NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Music Biz

10 tips to conquer stage fright

12 Aug 2016 - 08:35

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Stage fright can be crippling. It’s one of those ailments that almost everyone suffers from, albeit to varying degrees: from a mild tingling sensation to full-blown panic attacks. But stage fright can be beaten! Just follow these simple steps...

Bongeziwe Mabandla at Bushfire festival in 2015. Photo: Dave Durbach / Music In Africa

1. Don’t overthink it

If you spend too much inside your own head, you will start to think about everything that could possibly go wrong. You might be plagued by thoughts like, “Is all my gear working?”, “What if my battery dies?”, “What if I loose my pick?”. Many musicians have suffered stage fright thinking about everything that can go wrong.

2. Arrive early

Arriving late to the venue means you will be running around and getting stressed about your rig. If you suffer from stage fright it is important to get to your destination early. This is especially important if it is a venue in which you’ve never before played. You want to acclimate to your new surroundings as quickly as possible

3. You will make a mistake – and that’s OK

Every musician has made a mistake on stage - EVERY. ONE. OF. THEM. Your audience will be forgiving if you make a mistake. How you recover after the mistake will make all the difference.

4. Breathing, stretching and relaxation

Certain Yoga poses and breathing techniques have shown to reduce heart rate and can cause a relaxing effect. Try some light meditation or some simple stretches before going on stage to help loosen yourself up.

5. Don’t rush it

It is a common mistake for anyone who is nervous to speak faster or play faster. Try playing to a click track live to ensure that you are not speeding things up.

6. Don’t speak about mistakes

Mistakes happen, but they can be forgotten if you let them go. If you tell your friends about every mistake you make, then you are more likely to remember every mistake you’ve made. This will weigh on your mind after a will and be tough to let go of later. Rather, ignore any mistake you make and celebrate great shows instead.

7. Double check your gear

While setting up, double check that everything works. If you use batteries, be sure to have a spare. You should always have spares of all your consumables. Strings, picks, sticks and so on.

8. Practice until your music is muscle memory

Once your piece is in your muscle memory, it becomes more comfortable to play it. Your mind might go blank, but your fingers will know what to do. Practice every song you play until you are sick of it. Make sure it’s perfect.

9. Focus on the audience

Musicians are the modern-day gladiators. We step onto the stage to entertain the masses. If you are on stage, you are there for the audience. Focusing on the audience instead of yourself and your fear is a great way to become more confident on stage.

10. Connect with the audience

Find a pretty girl to smile at, give a knowing nod to the front row, smile or pull Dave Martone-style faces. Having fun with the audience and interacting with them, getting a connection with them, is a sure-fire way to make you relax. You’ll be playing in front of all your new friends instead of a group of strangers.


Originally published on 10 August 2016 by Paul Bothner Music.

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