South African Award Winning Artist Jitsvinger born Quintin Goliath is set to tour New Zealand this February.With word play he started at an early age mixing Afrikaans,English and the Indigenous Khoi language.Poetical Hip Hop mixed with the Guitar he plays on his sets gives his style uniqueness.New Zealand is set for a good performance by Jitsvinger.
Hailing from Cape Town he goes to New Zealand to also exchange culture and collaborate.The tour is also educational in a sense.Hip Hop and music in general will be shared.New Zealand meets South Africa
Jitsvinger Releases New EP Ahead of Wellington Residency
South African Hip Hop and spoken word practitioner Jitsvinger arrives in Aotearoa New
Zealand this February with a new EP that deepens his language-driven exploration of identity,
power, and cultural memory, released ahead of his upcoming Wellington-based residency.
Rooted in the linguistic and musical traditions of Cape Town, the EP moves between Afrikaans,
Kaaps, and English, using rhythm and spoken word to interrogate whose voices are heard and
how history lives inside language. Politically alert without being prescriptive, the work is
grounded in lived experience rather than abstraction, and driven by the immediacy of
performance.
The EP is accompanied by album artwork that functions as a form of visual therapy rather than
illustration. Drawn from the lyrics, lifestyle, and lived reality that shape the music, the imagery is
deliberately open-ended, designed to ease the mind, evoke emotion, and invite reflection rather
than prescribe meaning. Symbols recur throughout the artwork: a chain that may suggest
captivity, hierarchy, or inherited histories of enslavement; a pair of eyes that could read as a
mirror, or as an all-seeing presence; and a drum that beats to its own rhythm, perhaps a heartbeat,
perhaps a vibration. References to the Cape Flats sit alongside masks and forms of armour,
signalling protection, survival, and self-fashioning. Like the music itself, the artwork carries
flow, rhythm, punchlines, and metaphor, but ultimately resists closure. Meaning is left to the
viewer. The listener becomes the interpreter.
Jitsvinger’s New Zealand residency (17 February–4 March 2026), in association with The
Performance Arcade, will be based in Wellington and includes performances, workshops,
collaborations, and institutional engagements. The residency places a South African language
practice into direct conversation with Aotearoa New Zealand’s contemporary cultural landscape,
where questions of Indigenous language revitalisation, belonging, and post-colonial identity are
central to public life.
Rather than a conventional international tour, the residency is structured as a working exchange.
Jitsvinger will engage with artists, students, and communities through live performance,
participatory sessions, and education-focused workshops, testing how a Cape Town–rooted
practice translates, shifts, and responds within another Indigenous-led context.
The residency will be documented as a short film, tracing the creative process and the tensions
and connections that emerge when language, rhythm, and place meet across the Global South.
With the new EP serving as both entry point and provocation, Jitsvinger brings a practice deeply
embedded in local language and history into dialogue with Aotearoa New Zealand audiences at a
moment when the politics of voice, land, and cultural continuity are sharply in focus.The EP Jitsonova Vol. 2: DJAS EFX is available now via Bandcamp:
https://jitsvinger.bandcamp.com/album/jitsonova-vol-2-djas-efx
Media & updates during the Aotearoa residency:
Instagram: https://instagram.com/jitsvinger
Bandcamp: https://jitsvinger.bandcamp.com
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