NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Sifiso Cele
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Sifiso Cele

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Hammarsdale, South Africa

In operation since:

2023

Contact person:

Sifiso Cele

BIO

Vusi Mkhize is a well-travelled veteran lead guitarist and a vocalist from South Africa.

When looking at Vusi Mkhize’s history one is not surprised that he turned out to be great in guitar playing and music in general. He hails from the place called Ntshongweni, just outside of Hammarsdale in the province of KwaZulu Natal. Vusi Mkhize was blessed to have the South African great musicians for inspiration at his door step. It was at his area where he got to see the likes of Themba Nzuza; Duza Mthethwa; David Masondo from the Soul Brothers group and many others. Watching the bands rehearse at Bra Themba Nzuza’s place, he fell in love with the guitar and then he decided to ask Bra Themba Nzuza to teach him this instrument.

After completing his matric he had to leave home to look for greener pastures because now the musicians like The Soul Brothers had already moved to Johannesburg. He moved to Umlazi to join Afro Praises Gospel group. The group disbanded which forced him to move down to the South Coast where he teamed up with a gentleman called Maveshe to form a band. That band also split, he then joined a group called Thatha from Clermont and it also fizzled out after sometime. This experience prompted him to start a band that he vowed to
himself that it would not fall into the same trap like other bands but it would continue forever. The band was called Sakhula and he started it in 1995.

Sakhula had such a great streak performing in many venues in and around Durban. It was only in 1998 where their years of preparation were met with a lifetime opportunity while performing at The BAT Centre for tourists. They were then selected to go to China as part of the South African Airways entourage as they were going there to launch a new route for the airline company. They spent 3 weeks in China performing in many places during the day and worked as a resident band every night at the InterContinental Grand Stanford Hotel in Hong Kong. This news scored them many bookings when they returned to the country and every promoter wanted to have them on their line-up.

EDUCATION; SKILLS AND EXPERIENCE
Khabazela, as he is affectionately known among musicians, decided to go acquire formal education. With the assistance of brilliant
guitarist, Bheki Khoza, Vusi went to Johannesburg to study at the same Institution where Bheki Khoza was a lecturer.

• Khabazela holds an N2 Level Certificate in Jazz and Popular Music from the Central
Johannesburg College, which he did in 2004
• He has also obtained a Certificate in Facilitation
• He has worked on various projects as Band leader; Lead Guitarist; Singer; Song-
writer; Lyricist; Composer; Song-arranger and/ or Producer

HIGH PROFILE PERFORMANCES
He has performed for heads of state, dignitaries and various esteemed guests and his high
profile performances include:
• Performing for President Bill Clinton from the United States of America
• Performing for President Nelson R. Mandela from South Africa
• South African Airways route launch in China
• X111 International AIDS Day in ICC Durban

VENUES AND EVENTS
He boasts a number of international events and venues that he has thus far performed at.
These include:
• InterContinental Grand Stanford
Hotel in Hong Kong, China
• Mandarin Oriental Hotel in China
• Hong Kong Football Club Stadium in China
• Standard Bank Jazz Festival
• Splashy Fen Festival
• Awesome Africa Festival
• PostNet Festival
• Rustlers World Music Festival
• Jazz Festival in the Park
• BAT Centre Jazz Festival
• The Playhouse Company
• Durban Jazz Festival
• Khabza De Khabza Art Centre
• Ayishe World Music Festival
• Articulate Africa
• SABC Crown Gospel Awards
• 6th Indaba Cultural Evening at The
BAT Centre
• Ethembeni 150th Anniversary
Celebration in Pinetown

INTERNATIONAL COLLABORATIONS
He has worked with a number of artists at all levels. The artists that he has collaborated
with and are all internationally acclaimed include:
• 2003; Collaborated with Nicholai Kotei Djanie, a djembe player from Ghana
• 2003; Collaborated with Yao Atsu, a player of African Drums/ Djembe from Ghana
• 2002; Collaborated with Knut Reiersrud, a guitarist from Norway
• 2002; Collaborated with Javid Asvari Rad, a Santur player from Iran
• 2001; Collaborated with Samite Mulando from Uganda/ USA
• Ray Phiri from South Africa
• Oliver Mtukudzi from Zimbabwe
The list of artists that he has worked with has the following musicians:
• Deborah Fraser
• Afro Tenors
• Gloria Bosman
• Ray Phiri
• Oliver Mtukudzi
• Deborah Fraser
• Afro Tenors.

DISCOGRAPHY
He has recorded the following works under his name:
• Amathongo, released in 2012
• Shona Malanga, yet to be released

ADVOCACY AND PURPOSE
Vusi Mkhize has found his purpose in life to be ensuring that art education reaches to the
previously disadvantaged communities. It is thus not surprising that he has founded and he
leads the following projects:
• Khabza De Khabza art Centre which opened its doors in 2017. Here, Khabazela
teaches music along other facilitators, to youth from underprivileged backgrounds.
This platform has allowed him to not only share his musical skill with the learners but
to also create job opportunities for the facilitators and ancillary staff at the centre.
• Afro Orchestra which was launched in 2022. It is in this orchestra that Vusi Mkhize
has musicians from all walks of life to come together and share knowledge and skill.
This is yet another one of his initiatives aimed at creating job opportunities for
musicians.

CONTACTS
Management Company: Anduba Concepts
Person: Sifiso Cele
Number: 082 681 2739
Email Address: [email protected]
Facebook: Vusi Mkhize

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