaki is hailed as a multi-hyphenate creative known for her iconic collections and passionate activism. From soothing R&B to dance-ready house grooves, her honeyed harmonies can be heard on a wide range of tracks. Among her collaborators are Mobi Dixon, Revolution, Black Coffee, Black Motion, and Prince Kaybee. Her work has earned her multiple accolades since she made her debut in 2013. She is the founder of ALTBLK, a platform dedicated to showcasing the diversity and complexity of black music from Africa and the diaspora.

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Sipho ‘Hotstix’ Mabuse

Mabuse started off his career in the mid-1970s with an Afro-soul group called the Beaters. He has experimented with different genres including American-style funk, soul, and pop music. He earned fame in the early 1980s following the release of his first major crossover hit ‘Burn Out’, which sold over 500 000 copies. In the late 1980s he had a huge disco shangaan hit called ‘Jive Soweto’. Mabuse has performed across Africa, Europe, and the US. He has recorded and produced for legendary artists such as the late Miriam Makeba, Hugh Masekela, Ray Phiri and Sibongile Khumalo.

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PJ Powers

Affectionately known as Thandeka, PJ Powers has been active in the industry for more than four decades with groups like Pantha and Hotline. She made a name for herself with hits such as ‘Jabulani’ and ‘World in Union’ with Ladysmith Black Mambazo. The singer has shared the stage with top local musicians such as the late Miriam Makeba and performed for royalty like Queen Elizabeth and King Juan Carlos of Spain.

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Thandi Ntuli

Thandi Ntuli’s love for music began at a tender age when she began taking classical piano lessons under the tutelage of Ada Levkowitz. However, her keen interest in jazz was only kindled later in life prompting her to enrol and complete a bachelor of music in jazz performance at the University of Cape Town. Since the release of her debut jazz album The Offering, Ntuli made an imprint on the local jazz scene. The album received critical acclaim as well as numerous awards and recognition since its release in 2014. She has released three more albums thus adding new insight into her music.

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Pops Mohamed

Pops Mohamed is a well-known multi-instrumentalist and producer who has played the keyboard and guitar with eminent jazz musicians live and in the studio. With more than ten albums under his belt, Mohamed has toured and performed in the US, UK, Scandinavia, Namibia, Swaziland, Tanzania (especially Zanzibar), Germany, Switzerland, Kathmandu in Nepal and Vietnam, among others.

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Neill Solomon

Without a doubt, Neill Solomon is one of South Africa’s top singers and songwriters. Over the decades, he has consistently produced songs of depth, character, and beauty that will endure, beginning with his Uptown Rhythm Dogs days to his solo work in The Passenger years. Their success fuelled the group’s selection as the opening act for US artist Janis Ian. Following a solo career, Solomon continues to shine lyrically and musically, mesmerising and influencing audiences through his musical talents.

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Rocksteady.Dub

Rocksteady.Dub is an artist of longstanding and depth who has released more than six albums in his own right. He is also a talent scout, booking manager, and co-owner of Bam Jive Alternative Music Festival and Bam Jive Record Store in Soweto. His performance at the 2010 FIFA World Cup in South Africa remains one of his highlights. He has also performed at the Oppikopi Music Fest, Fête de la Musique and Woodstock Music and Art Fair in New York alongside Dutch artist Marike Jager.

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Bienvenue Nseka

Bienvenue Nseka was born in Kinshasa and came to South Africa in 1995 to start his Congolese-influenced band Les Fantastiques. Some of the well-known South African musicians he has worked with include Jeff Maluleke, Chicco Twala, Jonas Gwangwa, Jamali and Neill Solomon. With a background in composing and co-producing, he released his debut album in 2004 which won him the title of Best Francophone Artist in South Africa.

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For more information about this event, visit the Concert for Refugees official website. To be part of this memorable night of music and compassion, concert-goers can purchase tickets via Webtickets for R200.

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