NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

Features

Oyinkansola Fawehinmi: Why ACCES 2025 is a must

04 Aug 2025 - 11:09

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When Nigerian entertainment lawyer Oyinkansola Fawehinmi attended the Music In Africa Conference for Collaborations, Exchange and Showcases (ACCES) for the first time in Rwanda last year, she encountered something rare in Africa’s fast-paced and fragmented music ecosystem: genuine cross-continental exchange.

Oyinkansola Fawehinmi.

Fawehinmi is widely regarded as one of Nigeria’s leading entertainment lawyers, with a proven track record of advocating for artists’ rights and influencing policy within West Africa’s rapidly growing creative industries. She is the founder of Zaeda Oracle, a leading entertainment law and business advisory firm. Her work positions her at the intersection of legal reform, industry development, and creative entrepreneurship – making her perspectives on ACCES especially compelling.

This experience left a lasting impression on Fawehinmi, who sees ACCES as a much-needed platform for building bridges across the continent’s diverse music industries. Set to take place in Tshwane, South Africa, from 30 October to 1 November 2025, ACCES is not just another industry event – it is Africa’s leading music business conference, designed to foster meaningful networking, dialogue, education, and collaboration across the continent and beyond.

Organised by the Music In Africa Foundation (MIAF), the annual gathering is widely recognised for its tangible impact – from spotlighting emerging talent to connecting them with global opportunities. For professionals like Fawehinmi, it represents an important space where industry players converge with purpose.

“ACCES is a phenomenal platform that brings together African executives who, under normal circumstances, might never cross paths due to the demands of their respective roles,” she says. “Attending ACCES gave me the opportunity to engage directly with both African and international music business professionals.”

A unique cross-continental convergence

For Fawehinmi, one of the most transformative aspects of ACCES was seeing how African music professionals are collectively tackling the same systemic issues, from artist rights and royalties to industry regulation and investment, but from different corners of the continent.

“Hearing their perspectives and approaches to the same issues I have been fighting for reassured me that I am not alone in the journey of contributing meaningfully to Africa’s creative and economic development,” she says.

This sense of unity in purpose is what makes ACCES so powerful: it positions African professionals not as isolated players but as co-creators in shaping the continent’s cultural and economic future.

Beyond the panels and performances, Fawehinmi says she was deeply moved by the sheer scale and quality of the event’s organisation.

“It was equally inspiring to see the immense effort involved in organising and driving the event. It’s a strong indication that Africa not only has the potential but also the leadership and coordination to shape its global narrative. It shows that the industry isn’t just growing, it’s evolving with purpose.”

This evolution is reflected in how ACCES has expanded its reach and impact. Over the years, the conference has travelled to different African cities including Dakar, Accra, Nairobi, Dar es Salaam, Johannesburg, and Kigali – each time drawing hundreds of artists, producers, label executives, rights organisations, tech innovators, and policymakers from around the world.

Proven impact

One of ACCES’ major achievements has been its role in amplifying African voices on the global stage. Through showcases, exhibitions, and deal-making forums, the event has helped countless artists and entrepreneurs build long-lasting connections, gain international exposure, and secure meaningful collaborations.

Its partnership ecosystem also continues to grow, with support from major institutions such as Siemens Stiftung, Goethe-Institut, the City Of Tshwane, the South African National Conventions Bureau, the British Council , SAMRO, Coca Cola, Spotify, the SAMPRA Development Fund, among others.

Looking ahead to ACCES 2025

With Tshwane set to host this year’s edition, excitement is already building. South Africa’s capital city brings a unique mix of cultural heritage and modern infrastructure, offering the perfect backdrop for a gathering that blends deep conversations with artistic innovation.

For industry professionals, artists, creatives, and cultural policymakers, ACCES 2025 promises not just inspiration but practical tools and relationships to drive their work forward. And as Fawehinmi’s testimony illustrates, the event delivers far more than just networking, it creates a shared vision of African excellence.

For more information and registration details, visit: www.musicinafrica.net/acces

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