NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Starmade

Starmade

Solo artists
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Kampala, Uganda

In operation since:

1 Jan 2020

Contact person:

Starmade

BIO

Starmade (born Rufai Waris Olanrewaju on 13 May) is a singer and songwriter from Kampala, Uganda.

He is the second child in a family of three. Growing up, Starmade had it tough where he had to do menial jobs to help sustain his family. This gave him a unique view peculiar to those who were exposed to the rougher side of life earlier than was necessary. His is a voice that speaks directly to the hood in a way that cannot be imitated or faked. He spent his formative years listening to musical legends such as Michael Jackson, The backstreet boys, Fela Anikulapo Kuti, Bob Marley, Victor Olaiya and Fatai Rolling dollar to name a few.

This early exposure to music helped define his own peculiar brand of artistry. He completed his secondary education at Mayflower Secondary School, Ikenne Ogun State. After completing his high school education at the internationally famous citadel of learning founded by a foremost Nigerian statesman and educationist, Sir Tai Solarin; Mayflower secondary School Ikenne, Ogun state Nigeria,
In 2014, Starmade traveled to China to further his education at the Shenyang Jianzhu University where he met Bosco, a friend who introduced him to the Rap music scenes in China. The duo formed a partnership where Bosco brings gigs and Starmade performs to packed audiences, club after club. Buoyed by the positive reception to his songs, he decided to fully commit to music while studying for his degree. Although his family were aware of his love and talent for music, he did not disclose to them his decision to fully venture into being a musician and performing artiste.

In 2019, Starmade moved back to Nigeria but was met with a hostile political climate, not to mention the police brutality “SARS” that saw to the death of his colleague Tiamiyu Kareem, popularly known as Kaka. It was at this time his close friend, Jah Smile encouraged Starmade to come over to Uganda in search of greener pastures. In 2020, he launched his own Entertainment Company “Starmade Grupo” (www.Starmadegrupoent.com), an ambitious upstart and new age challenger to the old system of music streaming and content delivery currently headquartered in Uganda.

Starmade had dreams of becoming a footballer earlier in life until he began nurturing the budding artiste within him. Till date, he still plays football in his leisure time to honour Tiamiyu Kareem, popularly known as Kaka who was his role model as a footballer playing in the local Nigerian league before he was extra-judicially killed by operatives of the now defunct Special Anti-Robbery Squad (SARS) of the Nigerian Police Force.

Olanrewaju was born under an auspicious star which gifted him with a talent for writing and singing deep, soulful melodies, hence the moniker; Starmade. As someone who grew up without a silver spoon, Starmade is a firm believer that we are all on this earth to make life better for each other and as such as being very vocal about giving and helping out the vulnerable among our population. To him, making others smile, through his deeds and his songs have been his guiding light. Starmade believes in doing good and being the best version of ourselves both in public and in private.

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