NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

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Port Harcourt, Nigeria

In operation since:

1 Jan 2014

Contact person:

Obongjayar

BIO

Obongjayar is a visionary Nigerian-born, London-based singer, songwriter, and performer who is rewriting the rules of global music with a genre-defying fusion of Afrobeat, spoken word, electronic, and punk. Possessing a striking, shape-shifting voice that morphs from a haunting, gravelly falsetto to an intense, militaristic spoken word chant, he creates music that serves as a canvas for profound socio-political commentary. Armed with a spellbinding stage presence and backed by experimental electronic textures, Obongjayar bridges the gap between West African rhythmic heritage and the gritty underground sounds of modern Britain.

The creative odyssey of Obongjayar is rooted in displacement and survival. He was born in Calabar, a port city in the south of Nigeria, where he was raised primarily by his grandmother after his mother fled domestic violence to seek a better life in the United Kingdom. Growing up, his earliest musical education took place in an unconventional church where there was no choir, forcing him to learn the raw power of a cappella arrangements and hand-claps. At home, he obsessed over bootleg American hip-hop tapes by artists like Eminem and Snoop Dogg, mimicking their accents before discovering the truest power of his own natural Nigerian-British voice.

A radical, definitive turning point arrived at age 17 when he emigrated from Nigeria to join his mother in South London. Plunged into the harsh, freezing realities of a new country, he began uploading his raw, soul-baring tracks to SoundCloud in 2014. His distinct delivery caught the attention of XL Recordings executive Richard Russell, who invited him to collaborate on his Mercury Prize-nominated Everything Is Recorded project. 

Moving from London to Norwich during his early twenties, Steven found his absolute creative grounding and transformed into "Obongjayar", a moniker combining the Ibibio word Obong (meaning King) with his childhood initials. Over the years, his uncompromising art has positioned him as a peerless force, earning massive backing from global tastemakers like Little Simz, Fred again.., King Krule, and Kamasi Washington.

Obongjayar's real name is Steven Umoh. His professional moniker and trademarked brand identity officially crystallized into the global commercial market in 2016 with the launch of his breakthrough Home EP under September Recordings. Today, his musical assets, international touring logistics, and global streaming royalties are fully managed and compliance-vetted under his legally registered publishing entity.

Photos

No photos available

Music

Not In Surrender (The Blessed Madonna Remix)

Obongjayar
05:57

4U

Obongjayar
02:50

Lipdance

Obongjayar
03:35

Give Me More

Obongjayar
03:10

Gasoline

Obongjayar
03:39

Gasoline (From F1® The Movie)

Obongjayar
03:39

Life Ahead

Obongjayar
03:21

Holy Mountain

Obongjayar
02:29

Prayer

Obongjayar
02:03

It's Time

Obongjayar
03:05

Strong Bone

Obongjayar
02:04

Happy Head

Obongjayar
03:06

Videos

Coming soon

Social Networks and Websites

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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