NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Deadline extended: Instrument building and repair training

03 Jan 2025 - 12:15

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The Music In Africa Foundation has extended the deadline of its Instrument Building and Repair (IBR) project call for applications to 10 January 2025.

The application deadline is 10 January 2025. Photos: MIAF

The initiative aims to train participants in building and repairing African musical instruments while also exploring ways in which they may monetise their work and professionalise the art of instrument making in Africa.

The programme will comprise an intense, seven-day workshop that will be facilitated by top experts in the field, in Johannesburg, South Africa, in February 2025.

Participants will be selected for training and the workshops will culminate in a concert featuring some of the focus instruments as well as an exhibition showcasing a collection of instruments from various parts of the African continent.

Certificates of participation will be given at the end of the workshops, and participants will be able to leave with instruments they have made. More importantly, this training is aimed at enabling instrument makers to train other instrument makers in their respective communities.

The application deadline is 10 January 2025 at 23.59 CAT.

Who can apply?

  • Candidates with experience in building instruments. A maximum of 20 beneficiaries will be selected.
  • The workshops are open to participants based in South Africa.
  • Participants will be required to attend all training sessions scheduled to take place from 22 to 28 February 2025 in Johannesburg.

Support for participants

The MIAF will support the following costs for all selected participants:

  • Accommodation for the duration of the workshops.
  • Meals for the duration of the workshops.

Note: Participants outside Gauteng must be prepared to cover travel costs to and from their locations.

How to apply?

  • Read the call for application carefully
  • Complete the online application form. No other format of application will be considered.
  • It is imperative that you attach your CV and add a short motivation (why is it important for you to be trained, and how this will benefit you and your community).
  • Proof of experience or knowledge in instrument building (formal or informal) is advantageous, and pictures are required.

Complete the online application form here.

To be considered, send your application before the deadline (10 January 2025 at 23.59 CAT)

Selection process

  • Eligible applications will be reviewed by a selection committee.
  • Successful applicants will be notified by January 2025.
  • Unsuccessful applicants will not be notified.
  • Only complete applications will be considered.
  • Late applications will not be considered.

The Music In Africa Instrument Building and Repair project is funded by the National Lotteries Commission (NLC) with additional support from Afrikayna through the VITA - Instrumenthèque d'Afrique project and Associated Board of the Royal Schools of Music (ABRSM), Siemens Stiftung Goethe Institut, University Of Johannesburg, Constitution Hill’s Creative Uprising Hub and Ukhozi FM.

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