CISAC backs new EU copyright rules

The body has more than 200 divisions in 122 countries and represents millions of creators drawn from the fields of music, literature, visual arts and drama.

It had weighed in with comments during the long process of the new rules’ adoption, and following the final vote, the body’s president, Jean-Michel Jarre, issued a statement expressing gratitude. “I want to say a huge thank you to the European Parliament for listening and understanding creators’ concerns," he said. "This is a really important decision that has enormous implications worldwide. It recognises that a 21st-century Internet needs a 21st-century level of protection for creators.”

Now, Oron, the body’s director-general, has written a piece online, reflecting on the new rules and how it realigns the relationship between creators and big tech companies.

“The Internet has transformed since international copyright rules were last laid down for the digital world two decades ago,” he writes. “YouTube, Facebook and today’s other global tech giants, did not even exist. Updated laws have been overdue, helping to restore the imbalance that has developed between the power of those tech giants on hand, and the rights of creators on the other.”

In a couple of paragraphs focusing on royalties and YouTube’s debt to creators, Oron explains why before the passing of the new rules, YouTube had been able to treat creators the way it had.

“CISAC’s societies around the world collect royalties for creators worth nearly €10bn [$11.2bn] annually – but royalties from YouTube are a minuscule percentage of that. The data from the wider music industry shows the same gross anomaly.

“The reason for the mismatch has been creators’ weak negotiating position in licensing their works. YouTube has been able to claim exemption from copyright laws by claiming it is not responsible for the content uploaded on its network, and that it is protected by ‘safe harbour’ rules.

“The new directive clears this up: YouTube and other user-uploaded content platforms are responsible, they must be licensed, and they can no longer hide behind outdated rules. This is a hugely welcome clarification.”

The EU’s decision has already received an endorsement on the continent. Days after the adoption, the Coalition for Effective Copyright in South Africa wrote in a statement that “the directive goes a long way to stopping large tech platforms from monetising content created by musicians, filmmakers, artists, writers and academics, while ignoring copyright, or paying the creators of that content a pittance.”

To read Gadi Oron’s full text, click here.