NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Goethe-Institut announces MobiArts programme

03 Sep 2024 - 10:29

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The Goethe-Institut has announced the inaugural MobiArts project, a cultural programme that enables artists from sub-Saharan Africa to tour the continent through its network of institutes and to enter dialogue with the local scenes.

Kenyan artist Checkmate Mido is among the performers selected for the programme.

The aim of the Goethe MobiArts project is to promote cultural diversity and intercultural dialogue, access new audiences and markets for African artists, promote talents from the region, and to develop South-South cooperation.

For the 2024 edition, four artists from a variety of disciplines and from different geographical and linguistic areas of the continent have been selected. They are Checkmate Mido (slam poetry, Kenya), Aneth Silva (dance, Angola), Keenan Meyer (pianist, South Africa), and Skriim (electro music, Cameroon).

Under the coordination of the Goethe-Institut Yaoundé and the Goethe-Institut Abidjan, each artist will hold four performances in four different countries between August and November 2024.

The selection of the artists was done through a jury process, with every participating Goethe-Institut handing in two suggestions from which the final artists for the tour were selected.

“For us it was important to keep gender balance but also suggest artists that are convincing with their innovative ideas and quality of artistry and performance but have yet to tour internationally,” Goethe-Institut Kenya cultural programmes head Susanne Gerhard said. “MobiArts will take place this year and next year, and after careful evaluation it will hopefully continue for a longer timeframe.”

Commenting on his selection, Checkmate Mido said: “My vision has always been to take my work across the Africa continent. Playing in Europe and America is beautiful and fine, but nothing beats the joy of being able to connect with other Africans who come from a diverse culture and speak different languages but are still able to connect with the basic music in its rawest form. It means a lot for me to be able to do this. I’ve always dreamt of doing this, that's why I did the East African tour last year, and hope that I can tour more countries after this.”

Below are the full performance dates:

Aneth Silva (Angola)

Aneth Silva is a graduate in management and production of performing arts from Associação Fórum Dança in Lisbon, Portugal. She is a choreographer, radio host and artistic director and producer of performances and cultural events in different languages. Aneth Silva also focuses on creating innovative and transformative experiences for students, clients, and audiences. Her desire is to provide alternative ways, where spectators and participants can consume art in Angola.

  • Lome, Togo – 18 September
  • Ouagadougou, Burkina Faso –21 September
  • Windhoek, Namibia – 26 September
  • Luanda, Angola – 28 September

Checkmate Mido (Kenya)

Checkmate Mido is a household name in the hip hop and spoken word scene in Nairobi fusing rhyme and rhythms to tell compelling stories through music. His work has been featured on the BBC’s Focus on Africa and Music In Africa.

  • Johannesburg, South Africa – 31 August
  • Luanda, Angola – 7 September
  • Yaoundé, Cameroon – 13 September
  • Nairobi, Kenya –25 September

Keenan Meyer (South Africa)

Keenan Meyer is a South African pianist and composer renowned for his captivating performances and innovative compositions. Born and raised in Johannesburg, Meyer's musical journey began at a young age, when he showed deep interest in music.

  • Johannesburg, South Africa – 6 September
  • Abidjan, Ivory Coast – 31 September
  • Accra, Ghana – 6 November
  • Kigali, Rwanda – 9 November

Skriim (Cameroon)

Skriim is an electronic music composer, a sound artist, DJ and producer whose work essentially revolves around the research, collection, and transformation of organic, unorthodox sounds to create musical novelty in the areas of electronic music and sound art performance.

  • Dar es Salaam Tanzania –26 October
  • Nairobi, Kenya – 30 October
  • Luanda, Angola – 2 November
  • Yaoundé, Cameroon – 8 November

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