NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Open call: Forbes Africa 30 Under 30 class of 2024

02 Jan 2024 - 10:19

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Forbes Africa is calling for nominations for the 2024 30 Under 30 class of young innovators, influencers and intellectuals taking the continent by storm.

Nigerian singer Tems is an alumna of Forbes Africa 30 Under 30.

Now in its 10th year, the list is an annual selection of 30 of the continent’s brightest achievers under the age of 30 across various fields including creative arts, business, technology, sport and health.

“It has been 10 years of showcasing tomorrow’s titans and billionaires,” Forbes Africa managing editor Renuka Methil said. “This list continues to draw great interest from our readers, young and old. And on a continent with the world’s youngest population, it’s more pertinent than ever to unravel these young movers and shakers who will be tomorrow’s global newsmakers.”

Past honourees of the Forbes Africa 30 Under 30 list include musicians Tems, Mr Eazi, Davido, Wizkid, Sho Madjozi, Nasty C, Kabza De Small and Burna Boy, among others.

Eligibility

  • Nominees must be 29 or younger on 30 March and have never appeared on an Under 30 list before.
  • The company/business/brand must be profit-generating
  • Social impact is a very important part of Africa’s Under 30 list.
  • All applications must be in English (this will include the nomination process, financial documents etc).
  • Nominees cannot choose more than two categories.
  • Candidates entering with a business must note that:
    • Nominees must reside in, or be from or have their business/brand based in Africa.
    • The more innovative the business the better (as it contributes to Africa’s growth story!)
    • Business(es) should be two years or older (applicants must ensure to have their audited financial documents for at least two years as well as their company’s registration documents. Should they make the second stage, this will be required).
  • The company must be profit-generating.
  • Those applying in the creative or health/science and/or sport must:
    • Have a proven track record of two or more years.
    • Forbes Africa will need an indicator, in the form of documentation, of substantial earnings and/or robust net worth.

Judging process

The judging process will take place in four stages:

  • The first stage will be the evaluation of candidates' motivation. In the event of no communication from Forbes Africa within a specified period, applicants should consider their nomination unsuccessful.
  • The second stage necessitates potential candidates to submit additional documentation for further assessment.
  • In the third stage, a comprehensive analysis of financials, revenue models, and overall credibility will be conducted. Thorough research will delve into the backgrounds of both individuals and their company/team, checking for any criminal records, lawsuits, bankruptcies, allegations of crime, instances of bad behaviour, sexual harassment/abuse, or fraud.
  • The final stage involves an expert panel of judges assessing the strongest candidates, narrowing them down to the final 30. The editorial and research team then makes the ultimate selection, taking into account judges' scoring and remarks while ensuring diversity across company type, gender, background, etc.

Nominations can be made here.

View the original call here.

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