NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Open call: South African Music Awards 2025 entries

11 Dec 2024 - 07:39

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The Recording Industry of South Africa (RiSA) is inviting musicians and record labels to submit entries for the 2025th edition of the South African Music Awards (SAMAs).

South African artist, DJ, and producer Oskido won the Chairperson's Award at SAMAs 2024.

Submissions opened on 10 December 2024. Entries eligible for the 31st instalment in over 30 genre categories, should have been released between 16 April 2024 and 31 January 2025. They can be uploaded via the SAMAs official website here or delivered physically at Unit 1, 152 Bram Fisher Drive, Randburg in Johannesburg, South Africa during office hours before 31 January 2025.

According to RiSA, the call for entries is geared towards hosting the SAMAs in the first half of the year, unlike in the past two years when they were hosted in November, in Pretoria and Johannesburg.

Submission process

  • Electronically: The preferred method is online submission. A dedicated link will be sent out to RiSA members for a smooth process. Non-RiSA members can access the form directly via the official website.
  • Offline help desk: Entrants unable to submit online, don’t worry. RiSA has a help desk available at their offices located at 152 Bram Fischer Drive, Randburg. Staff will be happy to assist you during office hours.
  • Visit the About Us page on the website for a step-by-step guide on how to enter.

Entry eligibility

  • Albums: As per SAMA31 rules, an album must contain at least four previously unreleased singles, excluding remixes and live recordings of existing songs.
  • Singles: For categories like Best Collaboration and Remix of the Year, entrants can submit a single entry.

Timeline

  • Eligibility vetting: Once the submission window closes, the SAMAs office and a committee made up of representatives from recording companies will review all entries for eligibility.
  • Nominees announcement: After a thorough adjudication process, five nominees will be announced for each category.
  • When submitting an entry, entrants should ensure that it adheres to the SAMAs rules. This will help ensure a smooth and fair submission process.
  • Commercial release: A single or album must have been commercially released (available for purchase) in South Africa between 16 April 2024, and 31 January 2025.

“We have had an incredible year, marked by the triumphant staging of the milestone SAMA30,” RiSA CEO Nhlanhla Sibisi said. “Now we are fired up and raring to go with SAMA31 preparations. We have seen an increased number of entries in the past years and we hope to maintain this. It is a much-valued vote of confidence in our systems from the industry that we cherish. We call on the industry to come along and ensure that SAMA31 is for the books. We look forward to an overwhelming response from deserving music practitioners.”

Below are the categories:

Top 5 categories

  • Album of the Year
  • Duo or Group of the Year
  • Female Artist of the Year
  • Male Artist of the Year
  • Newcomer of the Year

Album Genre Super Categories

  • Best Rock Album
  • Best Pop Album
  • Beste Pop Album
  • Best Adult Contemporary Album (English)
  • Beste Kontemporêre Musiek Album
  • Best African Adult Contemporary Album
  • Best Alternative Album
  • Best R&B/Soul Album
  • Best Hip Hop Album
  • Best Kwaito Album
  • Best Amapiano Album
  • Best Gqom Album
  • Best Dance Album
  • Best Traditional Faith Music Album
  • Best Contemporary Faith Music Album
  • Best African Indigenous Faith Music Album
  • Best Traditional Album
  • Best Maskandi Album
  • Best Jazz Album
  • Best Classical/Instrumental Album
  • Best Afro Pop Album
  • Best Reggae Album

Special Awards

  • Lifetime Achievement Award
  • International Achievement Award
  • Chairman’s Award
  • Best Selling Awards
  • Best-Selling Artist
  • Best Selling Live Audio Visual
  • Rest Of Africa Award
  • Most Streamed Song of the Year
  • Record of the Decade
  • Album of the Decade

Technical Categories

  • Best Produced Music Video
  • Best Produced Album
  • Best Engineered Album
  • Remix of the Year
  • Best Live Audio-Visual Recording
  • Best Collaboration

Open call

  • Record of the Year
  • Music Video of the Year

View the original call here.

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