NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Open call: CANEX Shorts 2025 for young African filmmakers

18 Jun 2025 - 11:18

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The Creative Africa Nexus (CANEX), an initiative of the African Export–Import Bank (Afreximbank), has announced the third edition of its short film competition, CANEX Shorts. The competition aims to spotlight and celebrate emerging African filmmaking talent, both on the continent and across the diaspora.

Each winning filmmaker will receive a cash prize of $2 000. In the photo: 2024 CANEX Shorts winners.

Who can apply?

Young filmmakers aged 18 to 35, based in Africa, the diaspora, or the Caribbean, are invited to submit a short film of no more than five minutes. Submissions are open in three categories:

  • Best Fiction
  • Best Documentary
  • Best Animation

Each winning filmmaker will receive a cash prize of $2 000, and have the chance to showcase their work at CANEX during the Intra-African Trade Fair (IATF2025), set to take place in Algiers, Algeria, from 4 to 10 September 2025.

Eligibility criteria:

  • Films must have been produced in 2023 or later.
  • Submissions can be in any language.
  • Only one film per filmmaker is permitted.
  • Filmmakers must own full rights to the submitted work.

How to submit:

Entries must be submitted via FilmFreeway. A selection committee will shortlist 30 films — ten per category — to be judged by a panel of respected film experts from across Africa.

Deadline: Early application is encouraged. Finalists and winners will be announced and screened at CANEX @ IATF2025.

Why enter?

Beyond the cash award, winning filmmakers will gain:

  • International exposure for their work.
  • A screening opportunity at one of the largest gatherings of creatives on the continent.
  • Direct access to investors, producers, and creative industry leaders.

Previous winners:

At CANEX WKND 2024, standout films included:

  • Silent Screams by Esenaga Mbwe (Botswana) – Best Fiction
  • We Shall Not Forget by Brian Obra (Kenya) – Best Documentary
  • Room-5 by Francis Y. Brown (Ghana) – Best Animation

Special Mentions were awarded to Vodoun Nouminssin and Rain Is Not the Cloud’s Last Parade for exceptional quality.

“Africa’s film industry is valued at over $5 billion and bursting with potential,” executive vice President for Intra-African Trade and Export Development at Afreximbank Kanayo Awani said. “CANEX Shorts is part of our mission to elevate African storytelling and bring our cultural narratives to a global stage.”

Register to attend CANEX at IATF2025 for free.

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