NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Home / Artists & Industry / Angela Thandizwe Mthembu
Angela Thandizwe Mthembu

Angela Thandizwe Mthembu

Bands /groups, Solo artists, Spoken word
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South Africa

In operation since:

1 Jan 2023

Contact person:

Angela Thandizwe Mthembu

BIO

Just as, the eye shared by the three sisters of fate used to engage with destiny, when the heel of her hand rests on a page, her words become weaving Goddesses, spinning stories that resemble her life through the tales of others. Angela Thandizwe Mthembu on page and Angelyric on stage is a multi-talented South African artist manager, events coordinator, writer, performer, TEDx speaker, Band leader, spoken word artist, and published poet. This South African-born expressionist paints her truth to awaken feelings that convey emotional meaning rather than a physical experience. It is through evocative poetry that she creates protest art that offers an alternative to traditional forms of conformity. Her words desire to direct social and political transformation.

After being awarded the bronze prize in the Caxton writing competition for her creative essay titled 'city of Happy Folk', she was inspired to create the art collective PG13. With youthful rhythms accompanied by ancient grooves tied together by the harmonies of tomorrow, PG_13’s sound is not jazz nor is it Rock’n’roll, it is where those rivers meet balancing on a tight rope of Maskandi.

Angela Thandizwe Mthembu has performed at the Joburg, Rockwood, and Soweto theatre, Port Elizabeth Opera House, Soda Studios, Moses Molelekwa Art Center, Alliance Francaise of Johannesburg, African Beer Emporium, Rumours Rock City, Botaki Ba Afrika, 27 Boxes, Scary Canary, Bassline, AGOG Gallery, The Artisan, Carfax, the SABC, Grahamstown Art Festival, The Human rights festival at Constitution Hill, Fete De La Musique, Kwantu Village, and Smoking Dragon Festival. Together with her band, she produced an EP called Hekaya which is available on Bandcamp. (Hekaya | PG_13sa (bandcamp.com). She is also featured on Edgar Kaye Muzah's 'The Calling’, released in 2023 on his deluxe Son of a tribe album which received a Sama Nomination. Contributing to virtual performances for the African Union, Germany's Wicked festival poetry booth, Radioactive Blog, Pick-me-up Poetry, Poetic Thursday, and a heritage celebration by Nike South Africa.

Her primary mission as an Art Administrator is to document and share the stories of the artists, she represents with their target audience. One of her notable achievements is the conceptualization of the 'Food4Soul' charity event in Kempton Park, which offers live music performances in exchange for nonperishable items donated to local charities. This event has hosted renowned artists and bands and supports nonprofit organizations like Sowing the Seed and Tsepang Care Center.

Angela's expertise extends to event management, and she has organized shows at various venues, including SABC's radio park, Kitchener's Bar, Grahamstown Arts Festival, Kwantu Village, and Good Luck Bar. She has also been involved in administrative and promotional tasks for events like the Afropunk Battle of the Bands and the Afropunk Festival. In 2023, she was part of the social media storyteller team for the Folklore Festival hosted at the National School of the Arts.

She currently manages artists such as Double bassist Thuto Mostemme and guitarist, singer, and songwriter Zelizwe Mthembu. Angela has also written artist biographies and handled bookings for various Johannesburg-based collectives. As a stage manager, she has worked with events like Afropunk Battle of the Bands, Dube Son Lifestyle Village, and more. In 2023, she was one of the recipients of the Music in Africa Gender@work 2023 training programme for Females-only music industry training in Tanzania. Which consisted of a music business online module and Event Production classes in Tanzania.
In 2020 she was selected as the top 50 artists under the banner of poetry by the Imbewu Art Festival endorsed by the Department of Sport, Art, and Culture. She formed part of the Music X Words project's top ten, an initiative by Music in Africa that aimed to bring the spoken word and music to a global audience.
In 2021 as an attempt to combat her fear of slamming she entered the word and Sound digital slam, forming part of its current top five. In 2023 Angelyric placed first in the monthly Poetry Africa slam.

Angela Thandizwe Mthembu has been featured on Trendz, VOWFM, Vancouver Co-op Radio (Canada), KayaFM, Power FM, Impulse Radio, Cliff Central, Channel Africa, and Amanda Eke's The Poet Speaks (Japan). In 2022 she formed a third of the Ekurhuleni South African Library Week slam poetry Judging panel. In the same year, she was part of sixty aspiring African storytellers to be awarded a digital storytelling scholarship with NaNairobi-based Africa24Media, placing in the top 20 of her class. In 2023 she delivered a workshop at the Moor Castle in Muldersdrift around how music and poetry interact while featuring on the lineup of Fete de la Musique and the Humans Rights Festival.

As a published author, she is part of the French Institute of South Africa and Impepho Press’s ‘Yesterdays and Imaging Realities: An Anthology of South African Poetry as well as Letting in the Light by Chasing Dreams publishing and is currently working on her own collection called Amazwi we Sizwe. She was one of fifteen South African poets to be profiled by Poetry Potion as part of their fifteen-year celebration. Her thoughts can also be found in the research project, Building together - Towards a Roadmap for African Language Technologies.

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