NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

MCSK rejects boycott of Mt Kenya artists, pledges support

27 May 2025 - 13:56

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The Music Copyright Society of Kenya (MCSK) has strongly condemned recent calls for a boycott of musicians from the Mt Kenya region, following their meeting with Deputy President Kithure Kindiki.

MCSK CEO Ezekiel Mutua.

The statement comes in response to remarks made by former deputy president Rigathi Gachagua, who accused the artists of betraying their community and urged the public to unfollow and boycott them unless they apologise.

MCSK CEO Ezekiel Mutua dismissed the calls as politically motivated and warned against actions that could harm the economic wellbeing of Kenyan artists.

“Let it be clearly stated that MCSK will not tolerate any form of economic sabotage targeting our members,” Mutua said.

He cautioned against the politicisation of the music industry and stressed that entertainers should not be penalised for their associations or political engagements.

Mutua further warned that entertainment venues complying with discriminatory boycott calls would face repercussions, including loss of licensing rights from MCSK.

“Any entertainment venue that complies with calls to discriminate against our artists will not be authorised to play music licensed by MCSK. Public performances are a critical source of income for our musicians, and introducing divisive political measures that threaten this livelihood is akin to dismantling the foundation of their creative work,” he said.

The MCSK CEO urged clubs, event organisers, and the general public to reject the boycott calls, emphasising that such actions violate freedom of expression and association, which are enshrined in Kenya’s Constitution.

“We call upon our artists to remain united and not allow themselves to be manipulated by political interests. Their God-given talents are invaluable, especially during a time when the country is grappling with ethnic tensions and political polarisation,” Mutua added.

The controversy began on 25 May when Gachagua, speaking at AIPCA Kihoya Church in Murang’a County, criticised musicians who had visited Kindiki at his Karen residence. He labelled the artists as “traitors” and claimed they were misleading the public by supporting government initiatives such as the Social Health Authority (SHA).

“Our musicians were sent to tell lies, that SHA is working, roads are being constructed, and the education sector is thriving,” Gachagua claimed.

Following consultations with Mt Kenya elders, Gachagua said the community demands a public apology from the artists. If they fail to do so, he urged the public to boycott their music, deny them performance opportunities, and unfollow them on social media platforms.

The musicians’ meeting with the Deputy President last Friday reportedly focused on tackling industry challenges such as low earnings, exploitation, and lack of policy support.

During the meeting, Kindiki pledged government action: “We will promote talent among Kenyans and protect creatives from exploitation by cartels. Musicians deserve earnings that reflect their talent and effort.”

As tensions continue to simmer, MCSK’s firm stance seeks to shield artists from political backlash and protect the integrity of Kenya’s creative industry.

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