NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

2023 Fleur du Cap Theatre Awards in SA: All the nominees

07 Mar 2023 - 13:24

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The nominees for the 58th edition of Fleur du Cap Theatre Awards have been announced ahead of the gala ceremony at the Oude Libertas Amphitheatre in Stellenbosch South Africa on 26 March.

South African opera singer Bongiwe Nakani is among the nominees.

Nominations were made by a panel of judges across 21 competitive categories. The recipients of the Lifetime Achievement and Innovation in Theatre Awards will also be announced at the ceremony with every category winner receiving R15 000.

“Theatre audiences in Cape Town and its surrounds were treated to extraordinary creativity in 2022, with theatre demonstrating the breadth and diversity that the sector has to offer,” Fleur du Cap Theatre Awards panel chair Africa Melane said. “Theatremakers showed great resilience in yet another difficult year by producing and mounting outstanding work, with impressive 59 productions eligible for consideration. The industry is grateful to the public for supporting the arts [by] returning to theatres in their droves, hungry for a live theatre experience.

“These shows helped us to experience deep-seated emotions and change our perceptions of the world, as well as better understand the struggles and successes of other people and cultures. They reminded us that we are not alone. With these nominations, we celebrate and honour the sterling work showcased.”

Below is full list of nominees:

Best Sound Design, Original Music, Soundscape or Live Performance

  • Gideon Lombard | Karatara | Sound design
  • Charl-Johan Lingenfelder | A Streetcar Named Desire | Sound design
  • Kyle Shephard | Life and Times of Michael K | Original music
  • Simon Kohler | Life and Times of Michael K | Sound design
  • Wessel Odendaal | Star+Crossed | Original music

Best Performance in an Opera – Male

  • Conroy Scott | Le Nozze di Figaro | Figaro
  • Lwazi Dlamini | Le Nozze di Figaro | Bartolo
  • Smelo Mahlangu | Sara Baartman – The Opera | Georges Cuvier
  • Van Wyk Venter | L’elisir d’amore | Belcore
  • William Berger | Le Nozze di Figaro | Count Almaviva

Best Performance in an Opera – Female

  • Megan Kahts | Alcina | Ruggiero
  • Bongiwe Nakani | Sara Baartman – The Opera | Sara Baartman
  • Brittany Smith | Le Nozze di Figaro | Susanna
  • Setsoane Jeannette Ntseki | Alcina | Morgana
  • SiphamandlaMoyake | Le Nozze di Figaro | Countess Almaviva

Best Performance by an Actress in a Musical or Music Theatre Show

  • Isabella Jane | Star+Crossed | Bess
  • Jawaahier Petersen | Aunty Merle: Things Get Real | Soraya
  • Keiko Mdwaba | Once on this Island | Little Ti Moune/Peasant
  • Noluthando Dlamini | The Marvelous Wonderettes | Betty Jean
  • Tankiso Mamabolo | Aunty Merle: Things Get Real | Ayanda/Dr McTavish

Best Performance by an Actor In A Musical or Music Theatre Show

  • Earl Gregory | Star+Crossed | Billy
  • Anzio September | Aunty Merle: Things Get Real | Zane
  • Loukmaan Adams | Aunty Merle: Things Get Real | Benny
  • Marc Lottering | Aunty Merle: Things Get Real | Aunty Merle
  • Shaun Oelf | Aunty Merle: Things Get Real | Lead Dancer

Best Performance by an Ensemble

  • Lungile Lallie, Marcel Meyer and Matthew Baldwin | Contested Bodies | John Nobody, Doctor James Barry and Lord Charles Somerset
  • Albert Pretorius, De Klerk Oelofse and Geon Nel | Nêrens, Noord-Kaap | Ronnie, Andries and Frans
  • Andrew Buckland, Billy Langa, Carlo Daniels, Craig Leo, Faniswa Yisa, Marty Kintu, Nolufefe Ntshuntshe, Sandra Prinsloo and Roshina Ratnam | Life and Times of Michael K | Various roles
  • Brendan van Rhyn, Christopher Dudgeon and Rudi Jansen | The Triplets of Bellville | Cathy Specific, Holly and Molly
  • Dean Balie, Grant van Ster and Shaun Oelf | Karatara | Themselves

Most Promising Student

  • Mikayla Joy Brown | University of Stellenbosch
  • Anna Olivier | LAMTA
  • Buhle Stefane | Magnet Theatre
  • Gerard van Rooyen |LAMTA
  • Katherine Sharp | AFDA
  • Ketsia Velaphi | AFDA
  • Koketso Mere | Waterfront Theatre School
  • Miché C van Wyk | University of Stellenbosch
  • Minke Marais | University of Stellenbosch
  • Sunny Yoon | LAMTA

Best New South African Script

  • Nadia Davids | Hold Still
  • Basil Appollis and Sylvia Vollenhoven | Dance of the La Gumas
  • Fred Abrahamse and Marcel Meyer | Contested Bodies
  • Nico Scheepers | Nêrens, Noord-Kaap
  • Scott Sparrow | Dinner at the 42s

Best New Director

  • Carlo Daniels | No Complaints – New Day, New Dawn
  • Duane Alexander | Your Song – The Music of Elton John
  • Emma Amber | The Marvelous Wonderettes
  • Iman Isaacs | Irma
  • Sohail Booise | Hostel Lights (Zabalaza Best of the Fest)

Best Theatre Production for Children and Young People

  • Vlooi en die geheim/Kipper and the Secret | Marinda Engelbrecht and Margit Meyer-Rödenbeck
  • Liewe Heksie en die rolskaatse | Margit Meyer-Rödenbeck
  • Peter Pan | A&M Productions (Fred Abrahamse and Marcel Meyer)
  • Sonde met die spoke | University of Stellenbosch Drama Department

Best Performance in a Revue, Cabaret Or One-Person Show

  • Daniel Newton | Shadow Boxing | Flynn
  • Daniel Anderson | Vincent – His Quest to Love and Be Loved | Various roles
  • Erika Marais | Die Goeie Pa | Various roles
  • Sibuyiselo Dywili | The House of Truth | Can Themba
  • Sophie Joans | Île | Herself

Best Puppetry Design

  • Adrian Kohler | Handspring Puppet Company | Life and Times of Michael K

Best Lighting Design

  • Gideon Lombard | Karatara
  • Faheem Bardien | Star+Crossed
  • Joshua Cutts | Life and Times of Michael K
  • Mannie Manim | Kiss of the Spider Woman
  • Wolf Britz | Firefly

Best Set Design

  • Greg King | Fordsburg’s Finest
  • Nial Griffin | Dinner with the 42s
  • Patrick Curtis | Hold Still
  • Themba Stewart | No Complaints – New Day, New Dawn
  • Wolf Britz | Kiss of the Spider Woman

Best Costume Design

  • Brendan van Rhyn, Christopher Dudgeon and Rudi Jansen | The Triplets of Bellville
  • Marcel Meyer | A Streetcar Named Desire
  • Marcel Meyer | Contested Bodies
  • Nial Griffin | Dinner with the 42s
  • Phillis Midlane | Life and Times of Michael K

Best Performance by a Supporting Actor in a Play

  • Brent Palmer | Dinner at the 42s | Drinkwater
  • Carlo Daniels | The Unlikely Secret Agent | Various roles
  • Gerard Rudolf | Neon Smoel | The Lobster Man
  • Matthew Baldwin | A Streetcar Named Desire | Mitch
  • Sanda Shandu | Who’s Afraid of Virginia Woolf | Nick

Best Performance by a Supporting Actress In a Play

  • Berenice Barbier | Who’s Afraid of Virginia Woolf | Honey
  • Babalwa Makwetu | IKrele leChiza... The Sermon | The mother
  • Lauren Snyders | Curl Up and Dye | Charmaine
  • Melissa Haiden | A Streetcar Named Desire | Stella
  • Nomakrestu Xakatugaga | Ikrele leChiza... The Sermon | Nongoma (Guardian of the ancestral realm)

Best Performance by a Lead Actress in a Play

  • Mwenya Kabwe | Hold Still | Rosa Feigel
  • Emily Child | Dinner with the 42s | Eva
  • Fiona Ramsay | A Streetcar Named Desire | Blanche DuBois
  • Marí Borstlap | Neon Smoel | Kaval
  • Sylvaine Strike | Firefly | Ferine, Sophia and Mariti

Best Performance by a Lead Actor in a Play

  • Mncedisi Shabangu | Blood Knot | Zacharia
  • Elton Landrew | Dance of the La Gumas | Alex La Guma
  • Andrew Buckland | Firefly | Ferase, Uxor and Conrad
  • Nicholas Pauling | Dinner with the 42s | Burn
  • Paul Slabolepzsy | Fordburg’s Finest | Freddie Volschenk

Best Director

  • Fred Abrahamse | Contested Bodies
  • Gideon Lombard | Karatara
  • Greg Karvellas | Dinner with the 42s
  • Jay Pather | Hold Still
  • Toni Morkel | Firefly

Best Production

  • Life and Times of Michael K | Baxter Theatre Centre; Theater der Welt, Düsseldorf; Les Théâtres de la Ville de Luxembourg
  • A Streetcar Named Desire | A&M Productions
  • Contested Bodies | A&M Productions
  • Firefly | Baxter Theatre Centre, SU Woordfees in Association with Fortune Cookie Theatre Company
  • Karatara | Marie Vogts

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