NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud of its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is running a national programme that is creating jobs, addressing skills gaps, and strengthening South Africa's creative industries — in line with the SEF's overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative is recruiting and training participants, matching them with host organisations, and has already placed 1 500 workers across the country — surpassing its original target of 1 000. NEFCISA is delivered through a network of 20 host organisations spanning five provinces, who are actively hosting participants and contributing to work for the common good across South Africa's creative and cultural industries. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES Conference and Showcase Festival is Africa's leading music industry gathering, bringing together the people shaping the future of the continent's music business. Artists, entrepreneurs, executives, investors, policymakers and cultural leaders from across Africa and around the world come to ACCES to build partnerships, exchange ideas, discover talent and create new business opportunities. Since its launch in 2017, ACCES has become the continent's premier platform for professional exchange and music market development. Combining a high-level conference with a curated showcase festival, networking, exhibitions and industry programmes, ACCES offers a unique space where creativity meets business and where African music connects with the global industry.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at [email protected]. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Kenya mourns music great Teddy Kalanda Harrison

20 Sep 2024 - 07:37

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The Kenyan music fraternity is mourning the death of one of its most consequential and pioneering artists, Teddy Kalanda Harrison, who passed away this week aged 72.

The late Teddy Kalanda Harrison.

According to the late musician’s younger brother, John Katana, Kalanda passed away at his home in Kaloleni, Kilifi County, on 17 September after a long battle with cancer. News reports indicate that Kalanda had been battling cancer since 2018.

Speaking to the local press, John Katana said: “It has been a long painful journey for our eldest brother, who was a source of inspiration to all of us.”

Born to a musical family, Kalanda, together with his brothers George Zirro (deceased), Billy Sarro, Denis Kalume (deceased), and John Katana, founded one of Kenya’s most iconic bands, Them Mushrooms, in 1972.

Today, Them Mushrooms not only continues to play but is celebrated as being at the centre of Kenyan musical heritage.

The band is especially known for its hit song ‘Jambo Bwana’ released in 1980. According to Santa Barbara Music Publishing, the song, which shot to international acclaim, sold over 200 000 copies between 1982 and 1987, receiving platinum certification in Kenya.

“Additional renditions followed with recordings produced in Sudan, Ethiopia, Dubai, Germany, France, Holland, Belgium, Canada, Spain, Portugal, Italy, and Switzerland,” Santa Barbara Music Publishing said.

The band’s discography boasts more than 15 albums and popular singles like ‘Unkula Huu’, ‘Wazee Wakatike’, ‘Nyambura’, ‘Ndogo Ndogo’, and ‘Hapo Kale’.

An accomplished saxophone player and vocalist, Kalanda was also the owner of Big Matata Productions record company. The artist was also known for using music to promote charity work, helping raise funds for organisations seeking to reduce poverty and hunger, and those fighting injustice.

Upon receiving the news of Kalanda’s passing, Kenyans took to social media to eulogise the artist and send condolences to his family.

Officials at Kenya’s tourism promotion portal, Magical Kenya, wrote: “Magical Kenya extends its heartfelt condolences to the family of Teddy Kalanda. As the band leader of the renowned Them Mushrooms, Teddy will forever hold a special place in Kenya’s tourism history. ‘Jambo Bwana’ is a classic example of how music can boost tourism and national pride. We celebrate your remarkable life and lasting contribution. Rest in peace, Teddy Kalanda.”

Kenya’s Senate speaker and former Kilifi governor Amason Jeffah Kingi wrote: “I am deeply saddened by the passing of Teddy Kalanda Harrison, founder of the famous Them Mushrooms band and composer of the hit song ‘Jambo Bwana’. Teddy, an accomplished saxophonist who hailed from Kaloleni in Kilifi County, will be remembered for this iconic song that attained international fame and became a signature tune for marketing our country as a tourist destination. I send my condolences to Teddy’s family at this most difficult moment and pray that his soul rests in perfect peace.”

Illustrator and writer Paul Kelemba (Maddo) said: “A brother of many years. Rest, Mr Groove, you’ve done your part for earth.

Columnist and communications consultant Barrack Muluka said: “Kalanda Harrison, you have gone with a piece of each one of us who knew you, and especially we magical people called ‘Exennials’. You soothed us in hard times. Go well.”

The artist was also remembered as a huge inspiration for many artists from Kenya's Coastal region.

Despite undergoing various transformations over the years, Them Mushrooms has kept its identity under the stewardship of the remaining family members. Some of the significant reorganisations included shifting its base from Mombasa to Nairobi in the late '80s and briefly changing its name to Uyoga Band in 2002.

Kalanda’s legacy endures through his family, particularly his eldest son, Henry Harrison, a musician residing in Sweden.

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