NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Condolences pour in for renowned Ghanaian drummer, composer Paa Kow

26 Dec 2025 - 05:38

cc-img flag-img

Internationally acclaimed Ghanaian drummer and composer Paa Kow has reportedly died on 23 December 2025, prompting an outpouring of tributes from musicians and cultural figures in Ghana and beyond. The cause of death has not yet been disclosed.

Paa Kow.

The news was announced by American jazz trumpeter Brad Goode, a long-time collaborator, in a Facebook post. Goode described Paa Kow as “our beloved friend, master drummer, bandleader and spiritual force” and said he was “shocked and devastated” by the loss. He added that Paa Kow’s music, centred on messages of peace and brotherhood, had inspired him and many others over nearly two decades.

Goode and Paa Kow performed together extensively in Ghana and the United States, including as part of Paa Kow’s most recent ensemble. Their collaborations also included Goode’s album The Unknown, reflecting a close professional and artistic relationship.

“It’s hard to find words, some of the most beautiful and magical moments in my journey as a musician were shared with you [Paa Kow], both with me in your band and you in mine,” Zimbabwean musician Zivanai Masango wrote on social media. “What a talent, what a visionary. You’ve left us too soon, brother.”

US band Eufórquestra wrote: “After a weekend of so much musical joy, we are devastated to learn of the untimely passing of our friend Paa Kow. We first met Paa Kow almost twenty years ago when we were studying a lot of West African music as a group. He was so supportive and encouraging whenever we crossed paths and has remained a source of endless creativity and inspiration. A true master of his craft and a beautiful human being. Rest well, Paa Kow. You touched so many with your gifts and your talents will remain a blessing to those who hear the music you left for us.”

Born in Enyan Denkyira, a village near Cape Coast in Ghana’s Central Region, Paa Kow began performing at an early age with his family’s concert band. He later rose to national prominence as a teenager after joining the band of highlife musician Amakye Dede in Accra. His career went on to include performances with leading Ghanaian artists such as Kojo Antwi, George Darko, Nat Brew and gospel musician Yaw Sarpong.

Paa Kow built an international reputation through performances across Africa, Europe and the United States, sharing stages with both African and American musicians, including bassist Victor Wooten. He was widely recognised for blending highlife, jazz and Afro-fusion, creating a distinctive sound rooted in Ghanaian musical traditions.

Often described as one of Ghana’s most innovative drummers, Paa Kow played a custom-designed, hand-carved drum set inspired by traditional Ghanaian instruments. The unique setup became central to his performances and was closely associated with his artistic identity.

His discography includes Hand Go Hand Come (2012), Ask (2014), Cookpot (2017) and Nkwa Na Ehia (2021). Through these works and his touring Afro-Fusion Orchestra, he sought to promote Ghanaian culture internationally, using rhythm as a means of storytelling and cultural exchange.

Paa Kow was frequently praised for his technical virtuosity and his ability to convey emotion and spirituality through percussion. His contribution to contemporary African and jazz-influenced music has earned him lasting recognition both at home and abroad.

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media