NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Keith Kirk

Keith Kirk

Other
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London, United Kingdom

In operation since:

1 Jan 2018

Contact person:

Keith Kirk

Contact:

18687554672

BIO

Keith Kirk has enjoyed a prodigious career in music as a songwriter, music producer and music business professional. After completing College in London Keith with a number of organisations in the music industry. His tenure with the London Chorale saw him work with the BBC on numerous occasions both TV and Radio. Notable performances include the Sir Winston Churchill Memorial Concert (with President Bill Clinton as guest speaker) at Blenheim Palace, Commonwealth Day Service Westminster Abbey, Windsor Castle and most notably for HRH the Queen for the Golden Jubilee Celebrations Prom at the Palace Concerts at Buckingham Palace in 2002 with the BBC Symphony Orchestra and Chorus with conductor Sir Andrew Davis. Other engagements include touring with world renowned trumpeter Wynton Marsalis and his Jazz Orchestra with conductor laureate Kurt Masur, Alexandra Burke, Leslie Garrett, Mavis Staples, Chris De Burgh, Beverly Knight the Kodaly institute, Eaton College, Whitehall, Songs of Praise’ The Big Sing with the Advent Vocal Ensemble (AVE)

Keith has penned a number of compositions that are published by GIA Publications, America’s largest sacred music publisher. One of his compositions (a sacred extroit) was published in the new version of the African American Heritage Hymnal which has sold over 250,000 copies worldwide released in 2018. He recently collaborated on a new piece for the Choir of the world awardee, the Oakwood Aeolians (World Choir Awardees) with his childhood friend Dr Jason Max Ferdinand (Chair, Oakwood University Music Dept, conductor of the world awardee) and Stephen Murphy (former Aeolians). In 2017 two of Keith’s pieces were recorded by The Promise; an ensemble based at the Avondale College, Australia and the Miami Union Academy Choir, a secondary school choir based in Miami, USA.

Keith however, has a deep passion for the music business and helping musicians, singers and creatives navigate the complex and ever-changing landscape of the industry. Keith has worked for some of the largest music and media companies in the world as a metadata analyst including Sony Music Entertainment UK, Universal Music Group, BMG, 21st Century Fox and the International Copyright Enterprise in Berlin, Germany (a collecting society hub simplifying digital licensing and improving the efficiency of processing streaming data and royalties). He is passionate about the on-going process of streamlining music data to increase efficiency and accuracy in payment to rights holders as well as the ever-increasing need to capture meaningful data which has become more critical within recent years with the phenomenon of streaming and OTT services. He is passionate about helping indie artists develop and structure a robust metadata strategy which aids in owning and controlling their digital space.

In November and December of 2017 over a period of 3 days at the world-famous Abbey Road Studios in London, Keith, along with 25 other session vocalists recorded the entire vocal underscore for the hugely successful Marvel feature film Black Panther with original score by Ludwig Goransson and directed by Ryan Coogler, staring Chadwick Boseman. Keith holds a Bachelors of Music from the University of Hertfordshire and a Masters in Music Business Management from the University of Westminster. He occasionally speaks at music industry panels and delivers music business presentations.

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