NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Open call: Work stays abroad cultural exchange

15 Apr 2025 - 14:31

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The Goethe-Institut invites applications from artists based in Germany for a funding programme aimed at strengthening intercultural exchange and fostering international networks within the cultural and music sectors.

The programme is open to individual musicians and composers active within the German music scene who wish to jointly develop new artistic concepts with collaborators or institutions abroad.

The scheme offers individual grants to musicians, composers, and music creators to undertake working stays lasting between two and four weeks in a host country of their choice. These stays are intended to encourage artistic research, promote professional exchange, and establish new collaborative relationships.

Who is eligible

The programme is open to individual musicians and composers active within the German music scene who wish to jointly develop new artistic concepts with collaborators or institutions abroad.

What is funded

The grant supports:

  • Working stays of two to four weeks in a host country of the applicant’s choice.
  • Research and groundwork for future large-scale artistic projects.
  • Collection of material for (co-)productions in the host country.
  • The development and/or production of initial collaborative works with local artists.
  • The initiation of networks with fellow creatives and cultural stakeholders.

Funding includes travel costs and a stipend to cover accommodation, meals, and other living expenses during the stay.

Note: The following are not eligible for funding:

  • Album productions, tours, guest performances, pre-existing artistic residencies, masterclasses, summer schools, academic research trips, training seminars, teaching appointments, tourist travel, or family visits.
  • Travel to German-speaking countries outside of Germany.

Funding criteria

Applications should meet the following criteria:

  • All project partners are well-established within their respective local music scenes.
  • The proposal outlines a clear concept for international artistic research and exchange.
  • The project is expected to have a lasting artistic or social impact on the participating music scenes.
  • Ideally, some tangible results will emerge during the stay itself within the host country’s local scene.
  • Where applicable, collaboration with a local Goethe-Institut is encouraged to explore opportunities for project-related public activities (e.g. concerts, workshops, lectures, panel discussions).
  • Goethe-Institut places emphasis on sustainable travel; for journeys under seven hours or 600 km, rail travel is preferred. Additional costs incurred by choosing more sustainable transport options (e.g. train over air) will be considered for funding.

Application requirements

Applicants must submit the following:

  • A detailed project proposal including aims and artistic vision.
  • Description of how the project connects with the host country’s music scene, including documentation of existing partnerships.
  • A proposed travel itinerary (with dates, destinations, contacts, and institutions involved).
  • List of participants and their roles, if applicable (particularly for co-productions).
  • Information on possible collaboration with a local Goethe-Institut.
  • An artistic CV or biography.
  • A financial plan detailing all expected costs, including any local or third-party contributions
  • A current audio sample of the applicant’s work (via link).
  • Two cost comparisons for travel (sourced from online portals or travel agents).
  • For air travel: an additional quote reflecting the lowest possible CO₂ emissions.

Application process

  • Applications must be submitted at least four months prior to the planned project start date.

Note: Projects that have already commenced or for which travel arrangements (e.g. flights) have already been booked are not eligible. In exceptional cases, applicants may informally request permission for an “early start of the measure” via email. However, such approval does not constitute a funding commitment.

Once funding has been granted for a working stay abroad, recipients may not apply for the same funding line again for a period of three full calendar years.

Next application deadline

Applications must be received no later than four months before the planned start date of the working stay abroad. Apply here.

View the original call here.

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