NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Snotkop

Snotkop

Solo artists
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Profile added by Sisi Nkabinde on 20 Feb 2026

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Johannesburg, South Africa

In operation since:

1 Jan 2008

Contact person:

Snotkop

BIO

Snotkop, the stage name of Francois Henning, has been a defining presence in Afrikaans pop-rap and kwaito for more than two decades. Born on 22 December 1974 in Johannesburg, Henning’s early passion for music began with demo recordings at age 15, alongside studies in drama at Tshwane University of Technology. The playful nickname “Snotkop,” meaning “naughty kid” in Afrikaans, later became his professional persona, capturing the mischievous energy that would come to define his music. Before his solo breakthrough, Henning performed as Lekgoa in the late 1990s, releasing the kwaito albums Basetsana (1999) and Ngamla Yoba (2002) under Gallo Records, and becoming the country’s first prominent white kwaito star.

In 2005, Henning re-emerged as Snotkop, signing with Next Music and immediately carving a niche for himself in Afrikaans pop-rap. His self-titled debut introduced a blend of humor, dance rhythms, and rap-infused lyrics, and subsequent albums such as So Damn Sexy (2008) and Francois Henning Was Hier (2009) cemented his reputation. The 2012 album Ek Laaik Van Jol went platinum and earned the “Best Sokkie Dans Album” at the 18th South African Music Awards, while hits like “Song Vir My Dad,” “Hou My Stywer Vas,” and “Parapapa” became festival anthems and crowd favourites.

Snotkop’s music thrives on its accessibility and humour, mixing Afrikaans, Sotho, and English slang with playful social commentary about love, everyday life, and South African identity. He frequently collaborates with producers, DJs, and other Afrikaans pop artists to keep his sound fresh, and his work has crossed genres from pop to rap to dance, reflecting both the diversity and hybridity of contemporary Afrikaans music. His stage presence is legendary, turning performances into interactive, high-energy spectacles that appeal to young audiences and long-time fans alike.

Beyond music, Snotkop has made his mark in television, hosting the racing-themed show Petrolkop on MK channel and appearing in popular Afrikaans series such as 7 de Laan. Awards and recognition have followed, including multiple Huisgenoot Tempo Awards, Vonk, and MK honours, affirming his status as one of the best-selling Afrikaans artists of the 21st century. Later albums, including Soos ’n Boss (2015), HKGK (2016, which went gold within three months), and Sous (2018), showcased his enduring ability to entertain while experimenting with evolving pop-rap sounds.

As of 2025, Snotkop continues to release new singles such as Tina Tequila and perform across South Africa, maintaining his position at the forefront of Afrikaans pop-rap culture. Looking ahead, he plans further collaborations with emerging artists, concept-driven festival performances, and digital-first releases, ensuring his brand of humour, dance, and lyrical playfulness continues to resonate with both loyal fans and a new generation discovering Afrikaans music for the first time

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