NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

How to - Tech

How to earn money using the YouTube Partner Program

24 May 2022 - 07:12

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YouTube is the world’s leading online video sharing and social media platform. YouTube is owned by Google and is the second-most-visited site in the world, boasting more than a billion viewers a month and 400 hours of video uploaded per minute.[1] The platform’s significant traffic has, furthermore, resulted in its emergence as one of the world’s preeminent marketing and advertising platforms.[2]

46brandrelatedyoutubepartners

In 2007, the company implemented the YouTube Partner Program, to encourage video content creators to keep making content and share in the revenue generated from the platform.

This article focuses on ways for South African musicians to use the YouTube Partner Program as a supplementary revenue stream.

YouTube Partner Program (YPP)

The YouTube Partner Program allows creators to monetise their videos on YouTube. For content creators to be eligible for YPP, they need to meet the following requirements:[3]

  • Have at least 1 000 subscribers.
  • Have at least 4 000 valid public watch time hours over the last 12 months.
  • Live in an eligible country (South Africa is eligible. The full list of eligible countries is available here.
  • Have a linked AdSense account.
  • Meet YouTube monetisation policies and community guidelines (i.e. no spam or scams, sexual content, child exploitation/endangerment, hate speech, harmful or dangerous content, harassment and/or cyberbullying).

Once content creators have met these requirements, they can apply to join the YPP. This is done by logging into YouTube Studio, navigating to the Monetization tab and submitting an application to the YPP. The channel will be reviewed to check if it meets the above requirements (this process typically takes one month or less), and then admitted or declined to the YPP.

[video:https://www.youtube.com/embed/bIngfKyJyUw width:744 height:446 autoplay:0]

Video: This video from the YouTube Creator Academy explains the basics of making money on YouTube.

Earning potential: In-video advertising

There are several ways to earn from creating videos and uploading them to YouTube. However, once accepted into the YPP, revenue from in-video adverts is the easiest way.

Several factors contribute to how much is earned from advert placement:[4]

  • Advert type. In-video ads pay more than overlay ads, while overlay ads pay more than side display ads. Creators can select the type of ads they want on their videos once admitted to the YPP.
  • Geographic location of the view. Views from stronger economy centres, such as the US and the UK, provide more revenue than views from countries such as South Africa.
  • Quantity. More adverts equal more money. Videos that are longer than eight minutes can have multiple videos placed within them.
  • View length. Viewers that watch more – or the entirety of – the advert will generate more revenue than those that watch only the mandatory five seconds. Creators can opt to disable the skip advert function, though this will negatively affect the user experience of their YouTube channel.
  • Viewer subscription type. Viewers who have subscribed to YouTube Premium generate more revenue than unsubscribed viewers.
  • Time of year. When there are a lot of advertisers bidding for placements on YouTube, the price per placement increases due to the rise in demand. This, in turn, increases the revenue generated per placement. These surges are typically linked to the holiday season, or other major sales periods such as Black Friday and Cyber Monday.

All these factors and more result in different amounts reported by YPP content creators. This amount is described as either the RPM or the CPM. RPM stands for revenue per 1 000 video views. CPM stands for cost per 1 000 impressions, which indicates how much advertisers have to pay to display their adverts on YouTube. RPM is the most variable and can be as low as $0.14 or as high as $50 and more. Note that each video uploaded to a channel may have a different RPM value, thus YouTube provides an average RPM figure for every YPP channel.

Content creators get a share of the CPM. Thus, CPM is a useful comparative amount to estimate how much advertisers pay in different countries. CPM for South Africa is about $2.37 (about R35), but this is an average figure and so variance is to be expected.[5] Generally speaking, channels with content and viewers based in South Africa will typically have RPMs less than this CPM value. However, musicians who make genres that appeal to South Africans (such as amapiano, hip hop, kwaito, etc.) may have RPMs closer to this value. At the time of writing, the best estimate for content creators, such as musicians, is about $1 000 (R15 000) per 1 million views.[6]

According to Music In Africa’s Revenue Streams for Music Creators in South Africa 2022 report, the YPP currently brings in an average monthly income of R3 962 for its members.

Earning potential: Memberships and Supers

In addition, YPP offers two other revenue streams:

  • Memberships. Memberships allow users to become members of a channel and pay a monthly subscription fee in return for special perks offered by the content creator. YouTube takes 30% of the revenue earned from this method.[7]
  • Supers. Super Chats and Super Stickers allow fans to purchase goods on a channel during live streams that have the chat function enabled. The purchased Super Chats and Stickers are highlighted so that they stand out in the chat feed, therefore providing fans with the chance to stand out as supporters of the artist – or the cause they are representing.[8]

For memberships to be worthwhile and successful, creators should provide added value above and beyond what’s already available on their channels. Successful creators are those who provide deeper connections with their members. The list of possibilities is endless, but providing a good reason to join a membership plan, and then staying consistent with your delivery, is key.

Some membership content ideas for artists include:

  • Hidden scenes/behind the scenes content.
  • Exclusive member merchandise.
  • Custom member merchandise.
  • Signed CDs/vinyl and/or merchandise.
  • Discounted live show tickets and/or booking fees.
  • Custom songs.
  • Monthly member chat.

[video:https://www.youtube.com/embed/KDZJULNpVWo width:744 height:446 autoplay:0]

Video: An explanation of the Super Chat and Super Stickers revenue stream from the team at YouTube Creators.

Additional tips

The following recommendations can assist with the project of building an engaged audience on YouTube:

  • Learn the platform. To be a successful YouTuber, musicians should learn the platform in order to maximise its benefits. YouTube offers a free educational platform called YouTube Creator Academy.
  • Consistency. Uploading videos regularly (once a week is suggested) is required to build an engaged audience on YouTube.
  • Think beyond music videos. While musicians should definitely have music videos on their channels, they should also upload content that goes beyond music videos. Videos such as behind-the-scenes content, lyric videos, the story behind songs, and other more personally themed videos also work well. If you play an instrument, you could teach people how to play your music (playthroughs), or other artists’ music.
  • Capture your viewers’ details. Even though YouTube has notifications, getting your viewers’ email addresses and/or phone numbers to build a mailing list or broadcast list is recommended. With this list, musicians can inform their audience as soon as there is new content available.
  • Collaborate. Collaboration helps content creators reach new audiences. Content creators should search for creators with an audience the same size as theirs but in an adjacent – or slightly different – market.

YouTube is a great platform for content creators to share, learn and expand their audience. Musicians can, furthermore, leverage the YouTube Partner Program to not only diversify their income but also to reach new fans from around the world.

Resources and citations

This article is part of the Revenue Streams for African Musicians project, supported by UNESCO’s International Fund for Cultural Diversity in the framework of the UNESCO 2005 Convention on the Protection and Promotion of the Diversity of Cultural Expressions, the Siemens Cents4Sense programme, Siemens Stiftung, Goethe-Institut, the National Arts Council of South Africa and Kaya FM.

Editing by David Cornwell and Kalin Pashaliev

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Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

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