NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Maverick City Music’s Kingdom Tour lights up Harare

14 Aug 2024 - 13:37

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By Trevor Makonyonga

It was a buffet of brilliant performances as different gospel artists took to the stage to dazzle an expectant audience during the Kirk Franklin Maverick City Music’s Kingdom Tour at Glamis Arena in Harare, Zimbabwe, on 12 August.

Kirk Franklin during a performance at Glamis Arena in Harare, Zimbabwe, on 12 August 2024.

Prior to the show, there had been social media campaigns to try and stop the show from happening as a reaction to Kirk Franklin and Chandler Moore’s performance with Will Smith at the BET Awards, but this did not deter Zimbabwean gospel music lovers from attending the show.

About 5 000 people were in attendance packing the venue with scintillating choral voices whenever the music transitioned to a cappella. First to perform was little-known local artist Ezekiel Paul, who grabbed the opportunity and made the best of it by giving a good impression of himself. His song ‘Lighter’ connected with the audience.

Covenant Praise also delivered a commendable performance, impressing the audience with their large and harmonious choir. The group’s visual presentation was equally impressive, as they took to the stage dressed in sharp and cohesive attire of white shirts, brown jackets and blue denim, adding a touch of professionalism to their overall show.

Vocal Ex from Bulawayo stole the show with a phenomenal opening act that set the tone for the entire event. Their mesmerising performances of ‘O’Msindisi’ and ‘We are Ready for Jerusalem’ left the audience craving more. The group’s energy was infectious, perfectly priming the crowd for the show’s host, Rorisang Thandekiso, who seamlessly took the stage singing ‘We are Ready for Jerusalem’, building on the momentum created by Vocal Ex’s outstanding curtain-raiser.

The fans had to be patient as Maverick City set up the stage. It was a worthy wait as the musicianship was amazing. There could have been flaws in the undertaking of songs but because of the atmosphere that was built in the stadium, everything sounded perfect.

From Todd Galberth singing ‘He Won’t Fail’ to Kirk Franklin singing ‘Imagine Me’, Naomi Raine singing ‘The Story I'll Tell’ and Chandler Moore doing ‘Firm Foundation’, the show was befitting the aesthetics on the stage as every song coming out was vocally appealing.

The packed stadium was treated to tantalising sing-alongs like, ‘Million Little Miracles’ (which was sung by Todd Galberth), ‘I Trust in God’, ‘Promises’, ‘Jireh, Onaga’, ‘Hosanna Forever’, ‘Nara’ and ‘I smile’, among other songs.

There was a moment when Glamis Arena was set alight as Kirk Franklin took to the keyboards to play ‘My Life is in Your Hands’ as the crowd was singing. It was a beautiful scene.

The singers have already performed in Zambia, South Africa, Malawi and Zimbabwe. They will be in Dar es Salaam, Tanzania, on 15 August before going to Kampala, Uganda, the next day. They will complete the Africa Tour with a visit to Kenya on 17 August before taking the tour to Europe.

Trevor Makonyonga is a journalist from Harare, Zimbabwe, who writes in his personal capacity. The opinions and views expressed herein are solely his own and do not reflect the position or stance of the publication.

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