NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Reviews

Made For Us: Harmonize proves he is master songsmith once again

08 Nov 2022 - 08:41

cc-img flag-img

By Charles Maganga

When he released his sophomore album in November 2021, many thought Harmonize would take a well deserved long break to listen to the rustle of crisp banknotes. However, 11 months after High School dropped, Harmonize is back with Made For Us.

Tanzanian artist Harmonize just released his third album titled Made For Us.

The new album sees the bongo flava heavyweight teaming up with some of the best artists in the business currently, including Tanzanian rising star Abigail Chams and Jamaican dancehall artist Spice, to deliver what promises to be a blockbuster album.

While Afro East and High School sought to crack open the international market for Harmonize, on Made For Us the artist looks like he has other ideas. As a matter of fact, Harmonize recently stated that he won’t be promoting the 14-track project, perhaps an indication that he is assured of his place in the bongo flava hierarchy.

On the new album, Harmonize appears set on doing collaborations that suit his artistic needs rather than marketing ambitions.

The collection opens with ‘Mwenyewe’, a narration of Harmonize’s rags-to-riches story through inspiring and boastful lyrics layered over a piano tune borrowed from the timeless classic ‘La Bamba’.

This is followed by ‘My Way’, a danceable track where the award-winning singer reminisces about his previous love interests and his internal struggles. Some might say the song takes a subtle dig at Harmonize’s former boss Diamond Platnumz with whom he had a public falling out.

The romantic chapter of the album starts with ‘Wote’, a sentimental song that sees Harmonize deploy his voice to deliver one of the memorable performances on the album. The album's love theme is also cemented in ‘Nitaubeba’ which proves once again that Harmonize is the king of storytelling.

‘Utanikumbuka’ is the first song on the album where Harmonize's raw heartbreak is revealed, while ‘You’, which is a dedication to his girlfriend Kajala Masanja, has a way of evoking every shade of pain, regret and torment.

When you listen to ‘Die’ you'll be surprised at how producer B.Boy Beats’ thin and melodious beat blends so well with Harmonize's smooth and melancholic vocals. But it’s the song’s message and sentiment that makes the track hard to skip.

The Bruce Melodie- and Nak-featured ‘The Way You Are’ marks another serious attempt by Harmonize to break into West Africa's music market. The dancehall and R&B-driven ‘Miss Bantu’ and the bongo flava tune ‘Deka’ are both playful offerings which at first seem to add nothing thematically or sonically to the album, but they are in no way filler tracks.

Just like his 2017 hit ‘Happy Birthday’, what makes ‘Best Friend’ special is the unique message it carries whereby Harmonize stresses the significance of having loyal friends. Also as with ‘Happy Birthday’ the track's lyrics are infectious.

As expected, the album could not be complete without a touch of amapiano and ‘Too Much' featuring Ntoshi Gazi does the job.

‘Amelowa’, which was released a few weeks before the album's arrival, is a perfect club banger to close the album.

Made For Us is the most personal album by Harmonize to date. Through the album, Harmonize is either saying that he is a star in his own right or reminding his fans of his songwriting abilities. There is no doubt it will be received well.

Album: Made For Us
Label: Konde Music Worldwide
Year: 2022

Please log in to post a comment.

Most popular

Disclaimer: Music In Africa provides a platform for musicians and contributors to embed music and videos solely for promotional purposes. If any track or video embedded on this platform violates any copyrights please inform us immediately and we will take it down. Please read our Terms of Use for more.

newsletter banner

Subscribe to our monthly Newsletter

Follow us on social media