NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

#Hip-Hop

News: Jitsvinger Set to Tour New Zealand

12 Feb 2026 - 15:56

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South African Award Winning Artist Jitsvinger born Quintin Goliath is set to tour New Zealand this February.With word play he started at an early age mixing Afrikaans,English and the Indigenous Khoi language.Poetical Hip Hop mixed with the Guitar he plays on his sets gives his style uniqueness.New Zealand is set for a good performance by Jitsvinger.
 

Hailing from Cape Town he goes to New Zealand to also exchange culture and collaborate.The  tour is also educational in a sense.Hip Hop and music in general will be shared.New Zealand meets South Africa 

Pic by Anthonio Smith

Jitsvinger Releases New EP Ahead of Wellington Residency

South African Hip Hop and spoken word practitioner Jitsvinger arrives in Aotearoa New

Zealand this February with a new EP that deepens his language-driven exploration of identity,

power, and cultural memory, released ahead of his upcoming Wellington-based residency.

Rooted in the linguistic and musical traditions of Cape Town, the EP moves between Afrikaans,

Kaaps, and English, using rhythm and spoken word to interrogate whose voices are heard and

how history lives inside language. Politically alert without being prescriptive, the work is

grounded in lived experience rather than abstraction, and driven by the immediacy of

performance.

The EP is accompanied by album artwork that functions as a form of visual therapy rather than

illustration. Drawn from the lyrics, lifestyle, and lived reality that shape the music, the imagery is

deliberately open-ended, designed to ease the mind, evoke emotion, and invite reflection rather

than prescribe meaning. Symbols recur throughout the artwork: a chain that may suggest

captivity, hierarchy, or inherited histories of enslavement; a pair of eyes that could read as a

mirror, or as an all-seeing presence; and a drum that beats to its own rhythm, perhaps a heartbeat,

perhaps a vibration. References to the Cape Flats sit alongside masks and forms of armour,

signalling protection, survival, and self-fashioning. Like the music itself, the artwork carries

flow, rhythm, punchlines, and metaphor, but ultimately resists closure. Meaning is left to the

viewer. The listener becomes the interpreter.

Jitsvinger’s New Zealand residency (17 February–4 March 2026), in association with The

Performance Arcade, will be based in Wellington and includes performances, workshops,

collaborations, and institutional engagements. The residency places a South African language

practice into direct conversation with Aotearoa New Zealand’s contemporary cultural landscape,

where questions of Indigenous language revitalisation, belonging, and post-colonial identity are

central to public life.

Rather than a conventional international tour, the residency is structured as a working exchange.

Jitsvinger will engage with artists, students, and communities through live performance,

participatory sessions, and education-focused workshops, testing how a Cape Town–rooted

practice translates, shifts, and responds within another Indigenous-led context.

The residency will be documented as a short film, tracing the creative process and the tensions

and connections that emerge when language, rhythm, and place meet across the Global South.

With the new EP serving as both entry point and provocation, Jitsvinger brings a practice deeply

embedded in local language and history into dialogue with Aotearoa New Zealand audiences at a

moment when the politics of voice, land, and cultural continuity are sharply in focus.The EP Jitsonova Vol. 2: DJAS EFX is available now via Bandcamp:

https://jitsvinger.bandcamp.com/album/jitsonova-vol-2-djas-efx

Media & updates during the Aotearoa residency:

Instagram: https://instagram.com/jitsvinger

Bandcamp: https://jitsvinger.bandcamp.com

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