NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Best African songs of 2018

27 Dec 2018 - 11:44

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It has been another exciting year of music on the African continent, and at Music In Africa we've been lucky enough to have been close to the action in terms of new releases.

Ghanaian dancehall artist MzVee.

During the course of 2018 we published news and reviewed many albums in English and French, and in the process shared many of the gems of African music with the rest of the world.

Now that the year is coming to an end, we have liaised with our team members in Dakar, Kinshasa, Lagos, Nairobi and Johannesburg to share with you a playlist of the most impressive releases of 2018, which we have titled Music In Africa Best of 2018.

The songs below saw huge success in the year and many of them topped the charts in their respective countries as well as abroad. Some of the artists who have been included here even earned nominations for next year's Grammys – the pinnacle of recognition for any musician. Many of the songs you are about to hear were game changers and earned their composers and performers lucrative deals.

We also did our best to be inclusive of various genres such as Afrobeat, Afrobeats, hip hop, R&B, dancehall, bongo flava, gqom, electro and fusion, among others. In addition, we've divided the below list into regions based on our editorial presence across Africa. Now turn up the volume!

West Africa

‘Djadja’ by Aya Nakamura (Mali/France)

Fenfo by Fatoumata Diawara (Mali)

'Bum Bum' by Yemi Alade (Nigeria)

'Lova Lova' by Tiwa Savage (Nigeria)

'This is Nigeria' by Falz (Nigeria)

'Ye' by Burna Boy (Nigeria)

'Weekend' by C.I.C (Liberia) feat. Iyanya (Nigeria)

‘Suh Different’ by Patoranking (Nigeria)

‘Assurance’ by Davido (Nigeria)

‘Sing My Name’ by MzVee (Ghana) feat. Patoranking (Nigeria)

'Soco' by WizKid (Nigeria)

'Deran Deran Alkheir' by Bombino (Niger)

‘Surrender’ by Mr Eazi (Nigeria) feat. Simi (Ghana)

‘Bend Down’ by MzVee feat. Kuami Eugene (Ghana)

‘Wish Me Well’ by Kuami Eugene (Ghana)

‘Original Gangster’ by Sess feat. Adekunle Gold, Reminisce (Nigeria)

‘Jogodo’ by Tekno (Nigeria)

‘Fuwa Sewa’ by Phyno (Nigeria)

Southern Africa

‘Ksazobalit’ by Cassper Nyovest (South Africa)

Sîfó by Nonku Phiri (South Africa)

'Move!' by Batuk (South Africa)

'Wuz Dat' by Boity and Nasty C (South Africa)

‘Fela In Versace’ by AKA (South Africa) feat. Kiddominant (Nigeria)

‘Sweetie’ by Jah Signal (Zimbabwe)

‘Skeleton Move’ by Master KG feat. Zanda Zakuza (South Africa)

‘Banomoya’ by Prince Kaybee feat. Busiswa & TNS (South Africa)

‘Kanjiva’ by Enzo Ishall (Zimbabwe)

'Abangani' by Sjava feat. Emtee and Saudi (South Africa)

'Sonini' by Sun-EL Musician feat. Simmy & Lelo Kamau (South Africa)

‘Dzamutsana’ by Jah Prayzah (Zimbabwe)

‘Huku’ by Sho Madjozi (South Africa)

'Ode to the Berg Wind' by Beatenberg (South Africa)

‘Do it Alone’ by Nutty O (Zimbabwe) feat. Etana (Jamaica)

‘Paper Bag’ by Winky D (Zimbabwe)

East Africa

'Atenshan' by Blinky Bill (Kenya)

'Ti Chuong' by Emmanuel Jal and Nyaruach (South Sudan)

'Take and Go' by Mankind (Kenya)

‘Ninogeshe’ by Nandy (Tanzania)

'Oya' by Buravan (Rwanda)

‘Duga’ by Natacha (Burundi) feat. Fally Ipupa (DRC)

‘Kwangwaru’ Harmonize feat. Diamond Platnumz (Tanzania)

‘Katika’ by Navy Kenzo feat. Diamond Platnumz (Tanzania)

'Time Table' by Ykee Benda (Uganda) ft Reekado Banks (Nigeria)

‘Short N Sweet’ by Sauti Sol feat. Nyashinski (Kenya)

'Hodari' by Mbosso (Tanzania)

'Chaguo La Moyo' by Otile Brown & Sanaipei Tande (Kenya)

Central Africa

'Juste Une Danse' by Fally Ipupa (DRC)

'Bonbon' by Blanche Bailly (Cameroon)

'Sista' by Charlotte Dipanda (Cameroon)

'Tchizambengue' by Shan'L (Gabon)

'Bob Marley' by Dadju (DRC/France)

'Oyo' by Afrotronix (Chad)

'P*tain de M*rde' by Naza (Republic of the Congo/France)

'La Même' by Maître Gims (DRC)

'Faut Pas Me Toucher' by Singuila (Republic of the Congo/CAR/France):

'Booboo' by Locko (Cameroon)

North Africa

‘Jour J’ by DJ Kayz (Algeria/France) feat. Wassila & Scridge (France)

‘Andalé’ by L'Algérino (Algeria/France)

‘Mafiosa’ by Lartiste (Morocco/France) feat. Caroliina

‘Bad Boy’ by Marwa Loud (Morocco/France)

Indian Ocean

'Medley Reyone' by Alain Ramanisum (Mauritius/France)

'Irony' by Kristel (Madagascar)

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