NEFCISA
NEFCISA

The Music In Africa Foundation (MIAF) is proud to announce its partnership with the Industrial Development Corporation (IDC) as a Strategic Implementing Partner (SIP) for its Social Employment Fund (SEF). Through this collaboration, MIAF is launching a new national programme designed to create jobs, address skills gaps, and strengthen South Africa’s creative industries — in line with the SEF’s overarching goal to generate work for the common good and build community value through employment, social contribution, and inclusive economic participation. Operating under the banner NEFCISA (National Employment Facility for Creative Industries in South Africa), the initiative will recruit and train participants, match them with host organisations, and place a minimum of 1 000 workers across the country. Key Objectives: Support employment and entrepreneurship in the creative industries. Offer skills development and training programmes. Foster partnerships between public and private creative sectors. Promote South African creativity at both provincial and national levels Foster community development through social contribution.

ACCES
ACCES

ACCES has stamped its authority as Africa’s leading music trade event. At the 2019 edition in Accra, the conference brought together more than 1 200 delegates from about 50 countries on the continent and beyond. The conference also hosted 76 showcasing artists from Africa and the diaspora, who got to perform for an influential audience at two top live venues in the Ghanaian capital. Apart from live showcases, the event features panel discussions, presentations, exhibitions, pitch sessions, Q&A sessions with prominent musicians and visits to key music industry hubs in the host city. Many of these activities will be planned for ACCES 2021, with the ACCES team already exploring a tailor-made programme that will cater for the specific needs of the local music industry amid the pandemic. ACCES is organised by the Music In Africa Foundation, a non-profit and pan-African organisation, in partnership with Siemens Stiftung and Goethe-Institut.

Gender@Work
Gender@Work

Music In Africa Gender @ Work is a three-year training programme aimed at upskilling and increasing the participation of female professionals in the African music sector. Launched by the Music In Africa Foundation (MIAF) in April 2019, the programme is connected to the MIAF’s ACCES music conference – a pan-African event held in a different African country every year. This connection enables the programme to reach new participants in a different African country every year. The programme marks the beginning of a more concerted effort by the Foundation to support the participation and inclusion of women in all facets of its programmes and the music sector in Africa as a whole. Over the three years, the programme will aim to address gender imbalances in the sector through training, lobbying, facilitating knowledge exchange and dialogues that foster the interest of women. The broader objectives of the programme are to: Provide industry training for women on critical music industry skills, focusing on: Stage management Electronic music production and recording Music business management Technical knowledge Provide an opportunity for both professional and aspiring women to benefit from the Music In Africa network and its broad range of activities in 2019, 2020 and 2021. Provide a solution-based platform in the form of a round table at ACCES with a view to identify challenges, discuss opportunities and lobby for the interests of female practitioners. Offer participants the opportunity to benefit from programmes offered by MIAF’s partners. Increase access to educational materials. Integrate participants in the broader ACCES programme to maximise experience and exposure to the industry. Record and present training materials on the www.musicinafrica.net, including but not limited to tutorials, templates and other best-practice materials. Communicate women-based themes that support the initiatives and messages of the programme. MAIN TRAINING ACTIVITIES Training in first country (Ghana): In the first year, participants will be trained on all aspects of stage management by a team of experienced stage managers from 10 to 17 November 2019. The programme will offer robust classroom training as well as practical, hands-on training in which participants will also be given the opportunity to manage various aspects of the ACCES performance programme. Training in second country: The second training iteration will take place at ACCES 2020 when the programme will diversify its course to include music production lessons and training on other music business topics. A round-table platform will also be introduced to coincide with the ACCES programme. Training in third country: The third training iteration will take place at ACCES 2021 in a different country, offering an advanced course. HOW DO YOU GET INVOLVED?  As a participant, facilitator or trainer: The programme enrolls up to 12 trainees every year. All opportunities are advertised publicly on this website, and will be added to this page. Please keep checking this page for new calls (below under UPDATES & CURRENT OPPORTUNITIES). As a partner Please contact Claire Metais at claire@musicinafrica.net. APPLY The call for applications for 2020 will be announced soon. The Music In Africa Gender @ Work programme is made possible with the support of the Prince Claus Fund, Siemens Stiftung and Goethe-Institut.

Sound Connects Fund
Sound Connects Fund

For cultural and creative practitioners and organisations operating in southern Africa, access to funding remains a major challenge. The COVID-19 pandemic has also had a massive impact on government policy, spending and the economy in general, and has seen spending on culture being moved further down the list of priorities. Further, the cultural and creative industries repeatedly cite four main areas where investment is needed for growth, which are increased visibility, mobility including access to new markets, finance and support structures.

Instrument Building And Repair Project
Instrument Building And Repair Project

Experience the Vibrations African Instruments Exhibition online in 3D

News

Soul Brothers frontman David Masondo dies

06 Jul 2015 - 08:40

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David Masondo, lead singer of the legendary Soul Brothers, has passed away. Masondo died at the Garden City Hospital in Mayfair, Johannesburg on Sunday 5 July. He was 67 years old.

RIP: Soul Brothers singer David Masondo.

The group’s manager Welcome Bhodloza Nzimande confirmed the incident on Sunday, saying the band is still in shock. Nzimande told Daily Sun: “We are shocked and saddened by the news of David’s death. We didn’t expect it so soon… His death has left a void in the mbaqanga music scene. He was one of the pioneers of the genre. May his soul rest in peace.”

David Masondo was born in Hammarsdale in Durban in 1950. He started with the Groovy Boys before co-founding the Soul Brothers in the mid-70s, initially as the group’s drummer before becoming the group’s lead vocalist and the face of the band for the next four decades.

Masondo had apparently been rushed to hospital suffering from fatigue following a live performance on 20 June at Central Stadium in Uitenhage, Nelson Mandela Bay. At the time the band's management told Drum: "Age is not on his side, running around a lot during a performance is not good for him… After the performances he was weak and tired so we took him to hospital."

Tributes are pouring in for the singer, affectionately known as ‘Mdavu’. Masondo’s death was announced by his band on their Facebook group. “It is very sad to announce that the main man, the anchor man, the lead singer of our band, has passed on today at the age of 67,” they wrote. “Rest in peace Mdavu mfo ka Masondo.”

Soul Brothers keyboardist Moses Ngwenya said he was shocked by the news and had lost a brother and a friend in the music industry.

Friend and fellow musician Abigail Khubeka told Eyewitness News: “We’ve lost a great artist, musician, a leader in the music industry. He was one of the people who created an African music style. He was part of the people that changed African music, so called mbaqanga - they gave it a different sound.”

The Southern African Music Rights Association (SAMRO) issued the following message on their Facebook page: “We are saddened by the passing of the legendary Soul Brothers lead singer, David Masondo. The mbaqanga artist died this afternoon (Sunday, 05 July 2015) at the Garden City Hospital in Johannesburg. Condolences to his family, friends and partners in music. May his soul rest in peace.”

Formed in KwaZulu-Natal in the mid-1970s, the Soul Brothers have remained the most successful proponents of the mbaqanga sound that has long dominated South African urban music. Their sound was initially built around the rhythm section of bassist Zenzele ‘Zakes’ Mchunu, drummer David Masondo and guitarist Tuza Mthethwa, who first played together in the Groovy Boys in Kwazulu-Natal, and later in the Young Brothers.

After moving to Johannesburg in the late 1970s, keyboardist Moses Ngwenya joined to create the Soul Brothers, and Masondo made the move from drums to lead vocals. The combination of Masondo’s quavering soprano voice and Ngwenya’s percussive organ playing gave the Soul Brothers a unique and instantly recognizable sound, augmented with a brass section, guitars, vocal harmonies and dancers. The Soul Brothers toured the UK and Europe in 1990 on their first international tour. They have released more than 35 albums over the years, reportedly selling over three million copies worldwide, making them one of Southern Africa’s biggest selling and most enduring music groups. Their most recent albums are Isiphithiphithi (2012) and Vika (2013). They have also long operated their own successful recording, publishing and entertainment companies.

At the time of his death, the Soul Brothers were reportedly busy in studio recording their 39th album, which would have included collaborations with fellow South African legends Ladysmith Black Mambazo, Steve Kekana and Ihashi Elimhlophe.

Mthethwa passed away in 1979 and Mchunu in 1984. Another founding member of the band, Themba American Zulu, died in 1988. Now the last remaining member of the original line-up, Ngwenya himself was in the news recently after being shot in the hand following an attempted hijacking in Johannebsurg.

As for what the future holds for the legendary group, manager Nzimande told eNCA: “We are going to put our heads together and try to see how we can move on as a band. We need to take the right decision about the Soul Brothers. It won’t be the same without Masondo. He has left an indelible mark in the traditional music landscape.”

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